The Best Delay Pedals of 2026

Delay is one of the most versatile effects in a guitarist's arsenal. With just a few small adjustments, your sound can swing from a simple repeated note to modulated rhythmic cascades and on into endless, feedback-drenched canyons of sound. 

Ok, so what is it? Essentially, it’s a sound you’ve played repeated after a short interval, much like an echo. With a delay pedal, you can adjust the length of time before the repeat, as well as the number, decay and volume of those repeats. That’s the foundation.

From the tight slapback echo of early rockabilly and surf hits to the seemingly endless syncopated repeats U2’s Edge used on The Joshua Tree, the breadth of sounds you can achieve with delay and a little creativity is incredible.

On “Welcome to the Jungle,” Slash used delay to craft that iconic intro, with his riff bouncing back at around 150 milliseconds. David Gilmour combined two delay pedals for the spooky, metallic repeats he achieved on “Run Like Hell.”

The spacey, psychedelic potential of delay can be heard on Eddie Hazel’s sprawling, interstellar solo on the Funkadelic track “Maggot Brain.” Here, delay achieves the effect of a second player following just a beat behind, mirroring a series of increasingly complex patterns.

Feedback and self-oscillation are important in delay evolution and experimentation. As the delay itself becomes oversaturated and repeats back upon itself, it can achieve a feedback loop that builds in intensity and insanity. Radiohead’s “Karma Police” is a perfect example of conventional use of self-oscillation, and it’s an effect favored by psychedelic and acid rockers.

Producer and guitarist Daniel Lanois, who produced U2’s The Joshua Tree, is a famed maestro of delay, using it in his solo work, as well as on tracks like “Where Will I Be” by Emmylou Harris, where he achieves a pulsing, dreamlike, reverb-drenched sound guitarists still try to imitate.

Today, artists like Adam Granduciel of The War on Drugs, deploy delay and oceans of reverb to magnificent, otherworldly effect, as heard on tracks like “Strangest Thing”, from their Grammy Award-winning album A Deeper Understanding.

Table of Contents

A Quick History of Delay
Comparing the Top Delay Pedals
The Best Delay Pedals
Choosing The Best Delay Pedal for You

A Quick History of Delay

Great players have made the most of delay for more than half a century now. The legendary Sam Philips of Sun Studios used a pair of tape machines to create a slapback echo made famous on Elvis Presley’s “Blue Moon of Kentucky” and a host of early rockabilly and southern blues records. This was a tight delay, almost like an echo off a reflective surface just a few feet away, or like the bounce-back off of buildings at an outdoor concert in the city.

The earliest delay effects were simple tape loops, with a signal recorded to a length of tape and the delay achieved by changing the tape speed or distance between play and record heads. Visionary studio engineers and players like Les Paul and Chet Atkins found a wealth of uses for this early effect, from quick slapback echoes to layers of texture.

In 1959, engineer Mike Battle sought to build a portable version of the built-in tape echo on the EchoSonic guitar amp created by Ray Butts. Battle’s creation was the Maestro Echoplex, which would become the grandaddy of all delays.

The Echoplex tape delay was hugely versatile, thanks to a movable tape head that allowed players to change the timing of the delay. Beloved by Jimmy Page, Brian May, David Gilmour, Eddie Van Halen, Eric Johnson, Ace Frehley and many more, the Echoplex ruled the delay world for decades.

Though the ’60s were dominated by the Echoplex, other major players entered the scene. The Italian Binson Echorec was a favorite delay of most of Pink Floyd, with David Gilmour, Syd Barrett, Roger Waters and even keyboardist Richard Wright using it on recordings like “Interstellar Overdrive” and “Shine On You Crazy Diamond.”

In 1973, Roland released the Space Echo, and changed the delay landscape forever. This was a tape delay that benefited from a gorgeous spring reverb that inspired guitarists and keyboardists alike to experiment with lush, expansive sounds. The Space Echo quickly found favor in the emerging dub scene. Musicians and producers, like King Tubby and Lee "Scratch" Perry, played it like an instrument, using it on everything from vocals to drums to melodicas. Today, the Space Echo is considered a pillar of dub's loose, laid-back sound.

By the mid-1970s, delay graduated from tape to the bucket brigade circuit realm, with small capacitors storing and moving the signal along, making a more precise and durable effect. The earliest of these delay pedals were the Electro-Harmonix Memory Man, released circa 1976, and the Dynacord EC 280, released circa 1977. The Memory Man, in its many incarnations, is a favorite for its simplicity and flexibility.

