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Back when humanity was still stacking up rocks to make festival stages, bass players were confined to an amp, a cable and an instrument, while guitar players got all the cool toys. Bassists rejoice—this one’s for you. Below we’ve broken down the best bass pedals by type and explained where in your chain they’d be the perfect fit.
It took several decades before bass players began to put together pedalboards of their own, seeking equity with the stage real estate guitarists had claimed. In this article, we're going to balance the equation and look at the best effects pedals for bass, from EQ and compression to distortion, filters, modulation pedals and more. We'll be covering a little history first, but if you just want to get to the gear, feel free to use the links below in the handy Table of Contents to jump right there.
Pictured: BOSS GT-1B Bass Multi-Effects Pedal
Table of Contents
How We Organized These Bass Pedals
Best Preamp & DI Bass Pedals
Best Distortion Bass Pedals
Best Compressor Bass Pedals
Best Filter & EQ Bass Pedals
Best Modulation Bass Pedals
Best Multi-Effects Bass Pedals
Best Synth Bass Pedals
How to Arrange Bass Pedals in Your Signal Chain
Bass Pedal FAQs
Wrapping It All Up
How We Organized These Bass Pedals
We've broken down our choices into six basic categories to help you zero in more quickly on the best bass effect pedals for your needs. First, we'll break down what those categories are, then walk you through our selections for each category.
Common Types of Bass Pedals
Unlike earlier decades, there are many dedicated bass effects pedals available today, but they tend to break down into a handful of basic categories. Here’s a quick list of what’s covered:
- Preamp/DI pedals: for tone shaping, recording and live sound
- Distortion and fuzz pedals: for grit and aggressive bass tones
- Compressor pedals: for evening out dynamics, sustain and adding punch
- Filter, EQ and octave pedals: for tone sculpting, wah, envelope and pitch effects
- Modulation pedals: for chorus, flanger and creating movement
- Multi-effects pedals: for players who want many sounds in one unit
- Synth bass pedals: for electronic, experimental and analog-style textures
Pictured: Darkglass Alpha Omega Bass Effects Pedal
Preamps and DIs:
While the DI (Direct Injection) box has been one of the most prominent ways of recording bass and getting a solid bass signal into a live mixing board, having a DI combined with a preamp specifically designed for bass makes it a far more powerful tool. The development of pedals that combine the two is especially handy for the growing use of "silent stage" setups for houses of worship, clubs, shows at venues like casinos, and touring bands who like to keep stage gear to a minimum. They range from basic EQ and gain controls to more comprehensive units that include switchable channels, built-in distortion/overdrive and more.
Boost and Distortion:
Whether you're looking for just a quick boost from hot to hotter or want a full-blown fuzz, this is the place to get that extra edge on your sound. These can be very basic volume boosts or pedals with split outputs and multiple voicing.
Compressor:
Probably the most widely used effect for bass, a good compressor helps smooth out your signal and keep your sound in the right spot in the mix. It's essential for the pop and snap of modern funk playing and for keeping dynamics even and controlled.
Filter and EQ:
We're grouping these effects together because they're related in concept and in use. Envelope filters (aka auto-wah) and wah pedals were among the earliest effects used on bass guitar, second only to distortion. The use of a supplementary equalizer pedal (EQ) enables bassists to further expand their tonal palette beyond the basic tone they have dialed in on their amplifier or preamp.
Modulation:
Whether time-based (chorus) or frequency-based (phase shifter), modulation effects add that rich, harmonic "swoosh" to your sound. Important for bass versions of this effect is to have some sort of filter that leaves the fundamental untouched.
Multi-Effects:
All of the above, plus more.
Best Preamp & DI Bass Pedals
Whatever else you're doing, you'll need a preamp to shape your sound on the way to your amp, and a DI to get it into a mixer or interface. We've got some great choices here.
|
Pedals |
Tonal Characteristics |
Power Supply and Draw |
Direct Out |
|
Classic Ampeg amp and cab tone |
9V, 200mA |
Yes |
|
|
Warm and rich |
18V, 36mA |
Yes |
|
|
Punchy and tight to brutal and raw |
9V, 30mA |
Yes |
|
|
Versatile and amp-like, from round vintage to crisp contemporary tones |
9V, 70mA |
Yes |
|
|
Clean tube to British crunch |
12V, 600mA |
Yes |
|
|
Transparent to controlled coloration |
9V, 500mA |
Yes |
Ampeg SGT-DI Blue Line Anniversary Edition
What to Know:
- Channels the soul of vintage Ampeg amps
- Switchable gritty SVT and warm B15 voicings
- XLR DI out with cab sim for studio or stage-ready tone shaping
Shop Now: Ampeg SGT-DI All-in-One Bass Box Effects Pedal
Ampeg's SGT-DI is a certified chameleon of a pedal, combining the legendary tones of the iconic SVT and B15 amps with almost too-good-to-be-true convenience. This pedal provides a powerful combination of EQ options, onboard speaker cab emulations and studio-grade DI capability.