In the 1980s, microchips claimed delay, adding a wealth of optionality and also migrating from the floor to rackmounts. The Edge favored the Memory Man pedal in U2’s early days, but he moved to the Korg SDD-3000 rackmounted delay for The Joshua Tree. These digital delays expanded the possibilities of pitch modulation, delay time and feedback, and programming.

After the rackmount honeymoon phase was over, guitarists again began to crave the ease of pedals. In 1984, BOSS met that need with the DD-2 digital delay pedal, packing a rack effect’s worth of goodness into a stompbox.

An issue with the rackmounts was that they were complicated to operate—particularly mid-performance. Returning the effect to the pedal made it simpler to operate and more player-friendly. From the BOSS Pitch Shifter Delay to the MXR Carbon Copy, the ’90s and 2000s ushered in a new era of portable, rugged stompers.

The boutique pedal revolution brought us an embarrassment of riches in delay sounds and options. BOSS, Keeley Electronics, JHS, Walrus Audio and more continue to create delays that both capture the classics and explore brave new sounds.

Today, we have the best of all delay worlds laid out quite literally at our feet.

Comparing the Top Delay Pedals

Pedal Name	Tonal Characteristics	Power Draw	Total Voicings
Beetronics FX Pollinator Hazee	Modulated, textural and wonderfully unpredictable	9VDC, 80mA	8
BOSS DD-500 Digital Delay	Authentic Roland/BOSS emulations running the gamut of tonality and modulation	9V DC, 200mA	12
BOSS DM-2W Delay	Classic bucket brigade warmth with expanded delay	9V DC, 35mA	2
BOSS RE-202 Space Echo	Famous, vintage-style tape echo	9V DC, 140mA	12
Death By Audio Echo Dream 2	Delay and fuzz controls, from warbly and gruesome to contorted and crushing	9V DC, 60mA	2
DOD Drag Analog Delay	Warm analog BBD delay with pitch-bending, time-warping modulation	9V DC, <120mA typical	3
Dunlop Echoplex	Hi-fi, all-analog echo with "Age" simulation	9V DC, 75mA	1
EHX Deluxe Memory Man	Rich, analog delay with chorus and vibrato effects	24V DC, 45mA	1
JHS 3-Series Delay	Digital clarity and analog warmth, switchable	9V DC, 71mA	2
Keeley ECCOS	Tape echo emulation with looper and flanged modulation	9V DC, 146mA	3
Line 6 25th Anniversary DL4 MKII	Chameleonic digitally modeled delays with both old- and new-school charm	9V DC, 300mA	30
MXR M169 Carbon Copy	From snappy to sophisticated, larger-than-life opulence	9V DC, 26mA	2
Old Blood Noise Endeavors Setback	Reverse delay that can be gritty and textural or crisp and clean	350mA	1
Strymon TimeLine MX	Studio-class dual-engine delay with vintage echoes, modern textures, reverb and deep routing	9V DC, 500mA minimum	12
Universal Audio Starlight Echo Station	Ultraprecise modeling of classic echoes	9V DC, 400mA	3
Walrus Audio ARP-87	Lo-fi, warped, warm and murky	9V DC, 100mA	4

The Best Delay Pedals

Beetronics FX Pollinator Hazee

What to Know:

• A non-traditional delay pedal designed for shape-shifting repeats, rolling soundscapes and unpredictable textures

• Modulates the delay signal with filter or tremolo effects, adding movement and atmosphere to each repeat

• Offers forward and reverse repeats with a streamlined control layout for quick sound exploration

Shop Now: Beetronics FX Pollinator Hazee Delay

Buzzing with sonic potential, the Beetronics FX Pollinator Hazee is an experimental digital delay where repeats can evaporate into an ethereal mist or evolve into thick-as-honey waves of sound. Whereas many similar pedals apply modulation to the delayed signal, Hazee filters or adds tremolo to the input, so repeats are copies of the modulated signal. The undulations begin to stack up in totally unpredictable ways as they’re delayed, making this pedal ideal for ambience and sound design. Plus, the approachable interface makes it that much sweeter—even minor tweaks to one parameter can drastically alter the sound, creating tons of possibilities for real-time manipulation.              