Aguilar Tone Hammer V2
What to Know:
- Warm, rich sonic character
- Gig-friendly Aguilar tone that won’t break your back
- Enhanced drive circuit and expanded gain range
Shop Now: Aguilar Tone Hammer V2 Preamp Bass Effects Pedal
Taking a tonal nod of the head from its sibling, the Tone Hammer 700 V2 amp head, the Aguilar Tone Hammer V2 preamp bass effects pedal delivers an updated drive circuit, direct recording and monitoring capabilities, as well as the added bonus of being able to drive a power amp, allowing you to use it as a standalone preamp. With sounds reminiscent of Aguilar’s legendary amps, this sturdy pedal delivers iconic tube amp tones that the brand is known for. Included, you’ll find a 3-band EQ with a sweepable midrange so you can hone in on the perfect frequency, as well as a drive control that adds an impressive amount of grit and punch when you want more aggression. These tone-shaping features combine to provide you with a wide range of sonic possibilities, from vintage warmth to modern grind. Whether you’re cranking things up on stage or utilizing the headphone jack for silent jam sessions, the Tone Hammer V2 is a force to be reckoned with.
Darkglass Alpha Omega
What to Know:
- Wide ranging from punchy and tight to raw aggression
- An extremely versatile preamp with loads of tone shaping tools
- Onboard optical compressor for transparent, dynamic control
Shop Now: Darkglass Alpha Omega Bass Effects Pedal
The Darkglass Alpha Omega is an extremely flexible option that houses EQ, compression, drive and blend settings in a road-tested enclosure. If you’re looking for an adaptable preamp that provides a bevy of onboard effects, this pedal delivers in spades. Striking a nice balance between its array of different settings, the blend knob allows you to mix your distorted and clean signals to create the perfect ratio of drive and clarity. Whether you play modern metal, classic rock or jazz fusion, the Alpha × Omega has the tools for you to craft your own unique, one-of-a-kind sound.
EarthQuaker Devices Scrolls Bass Odyssey
What to Know:
- Amp-like tones from vintage warmth to crisp and contemporary
- Great for players looking for old-school vibe or modern edge
- Switchable Drive and EQ sections and additional effects loop
Shop Now: EarthQuaker Devices Scrolls Bass Odyssey EQ and Overdrive
The Scrolls Bass Odyssey effects pedal by EarthQuaker Devices delivers transformative tone at the twist of several knobs, promising everything from smooth, old-school, Precision Bass-into-B-15-style sounds to punchy, arena-ready, StingRay-into-Gallien-Krueger-type sonics.
On the Drive side, you’ll find valve-esque distortion with a Blend knob for balancing the amount of wet versus dry signal, as well as a Bandwidth control, which adjusts the clipping’s frequency center. The EQ section offers an intuitive tone stack for familiar tweakability, in addition to three instant tone-sculpting buttons: Deep (80Hz boost), Process (low-mid scoop) and Bright (5kHz boost). The not-so-secret weapon—and the key to Scrolls’ versatility—are the Vari and Vari-Freq knobs, allowing you to boost or cut a selectable range of frequencies from 20Hz–10kHz.
Two notes Audio Engineering ReVolt
What to Know:
- Dynamic, tube-like cleans and crunchy drive
- An ideal centerpiece and strong pedal to build a chain around
- FX Loop, MIDI I/O and a dry/wet blend for maximum versatility
Shop Now: Two notes Audio Engineering ReVolt 3-Channel Preamp
The ReVolt from Two notes Audio Engeneeing is a forward-thinking, 3-channel preamp purpose-built to serve as the beating heart of your rig. This critically acclaimed preamp solution has been engineered with a singular mission: to empower players with an array of foundational tones. Forget any preconceptions you have about a typical amp-in-a-box, preamp or DI—ReVolt Bass stands apart. It’s inspired by a trio of iconic tones, fueled by 200V of power and a genuine all-analog signal path. Versatile enough to take on a myriad of usage scenarios, it delivers the edge you need thanks to its integrated dry/wet drive channel blend. This rock-solid option will make your bass the bedrock of any performance.