BOSS DD-500

What to Know:

• A deep digital delay workstation with a wide range of Roland and BOSS delay sounds

• Includes multiple delay types, a built-in looper, screen-based editing and extensive programmability

• Delivers 32-bit/96kHz processing quality for high-resolution delay tones and detailed control

Shop Now: BOSS DD-500

Time and again, BOSS shows up at the vanguard of pedal innovation. The DD-500 is no exception. With unbelievable modern optionality and a vintage setting that captures the trusty DD-2, this is a powerful effects station.

Pedals with this range of versatility are often confusing to operate, but the DD-500 breaks everything down into simple steps. The control knobs provide direct access to the most important features, while the LCD display unlocks the detailed steps to shaping your desired individual effect. It also features a 120-second looper and authentic models of classic Roland and BOSS effects, including the DM-2, RE-201, SDE-3000 and Tera Echo, plus models of other coveted delays.

BOSS DM-2W Delay

What to Know:

• Waza Craft analog delay recreates the classic DM-2 sound while expanding its capabilities

• Bucket-brigade circuitry produces warm, vintage-style echoes

• Custom mode offers more than twice the delay time of the original, while direct out and delay out provide flexible routing options

Shop Now: BOSS DM-2W Waza Craft

Waza Craft pedals are luxury-model BOSS pedals, crafted not only to painstakingly recreate classic pedals, but also expand upon them. The BOSS DM-2W is a standout example. Based on the coveted original DM-2 bucket brigade delay, this pedal recreates it and adds a custom mode with more than twice the delay time of the original, from 400 to 800 ms.

How does this style of analog delay sound compared to the Echoplex?

While tape delay sound degradation is romanticized, there’s much to be said for the way bucket brigade circuit technology treats a repeated signal. As the circuitry repeats the sampled sound, it degrades with each successive echo. This creates an incredibly warm and dark-sounding decay, and the DM-2W has that by the pound.

BOSS RE-202 Space Echo

What to Know:

• Modern pedal-format recreation of the iconic Roland Space Echo sound

• Multi-head tape echo emulation is paired with an independent reverb section for classic ambient textures

• Saturation control adds preamp coloration and tape-style compression, with 24-bit/48kHz processing quality

Shop Now: BOSS RE-202 Space Echo

The BOSS RE-202 Space Echo pedal is a digital powerhouse that revives the legendary RE-201 Space Echo tape delay with stunning accuracy. BOSS engineers have meticulously recreated the tape flutter and magnetic head sound saturation to produce a delay that's as soulful as it is dynamic. The tap tempo function allows for precise delay timing, while stereo inputs and outputs provide expansive soundscaping possibilities. With the RE-202, the spirit of the original is honored, yet it's packed with contemporary features that modern players will appreciate.

The pedal's robust build and the thoughtful design echo BOSS's tradition of thoughtfully engineering quality and user-friendly interfaces. This Space Echo delivers an intuitive experience with a rich feature set, including the ability to tweak echo intensity, repeat rate and more. The RE-202 doesn't just echo the past—it brings it forward, integrating vintage sound into modern musical expression.

If you're looking for classic Space Echo sounds in a smaller package, check out the equally impressive BOSS RE-2.

Death By Audio Echo Dream 2

What to Know:

• Combines delay and fuzz for sounds ranging from traditional echoes to chaotic, warped textures

• Adjustable modulation rate and depth add motion and instability to the repeats

• A waveform toggle switch provides different modulation textures while maintaining a relatively light power draw

Shop Now: Death By Audio Echo Dream 2

The Echo Dream 2, with its vintage good looks and aggressive features, delivers a combination of delay and fuzz worthy of the loudest shoegazer greats and the most out-there ambient alchemists.

With both fuzz and delay engaged, adjusting the modulation depth can bring to life pitchy weirdness ranging from fat and rubbery to piercing and glassy. The added bonus of a switch that toggles from modulator waveforms to sharper square waves provides a defined difference in the swoop of modulation, from gradual to harsh. Simple to control, but complex in its output, this is a dream stompbox for guitarists pushing the limits of their sound.