Walrus Audio Mantle
What to Know:
- Neve and API preamps inspired this colorful yet controllable pedal
- Perfect for tonal purists looking for recording-grade transparency on the stage
- 1/4" and XLR outs can be used simultaneously
Shop Now: Walrus Audio Mantle Bass Preamp/DI Effects Pedal
The Walrus Audio Mantle might not be a Swiss Army knife DI loaded with a cab simulator and compressor, but it’s a great example of a less-is-more approach. Designed in collaboration with Ian Martin Allison, it was engineered to add some elevated studio-grade panache to both your live and tracking setups.
Impart a little tone sculpting with some bass and treble boost (positions 7–11) or attenuation (1–5), plus your preferred amount of transformer-based gain, and you’ve got an exquisite front-end—or wherever you want it—tone enhancer.
Best Distortion Bass Pedals
Need just a little extra level to pop your bass out or drive your amp a little more? Looking for roaring fuzz bass? This section is where to find your answer.
|
Pedals |
Tonal Characteristics |
Power Supply and Draw |
Included Effects |
|
Thick, harmonically rich fuzz designed to replicated LCD Soundsystem's bass tones |
9V DC, 25mA |
Fuzz with blendable low-end retention |
|
|
Fat and sludgy to clear and present |
9V, 7mA |
Fuzz |
|
|
Gnarly, sustaining saturation with distinct midrange grind |
9V, not available |
Fuzz |
EarthQuaker Devices Chelsea Low-End Fuzz Driver
What to Know:
- Thick and saturated fuzz
- Authentically captures LCD Soundsystem’s gritty bass
- Blends seamlessly with clean signal to retain low-end clarity
Shop Now: EarthQuaker Devices Chelsea Low-End Fuzz Driver
If you’ve ever cranked an LCD Soundsystem record and thought, “That bass tone!”—this is it. The EarthQuaker Devices Chelsea Low-End Fuzz Driver takes the pulsing, sawtoothed fuzz that defined their sound and delivers it in a handmade, boutique-quality stompbox. Designed specifically for bass, it balances searing distortion with just the right amount of low-end retention, so your tone stays massive, not muddy. From laying down a dancefloor-shaking groove to blasting a blown-out, industrial bassline, the Chelsea is built to rumble.
Electro-Harmonix Bass Big Muff Pi
What to Know:
- Classic high-gain hair—from fat and warm to clear and present
- Bassists who love Big Muff fuzz will love this tailor-made stomp
- Dual outputs give you recording/performing flexibility
Shop Now: Electro-Harmonix Bass Big Muff Pi Bass Effects Pedal
The Electro-Harmonix Big Muff Pi is one of the most widely used fuzz pedals in the history of amplified music, and the Bass Big Muff Pi takes all that insanity and voices it specifically for bass. One very important feature here is the split Dry and Effect outputs, which enable you to record the clean and fuzz outputs separately, run to two separate amps, two channels of the same amp or to separate mixer inputs live. Best of all, because nothing exceeds like excess, there's a switchable bass boost to send the fuzz totally over the top. For sheer, unadulterated fun, fuzz bass has got to be right up near the top of the list.
Electro-Harmonix Deluxe Bass Big Muff Pi 2
What to Know:
- Sludgy, dual op-amp circuit oozes gnarling mid-forward fuzz
- Designed for bassists that need brutal saturation with a few extra tone-shaping features
- Built-in noise gate keeps unwanted hiss and hum at bay
Shop Now: Electro-Harmonix Deluxe Bass Big Muff Pi 2 Fuzz Pedal
It’s hard not to crack a smile when you plug into the Electro-Harmonix Deluxe Bass Big Muff Pi 2 and hear its cataclysmic fuzz for the first time. It’s immense and intense, but it’s also extremely usable. That’s thanks to the Blend knob preventing your dry signal from getting completely lost in the sauce, so you can maintain low-end precision while giving your tone some edge.
And then there’s the Crossover function—Crossover chops your signal in two and sends a high-pass-filtered version to the fuzz circuit and a clean, low-pass-filtered copy to the output. What you get is bright, trebly saturation and clear, beefy fundamental bass tone that retains its power and punch. This added layer of control makes the Deluxe Bass Big Muff Pi 2 exceptionally versatile, whether you’re tearing through fuzzed-out sludge metal riffs or holding down rock rhythms with just a hint of hair on top.