DOD Drag Analog Delay Pedal

What to Know:

• All-analog bucket-brigade delay delivers up to 750 ms of delay or up to 1.5 seconds in Rubberneck mode

• Drift modulation offers four waveforms and three intensity ranges, from subtle movement to more unstable, swirling textures

• Three Friction categories—Rubberneck, SlideStop and Evade—let you bend, slow, stop and reaccelerate repeats in real time 

The DOD Drag takes the warmth and musical decay of bucket-brigade delay and turns it into something more hands-on, unpredictable and performance-ready. At its core, this is an all-analog delay pedal capable of everything from tight, focused echoes to longer, atmospheric repeats, with Time, Feedback, Filter and Level controls keeping the foundation familiar.

Where Drag gets delightfully strange is in its Drift and Friction controls. Drift adds modulation ranging from subtle movement to woozy, unstable pitch shifts, while the footswitch-activated Friction modes let you bend, slow, stop and reaccelerate your repeats in real time. The result is a delay that can behave like a classic analog echo one moment and a rubbery, time-warping sound-design tool the next.

Dunlop Echoplex Delay

What to Know:

• Captures the sound and feel of the legendary Echoplex EP-3 tape echo

• The Age control simulates the sound of older, more weathered tape for vintage-style decay

• Tap tempo support and optional stereo operation via TRS cable add modern flexibility

Shop Now: Dunlop Echoplex

One of the most beautiful sonic aspects to those grand old tape delays lies in the tape itself. Tape ages, stretches and decays, and all of that colors your sound.

Dunlop kept that in mind when designing the gorgeous Dunlop Echoplex pedal, a tribute to the third-generation solid-state version of the effect that defined delay for generations. With modes that digitally “age” your delay, this pedal simulates the sound of aging, decaying tape. The result is a delay that ranges from clean and crisp to dirty, dark and modulated, simulating the flutter and wow of a vintage machine. And its self-oscillation possibilities range from muffled roars to piercing wails.

While it pays tribute to the classics, it’s also bursting with very modern features, including up to four seconds of delay through the tap feature, and TRS cable connectivity for stereo operation. This rugged little box carries all the swagger and versatility of its big, expensive forebears.

Electro-Harmonix Deluxe Memory Man

What to Know:

• Classic analog delay known for warm echoes and lush modulation

• Offers up to 550 ms of delay with built-in chorus and vibrato effects

• Includes a 24V power adapter for proper operation

Shop Now: Electro-Harmonix Deluxe Memory Man Analog Delay

The Electro-Harmonix Memory Man has had many incarnations over its long and distinguished existence, dating back to its first foray into the delay pedal market in 1976. The Deluxe Memory Man, released circa 1980 as the fifth Memory Man iteration, delivers incredible depth, massive chorus and shimmery vibrato. With up to 550 ms of analog delay time, the EHX Deluxe Memory Man is one of the best delay pedals on the market.

Sweep the delay and feedback controls as you play, and you’ll get whooshing modulation with swelling, otherworldly walls of sound. The chorus/vibrato control also introduces a pitch-shifting modulation. And while this pedal is built with the same analog circuitry as the original for perfect vintage sound, it also features the distinctly modern feature of true bypass to keep your signal unchanged when the pedal’s not engaged.

While it is the priciest of the three BBD-based pedals in our rundown, its wide range of tone tweaking and legendary status make it the best analog delay pedal on this list.

Need to save a little space on your pedalboard? Check out the Deluxe Memory Man Nano, released in October of 2021.

JHS 3-Series Delay

What to Know:

• Simple, affordable delay pedal with switchable clean digital and grittier analog-style voices

• Minimalist three-knob, one-switch layout makes it easy to dial in practical delay sounds quickly

• Built in the USA with a rugged design suited for everyday pedalboard use

Shop Now: JHS 3-Series Delay

The JHS mad scientists in Kansas City have created the affordable JHS 3-Series Delay. This minimalist beauty may look simple, but it packs two unique delay voices into its tidy package. One setting provides crystal-clear digital delay, and the other emulates bucket brigade analog delay with grit and warmth. Having these two options in one easy box gives you the opportunity to range from ‘80s-style crystalline delay to the gritty depth indie rock sound with the flip of a switch and at a sub-$100 pricepoint, it may be the best budget delay pedal on this list.