Best Compressor Bass Pedal
Every bassist needs a good compressor somewhere in their signal chain. No matter what style or genre you play, that's just a fact.
|
Pedal |
Tonal Characteristics |
Power Draw |
Attack and Release |
|
Transparent and controlled to punchy, warm and present |
9V, 500mA |
Variable |
|
|
Organic to harmonically rich and colorful |
9V, 100mA |
Variable |
Aguilar TLC Compressor EQ DLX
What to Know:
- Ranges from transparent to rich and thumpy
- Comprehensive controls make this pedal adaptable to many styles
- Six ratios and blend control to mix wet and dry signals
Shop Now: Aguilar TLC Compressor EQ DLX Effects Pedal
With its comprehensive compression layout, EQ and even gain-reduction metering, it comes as no surprise Aguilar took its cues from channel strip signal flow when designing the TLC Compressor EQ DLX. In fact, thinking of it as the “channel strip” of your pedalboard will get your signal chain off to a very promising start.
But delving beyond what a typical single channel strip would do, Blend control gives you parallel compression, meaning you get to mix your uncompressed (dry) signal with your compressed tone. The TLC Compressor EQ DLX stays true to the natural character of your instrument—and of your tracking workflow, if you’ve spent a significant amount of time sculpting your low end in the studio.
Empress Effects Bass Compressor
What to Know:
- Natural, musical compression that can get colored
- Players who love the original will appreciate its bass-centric features and board-friendly size
- Sidechain functionality gives you a wider range of compression possibilities
Shop Now: Empress Effects Bass Compressor Effects Pedal
An extremely versatile effects pedal, the Empress Effects Bass Compressor packs loads of functionality into a footprint that will make any pedalboard enthusiast happy. From its variable attack and release settings to a switchable ratio that ranges between 2:1 and 10:1, this pedal offers complete control of your dynamic range. The standout feature of the Bass Compressor is the three-way switch that controls the Tone and Colour setting. Giving you the ability to dial in transparent, mid-scoop and mid-bump settings, this functionality takes your compression from clean to colored on demand. A nice addition is the built-in side chain HPF so you can retain your powerful low end while smoothly controlling your mids to avoid nasty, distracting bite. Plus, with additional external sidechain I/O, the possibilities on stage or in the studio are seemingly endless.
Best Filter & EQ Bass Pedals
EQ and its ability to fine-tune an instrument's tone has been central to recording and performance since it was first invented, but putting it in a stompbox and making it usable as an effect opened up new frontiers. The vocal-like sound of wah pedals and envelope filters have been second only to distortion as an effect for bass players since those effects first arrived on the scene. The sub-octave, also known as octave-down effect, has enabled bassists to thicken and reinforce their dominance of the deep
|
Pedal |
Tonal Characteristics |
Power Draw |
Onboard Expression Pedal |
|
Synth-like filtering with octave-down and -up harmonics |
9V, 500mA |
No |
|
|
Pitch shifting, octave effects |
265mA |
Yes |
|
|
Muted and wonky to wide open |
9V, 20mA |
Yes |
|
|
Classic '70s funk bass tone |
9V, 6mA |
No |
Aguilar Octamizer DLX Octave Generator
What to Know:
- In-depth filtering combined with detailed controls lead to fun new textures
- Bassists looking for an octave pedal with unique synth characteristics will love experimenting and getting creative with this stomp
- Dedicated filter and level knobs, plus A and B Models for different flavors of sub bass
Shop Now: Aguilar Octamizer DLX Octave Generator Effects Pedal
The original Octamizer and its V2 successor were classic pitch-tumbling playgrounds for bassists, giving filter and level controls for clean and octave tones. Aguilar kicked things up a notch with the Octamizer DLX, introducing Octave Up level and filter controls in addition to A and B Modes.
A Mode gives you a familiar Octamizer filter sweep, from smooth and round to textures that politely venture into synth territory. Toggle B Mode, and you’ll find a more unapologetically synth-like, gritty personality in your conquest for uncharted low end. No matter your mode of choice, it’ll throw back something immediate and expressive for not only live situations—but also tracking. Less time fussing around with plug-ins and outboard gear in the studio? We’ll take that W.
DigiTech Bass Whammy
What to Know:
- Smooth, expressive control specifically tuned for bass
- Bass players looking for a go-to whammy pedal will find this stomp a wide-ranging addition to their pedalboard
- Offers a multitude of pitch bends, octave shifts and detune effects
Shop Now: DigiTech Bass Whammy Effects Pedal
The DigiTech Bass Whammy brings the legendary DigiTech Whammy sound to bass players, allowing you to add expressive pitch bends, octave shifts and detune effects smoothly and seamlessly. Awesome when creating dynamic, vocal-like melodies and unique bass textures, the Bass Whammy lets you easily do pitch bends and craft dramatic effects that set your bass tone apart from the mundane.