Keeley ECCOS

What to Know:

• Tape echo-style delay with built-in looper functionality and extensive connectivity

• Stereo inputs and outputs, expression pedal support and tap/remote jacks make it highly flexible

• Three memory presets and a compact control layout provide deep functionality in a standard-sized pedal

Shop Now: Keeley ECCOS Delay and Looper

This boutique beauty is a love letter to tape technology. It’s a combination looper and delay pedal, and is engineered to deliver tape-worthy vintage sound. Modulate pitch as you adjust delay time, just as a tape would when speeding up and slowing down, and apply flange to your delay for whooshing modulation.

The Keeley ECCOS is so robust, and has such a strong sonic personality, that it’s a pedal you play off of, much the way you would another guitarist. The looper effect allows you to record, play, reverse or play at half speed, and provides up to two minutes of loop time.

Also, holding the tap tempo switch delivers endless feedback. There’s nearly no limit to the amount of features on this sleek pedal, including three memory presets, infinite overdubbing and stereo output.

Line 6 25th Anniversary DL4 MkII

What to Know:

• Updated version of the landmark DL4, offering a broad range of classic and modern modeled delays

• Includes an XLR input for processing vocals or miked sources, along with MIDI and expression/footswitch control

• Built-in looper provides up to 240 seconds of loop time, expandable to several hours with an optional microSD card

Shop Now: Line 6 25th Anniversary DL4 MkII

The iconic Line 6 DL4 celebrates two and a half decades of digital delay dominance with a limited-edition anniversary pedal. Sharing an identical knob and footswitch layout as the original green box, this hand-numbered, collectible 25th Anniversary DL4 MkII comes in a special silver finish with a vintage logo and is limited to 2,500 units worldwide.

Sonically, Line 6’s DL4 MkII contains a whopping 30 delays—15 cutting-edge models derived from renowned HX processing, 14 timeless sounds maintained from the first pedal and an Echo Platter setting pulled from the brand’s rackmount Echo Pro. There are also 15 “secret” reverbs accessed by holding and turning the Legacy button, offering even more ways to drench your signal and shape a soundscape all your own. Plus, initially lauded for its 14-second looper upon debut in 1999, the Line 6 DL4 MkII now comes loaded with four minutes of memory for your wildest experimentations. Packing all of that processing power into one box, the DL4 MkII is far and away the most versatile delay pedal on this list. Be sure to check out our interview with Line 6’s chief product design architect, Eric Klein, for a behind-the-scenes peek at the development of the DL4 MkII.  

Throughout time, the omnipresent DL4 has had a home on the pedalboards of Radiohead's Thom Yorke and Ed O’Brien, Pearl Jam's Mike McCready and Stone Gossard, Oasis' Noel Gallagher and Gem Archer, John Frusciante and St. Vincent, to name a few. Dave Knudson of Minus the Bear is regarded for employing four Line 6 digital delay units, developing a loop-centric indie sound, which, at the time, was considered lightyears ahead of the game. Today, the limited-edition 25th Anniversary Line 6 DL4 MkII commemorates one of the most quietly influential effects pedals ever made. 

MXR M169 Carbon Copy

What to Know:

• All-analog delay pedal known for warm, rich repeats and pedalboard-friendly simplicity

• Provides up to 550 ms of delay with switchable modulation for added movement and width

• Internal trim pots allow fine-tuning of modulation depth and rate

Shop Now: MXR M169 Carbon Copy Analog Delay

Since its release in 2008, the MXR Carbon Copy has been a best-selling pedal, and for good reason. The M169 is a rugged analog stompbox that makes the most of up to 600 ms of bucket brigade delay for a dark, warm effect perfect for any genre of music. It includes modulation with internal trim pots to adjust the width and rate of modulation to reach nearly flanger levels of sweep. With 76 reviews, averaging 4.78 stars, the MXR Carbon Copy is our top-reviewed delay pedal on this list.

Today, the Carbon Copy is also available in Mini and Deluxe form. The Carbon Copy Mini packs as much punch as the original, in a smaller footprint, while the Carbon Copy Deluxe doubles the delay time (1,200ms) and adds tap tempo, input for an expression pedal and further tone tweaking controls.

Old Blood Noise Endeavors Setback

What to Know:

• Reverse delay pedal built for time-warped textures, ranging from gritty and experimental to crisp and clean

• Stereo I/O, expression control and MIDI support make it flexible for more complex rigs

• Switchable buffered trails or true-bypass operation lets players choose how repeats behave when the effect is disengaged

Shop Now: Old Blood Noise Endeavors Setback Reverse Delay

The Old Blood Noise Endeavors Setback reverse delay is ideal for players who like to experiment. Its unique algorithm focuses on the textural possibilities of the reverse effect, primarily controlled between the Clock and Speed knobs. Clock simultaneously sets the sample rate (from 500Hz–48kHz) and delay time, producing long, lo-fi delays up to 24 seconds at the lowest setting or clean, quarter-second slapback at the highest value. Speed then determines the actual playback speed of the reverse, and with that, you can choose from seven ways to pitch shift the signal: octave down, fifth down, fourth down, unison, fourth up, fifth up and octave up.

Overall, the OBNE Setback pedal is a super fun creative tool for generating soundscapes and getting lost in unique timbres you don’t usually experience with more traditional delays.

Strymon TimeLine MX

What to Know:

• Runs two engines at once, with series, parallel or split routing for stacked delays, stereo textures or delay-plus-reverb sounds

• Includes 11 delay engines plus a dedicated reverb engine, with new Oil Can, Spectral, Drum and MultiTap algorithms alongside enhanced TimeLine classics

• Built for deep stage and studio rigs with a five-minute stereo looper, stereo I/O, configurable send/return, MIDI, expression support and an analog dry path

Shop Now: Strymon TimeLine MX Multi-Delay

The Strymon TimeLine MX is the most expensive delay pedal in this guide, but it also makes a strong case for being the most versatile. Building on the original TimeLine’s status as a modern delay staple, the MX adds more processing power, dual-engine operation and a fresh set of delay voices that cover everything from familiar tape, bucket brigade and digital echoes to newer Oil Can, Drum, MultiTap and Spectral textures.

Its flexibility goes well beyond the delay sounds themselves. TimeLine MX can run two engines at once in series, parallel or split routing, pair delay with its dedicated reverb engine and handle looping with an onboard five-minute stereo looper. Add in stereo I/O, configurable send/return options, MIDI control, expression support and an analog dry path, and this becomes less a single delay pedal than a full-featured delay, ambience and sound-design command center for players who want one box to cover a lot of ground.

Universal Audio Starlight Echo Station

What to Know:

• Dual-engine delay pedal with precise modeling of three classic echo styles

• Designed to capture the character and response of iconic delay units with modern consistency

• USB functionality and top-mounted jacks support updates, customization and clean pedalboard routing

Shop Now: Universal Audio Starlight Echo Station

The Universal Audio Starlight is truly stellar. It packs three robust delay effects into one box, with the EP-III and Analog DMM replicating two of the most sought-after delays in history (the Maestro Echoplex EP-3 and the Electo-Harmonix Deluxe Memory Man, respectively), and UA’s own Precision Digital Delay rounding out the distinguished company.

UA’s precision modeling heritage is on full display here. The Starlight Echo Station models the equally famous preamps from those sought-after delays for a compelling representation of the round, warm vintage sounds. Also, this modern take on the classics boasts USB functionality for software updates, plus multiple modulation modes for adding even more character to your sound.

Walrus Audio ARP-87

What to Know:

• Compact multi-algorithm delay pedal with analog, digital, lo-fi and slapback delay types

• Global low-pass filter gives players simple tone shaping across delay modes

• Features original artwork by Chris Castro and a compact layout suited for modern pedalboards

Shop Now: Walrus Audio ARP-87 Multi-Function Delay

When it comes to versatility, innovation and sheer wow factor, this lil’ Walrus can’t be beat. The Walrus Audio ARP-87 is built with four delay algorithms: analog, lo-fi, digital and good old slapback. A global low-pass filter called Dampen gives you a master tone control for your delay, and the X control adjusts specific parameters within each delay algorithm, such as filter width in the lo-fi delay.

The ARP-87 also features a Trails/No Trails mode. In Trails mode, the delay trails die down gradually when you turn the pedal off, while No Trails kills the delay abruptly when you power off—highly useful for sudden shifts to chorus or a quiet verse, or for letting your delay bleed over into a quiet section or silence.

Choosing The Best Delay Pedal For You

Finding the best delay pedal for you comes down to your needs. Is this an added flavor in your sound, or will delay and all its modulation and sonic possibilities be a driving force in the music you make? Are you using if for your guitar, your synth or as a studio multitasker?

Your ears are the best judge. Head down to a Guitar Center and take a few of these for a test drive. There’s a delay pedal out there with the sound, features and price tag that’s right for you.