Dunlop Cry Baby 105Q Bass Wah
What to Know:
- Classic wah tone tuned to effect midrange and high-end frequencies provides an extremely unique sound
- Ideal for solos and stand-out performances
- Innovative touch-sensitive switching system bypasses wah when you lift your foot
Shop Now: Dunlop Cry Baby 105Q Bass Wah
From early on, bass players experimented with wah pedals, but mostly switched to envelope filters because the wah pedals designed for guitarists were not kind to low frequencies when they were switched on. The Dunlop 105Q Bass Wah takes a unique approach to that problem achieving a "best of both worlds" solution.
The 105Q was designed from scratch expressly as a pedal for bassists, and it is almost a hybrid of a wah and an envelope filter. Dunlop engineers borrowed circuitry from their envelope filters but control the sweep of the filter with the pedal. They also mixed in the fundamental frequencies of the bass so low end is never lost, while the effect is primarily applied to the mid and high frequencies of the signal. A variable Q (filter resonance) control is located on the side of the pedal, enabling you to go from a standard Cry Baby wah sound to a more intense, focused sound at higher (which equals narrower) Q settings. There is also an adjustable boost of up to 20dB. For a touch of added coolness, Dunlop's neat switching system turns off the wah when you just lift your foot off the pedal.
MXR M82 Bass Envelope Filter
What to Know:
- Iconic ’70s funk bass tones from your favorite records with more transient definition than a wah pedal
- Excellent pedal for iconic sounds in a compact size
- Keeps your low end intact with independent DRY and EFFECT level knobs
Shop Now: MXR M82 Bass Envelope Filter
One of the most iconic sounds in funk is the "wow-wow-wow" of an envelope filter. From OG Larry Graham with Sly and the Family Stone and Bootsy Collins' summoning of the Mothership with Parliament/Funkadelic to Flea and Marcus Miller, that particular type of sweeping filter is an integral part of funk bass history. The MXR M82 Bass Envelope Filter's all-analog design and simple controls make it an excellent choice if you are laying it down on the one.
One of the key features that puts the M82 on our list is the use of separate Dry and Effect level knobs as opposed to a single-blend knob. Separate levels allow for a greater range of filter effects from just barely noticeable to totally over the top. For the filter itself, there are three controls available. First, Decay, which sets the frequency where the envelope sweep will end. Next, Q sets the resonant frequency of the filter peak. Lastly, Sens (sensitivity) determines what level of attack will trigger the filter, making it possible, for example, for the envelope to only trigger on the loudest notes, such as a thumb pop, leaving regular fingerstyle plucks with medium dynamics untouched.
Best Modulation Bass Pedals
Swoosh, swirl and swim in the rich wash of modulation effects. We've got a pair of solid choices here to help liquify your sound.
|
Pedal |
Tonal Characteristics |
Power Draw |
EQ |
|
Thick and swirling |
9V, 40mA |
None |
|
|
Lush and organic |
9V, 12mA |
None |
BOSS BF-3 Flanger
What to Know:
- Swirling, harmonically rich tones
- Great addition to any player’s effects rig who’s looking for otherworldly flavors
- Momentary mode turns flanging on instantly giving you quick control for detailed performances
Shop Now: BOSS BF-3 Flanger Effects Pedal
The BOSS BF-3 Flanger adds features to the original BF-2 Flanger, creating a pedal that's great for bass or for guitar. While the BF-3 is a stereo/mono pedal, most bassists are likely to keep it in mono on their pedalboard. The unit has separate bass and guitar inputs, so if you play both, you can easily pop it from your bass pedalboard to your guitar one. BOSS offers four distinct modes for the pedal with amp control to tweak it to exactly where you need.
The control knobs start with a stacked pot that controls both the center frequency of the sweep (Manual) and the amount of feedback (Res), which controls the resonance of the effect. Next is the Depth knob, which controls the width of the flanger's sweep. This is followed by the Rate knob, which controls the speed. The final knob, going from left to right, controls the BF-3's mode of operation. There are four choices, the first two of which control the strength of the effect: Ultra provides an extra-strong flanging sound, whereas Standard is a normal flanger. The next choice, Gate/Pan creates massive volume differences in the flange sweep. In stereo mode, this acts as panning. In Mono, which is where you're most likely to be running it for bass, it creates a rhythmic gating effect, which can be a "chopper"-type of effect at extreme settings. Finally, Momentary activates the BF-3 in Standard flange mode only while the toe switch is depressed—great for adding a little touch of texture in the middle of a chorus.
Aguilar Chorusaurus
What to Know:
- Fat, warm, all-analog bucket-brigade style chorus
- Simple controls and versatile nature deliver a wide range of easy-to-utilize tones
- RATIO knob allows you to blend clean and effected signals
Shop Now: Aguilar Chorusaurus Bass Chorus Effects Pedal
Over the years, Aguilar has become synonymous with low end. Their amps and pickups are sought by bassists far and wide due to their thunderous, natural tone. Well, bass purists unite, because the Chorusaurus does not disappoint. Warm and versatile, this pedal is perfect for everything from fattening up your root signal, to full-blown underwater soundscapes. It has a deceptively simple set of controls that allow for a plethora of usable sounds fit for any genre or style. While the Chorusaurus can sound incredibly natural, it can be pushed into the beyond with more extreme settings, truly spanning the full range of musical possibilities any bassist could be searching for.
Best Multi-Effects Bass Pedals
Modern multi-effects units aren't just for guitarists. The ones we look at here are a solid basis for any bassist's effects arsenal.
|
Pedal |
Number Of Inputs |
Power Draw |
Onboard Expression Pedal |
|
1 INST, 1 AUX |
9V, 200mA |
Yes |
|
|
1 INST, 1 EXP/FS |
250ma (AC adaptor/battery), 400mA (USB) |
Yes |
|
|
1 INST, 1 FX RETURN |
9V, 195mA |
Yes |
|
|
1 INST, 1 EXP/FS |
9V |
No |
|
|
1 (Mono) |
500mA |
No |
BOSS GT-1B
What to Know:
- Onboard effects suite offers a bevy of stage-ready sounds
- Lightweight and rugged design is perfect for touring musicians
- Built-in interface, tuner and expression pedal
Shop Now: BOSS GT-1B Bass Multi-Effects Pedal
The BOSS GT-1B Bass multi-effects processor may be part of a pedalboard, or it could be your entire bass rig, especially if you do a lot of "silent stage" gigs. There are so many features here that we could probably write an entire article the length of the one you're reading now just on the GT-1B, so we're just going to touch on a few things.
First, the amp models use the well-respected Roland/BOSS COSM modeling engine. The available models include sounds based on vintage classics like the Ampeg B-15 and SVT, Fender Bassman and Acoustic 360, as well as modern amps from Gallien-Kruger, SWR, Markbass and more.
There are over 90 effects available, ranging from simple overdrives, wahs, compressors and EQs to bass synths, pitch shifting, harmonizers, ring modulators and more. We're pretty sure that every class of bass effect is covered in here somewhere and exploring the possibilities in this type of multi-effect is more than half the fun. For even more fun, there's a built-in looper.
I/O on the GT-1B is comprehensive with regular and AUX inputs, expression pedal input, stereo/mono output, headphone out, and a USB connection to use it as a class-compliant audio interface, edit the 99 supplied presets or create new ones in the 99 available user presets.
So, after using the built-in tuner, there is a lot to explore here. For sonically adventurous bassists, or for those who want to be, the BOSS GT-1B is an Aladdin's cave of musical magic, waiting to discover.
BOSS GX-1B
What to Know:
- Time-tested effects unit with a wealth of classic BOSS presets
- Gig-friendly and robust design makes this a touring must-have
- Built-in looper gives you even more creative possibilities
Shop Now: BOSS GX-1B Bass Multi-Effects Processor
The BOSS GX-1B Bass multi-effects processor may be part of a pedalboard, or it could be your entire bass rig, especially if you do a lot of "silent stage" gigs. There are so many features here that we could probably write an entire article the length of the one you're reading now just on the GX-1B, so we're just going to touch on a few things.
First, BOSS’ AIRD (Augmented Impulse Response Dynamics) modeling technology bestows unreal touch sensitivity—particularly evident on tube emulations. Then, there are over 130 effects available, ranging from simple overdrives, wahs, compressors and EQs to bass synths, pitch shifting, harmonizers, ring modulators and more. We're pretty sure that every class of bass effect is covered in here somewhere and exploring the possibilities in this type of multi-effect is more than half the fun. For even more fun, there's a built-in looper.
So, after using the built-in tuner, there is a lot to explore here. For sonically adventurous bassists, or for those who want to be, the BOSS GX-1B is an Aladdin's cave of musical magic, waiting to be discovered.
BOSS ME-90B
What to Know:
- 61 varied effect algorithms specifically for bass
- Well adapted to recording and performing gigs
- Studio-quality AD/DA conversion delivers incredible definition and detail
Shop Now: BOSS ME-90B Bass Multi-Effects Pedal
BOSS managed to fit nearly everything a bassist could ever need into the ME-90B. An easy-to-transport floor processor worthy of the most discerning players, it includes a staggering array of options, from a built-in expression pedal and 93 types of effects to a phrase looper, modulator, compressor, pitch shifter, drive section and reverb. If you can’t find the effect you’re looking for in the ME-90B, it might not exist yet. Ten bass preamps are also included, along with a more than capable preset bank that is comprised of 36 factory and 36 user presets. Equally astonishing is the quality of all these sounds. Sporting 24-bit AD and 32-bit DA conversion, you’ll be playing (and even recording) in high definition utilizing the ME-90B’s internal 32-bit floating architecture. The unit also comes with Tone Studio, a PC-based app that lets you program and save presets easily.
For a price that’s comparable to purchasing a small handful (or sometimes just one) of individual stompboxes, the ME-90B delivers a whole spectrum of sonic possibilities and lays them at your feet.
Line 6 POD Express Bass
What to Know:
- World-renowned Line 6 effects and amp simulations
- Bassists who demand quality and quantity will love this studio-friendly stomp
- Award-winning HX modeling technology in a compact footprint
Shop Now: Line 6 POD Express Bass Effects Processor
A best-selling pedal we’ve all come to know over the years, the POD from Line 6 is now available in an on-the-go package made specifically for bassists. The POD Express Bass is the answer touring and recording players have been seeking for decades. What if you could have your compressor, distortion, delay and effects pedals, as well as an amp simulator with you wherever you went? Get ready to tap into your tone and be creative at a moment’s notice with this modern-day masterpiece. Essentially cramming your rig into one easy-to-use box, the POD Express Bass is able to tackle any task. With award-winning HX modeling powering seven amp models (and seven cabinets to match), there’s something for everyone in this musical multi-tool.
Seventeen effects, ranging from distortions to compressors and synths to modulations, give you the colors you need to paint a rich sonic landscape of unique, professional tones no matter what genre you play. Whenever and wherever inspiration strikes, you’ll be ready with the POD Express Bass.
Zoom MS-60B+ MultiStomp
What to Know:
- Over 100 effects including amp models, modulation, delay and compression
- Streamlined and compact, this powerful unit is an intuitive, pedalboard-friendly pedal perfectly suited for touring musicians
- The number of effects contained in this small pedal makes it one of the most powerful options available
Shop Now: Zoom MS-60B+ MultiStomp Bass Effects Pedal
Zoom's MS-60B+ is purpose-built for bassists who want comprehensive effects without taking up pedalboard real estate. Offering an extensive collection of amp simulations, effects and precise tone-shaping tools, its intuitive, player-friendly interface allows quick tonal adjustments.
Best Synth Bass Pedals
Synth bass pedals can completely transform your instrument into a hybrid tonal beast that can become a focal point, wildly expressive low end foundation or something else entirely. Since they’re a special breed of stomp, we’ve given these effects their own category.
|
Pedal |
Tonal Characteristics |
Power Draw |
Total Voicings |
|
Analog-style synth, filter and distortion |
150mA |
8 |
|
|
Unique, synth-style weirdness |
9V, 40mA |
4 |
MXR Bass Synth
What to Know:
- Multiple synth voicings vary from funky to thick distortion
- Ideal for players who want to experiment with unique bass textures
- Presets offer quick switching between styles
Shop Now: MXR Bass Synth Effects Pedal
The MXR Bass Synth pedal dishes out vibrant, authentic synth textures specially designed for bass guitar. From fat, analog-style synth leads to quirky filter sweeps, this pedal lets you transcend the conventional boundaries of instrumentation. Its straightforward control layout makes shaping otherworldly sounds easy, helping you stand out—from funk and electronic genres to indie rock and experimental soundscapes.
Electro-Harmonix Bass MicroSynth
What to Know:
- Easily manipulatable ’70s and ’80s classic synth sounds
- The perfect match for bassists who want to get in-depth and carve their own sonic niche
- Delivers synth-like tones otherwise unachievable without a carefully designed signal chain
Shop Now: Electro-Harmonix Bass MicroSynth Effects Pedal
We were unsure just where to place the Electro-Harmonix Bass MicroSynth in this list. We wrestled with if it belonged with the filter, EQ and octave effects, because it can do all of that. Or, should it be with the multi-effects units, because it can do a whole lot of very, very cool stuff. At the last minute, we decided that it is so individual, it gets a category of its very own.
Designed to emulate the sounds of vintage analog synths of the '70s and '80s, the all-analog Bass MicroSynth uses your bass as a signal source to morph, mutate and mangle into glorious electro-madness.
The first step in the process is to take the one bass voice and process it to get four separate sounds—a sub-octave, straight bass sound, an octave above and a square wave at the original pitch. Mixing these together can create worthwhile sounds on its own, but the real magic happens when you process this through the filter section.
The filter section is a sweepable, three-pole resonant filter with sliders for Resonance, Start and Stop frequencies, and Rate of sweep. Before your signal hits the filter, there's also an Attack Delay slider that lets you go from instant attack to a slow volume swell. With a few adjustments, you can come up with a classic synth bass tone or a truly twisted warbling dinosaur war cry. No presets, but half the fun of this pedal is just playing and changing faders on the fly. Add a delay pedal after and you can really get in touch with your inner, weird child.
How to Arrange Bass Pedals in Your Signal Chain
There's no right or wrong when it comes to the order of your effects, but there are some common starting points and pitfalls you’ll want to avoid (IE–keeping your compressor in front of other pedals to control dynamics before your signal hits other effects that could react unpredictably to uncontrolled playing). Here’s a flow chart that is a good jumping off point for those new to pedalboard routing.
Tuner → Compressor → Octave/Synth/Filter → Drive/Fuzz → Modulation → Delay/Reverb → Preamp/DI
Feel free to experiment and explore changing things up to find your own, unique signal path that sounds just the way you want it.
Bass Pedal FAQs
What pedals should every bass player have?
If you’re looking to put together your first pedalboard or find the missing piece to your existing signal chain, you might want to make sure you’ve got the essentials like a compressor to tame uneven dynamics (and create sustain), a preamp/DI can add wonderful color and provide recording flexibility and—always indispensable—a tuner. Then expanding your rig with more exotic options like drive, distortion, fuzz or filter effects can be a great next step.
Can you use guitar pedals for bass?
Most definitely! But bass-specific pedals are tailor-made for your bass’ frequency range. Some guitar pedals can thin out your low end and negatively impact your tone.
Do bass players need compressor pedals?
While not required, compressor pedals are commonly used to smooth out dynamics, help the bass sit better in the mix (providing a polished, “record ready” sound) and even create punch when the settings are adjusted properly.
What order should bass pedals go in?
Check out the section above for a great starting point, but remember, there’s no golden rule or magic order. Your sound, style and creative desires are completely up to you.
What does a bass preamp/DI pedal do?
Preamp and DI pedals can help color your sound in a similar way to an amp. Some are meant to be driven hard to create subtle saturation or harmonic distortion, others are meant to be completely transparent and provide crystal-clear gain. Whatever your tonal wants are, it’s important to pick a pedal that gives you the flavor you’re looking for.
Dedicated DI pedals (or any pedal with a DI output) are especially important when in the studio or performing onstage. Having a clean, carbon copy of your signal during a recording session allows your engineer or producer to keep that “perfect take” and adjust the sound and tone to taste during the mixing stage, long after you’ve left the studio.
Alternately, if you’re onstage a DI box can help keep your signal buzz-free and strong over long cable runs. It also allows you to plug directly into a venue’s mixing console to help reduce bleed onstage and gives the FOH engineer more control and separation to create a clean, well-balanced mix.
Wrapping It All Up
There's a lot to choose from here, and we hope we've pointed you in a good direction. We recommend that you relax, experiment and have as much fun as possible in assembling your collection of bass pedals. Once you've got three or more pedals, you'll probably want to check out our articles on building a pedalboard and choosing the right power supply for it.
Pictured: Dunlop Cry Baby 105Q Bass Wah
It’s also important to have all the accessories you need to add your pedals to your signal chain. Essentials include power supplies, quality patch cables to hook everything up, a tuner—whether stompbox or headstock clip-on—and spare batteries. You'll also want a proper carrying bag for your pedals, especially if you're not building a full-blown pedalboard yet. And if you’ve already got your effects rig dialed in, but your amp isn’t quite cutting it, it might be time to add a little extra oomph with a bass amp that gives you the power and tone you need for your most powerful performances.
If you've got any questions, we'd also recommend having a chat with one of our knowledgeable associates, either at your local Guitar Center store or at our Call Center. They've been fielding questions about gear for years, and it's a pretty safe bet that most of them have stories about how stuff has gone wrong on gigs or in the studio, and how to solve those problems without panic.
Always remember, no matter how serious you are about it, playing is supposed to be fun. So, relax, enjoy and get out there.