Open Box PreSonus Eris Studio 5 Studio Monitor (2nd Gen) (Each) Level 1

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Description
The PreSonus Eris Studio 5 active reference monitor is a 2-way system consisting of a 5.25" woven-composite woofer and a 1" silk-dome high-frequency driver. Noted for its detail and transparency, the Studio 5 speaker brings superior sound quality to home and project studios. This offers producers and engineers the fidelity they need to make informed mixing and mastering decisions for music that sounds great on any playback system—most importantly, ensuring it translates to consumer devices. The second-generation Eris Studio 5 contains substantial updates to its predecessor, improving both low- and high-end frequency response for even greater accuracy from the already award-winning PreSonus speaker formula. With an ideal combination of physical size, low-end extension and total volume output, Eris Studio 5 monitors are an exceptional reference speaker for small- or medium-size tracking and mixing rooms.

Accurate and Reliable Monitoring
The Studio 5 speaker pushes 80 bi-amped watts—a notable boost in efficiency over the previous generation’s design, which supports crystal-clear sound reproduction with a maximum level of 102dB SPL. A 5" driver and front-firing bass port help generate punchy lows down to an impressive 48Hz (without a subwoofer), while an ultralow-mass tweeter takes over at 3.5kHz and carries the rest of the spectrum up to 20kHz. PreSonus Eris Studio 5 monitors provide rich lows and controlled highs for organic, uncolored playback that’s both accurate and reliable. Whether the Studio 5 is your primary or secondary set of monitors, its trustworthiness is a pivotal step toward better mix decisions that are never lost in translation.

Acoustic Tuning Controls
A ton of design expertise goes into building big-budget mix rooms as acoustically neutral environments where speaker monitors can really shine. The PreSonus Eris Studio 5 demystifies this process with onboard EQ, for those of us who can’t un-parallel our walls or invest in custom acoustic treatment. Its clever Acoustic Tuning system includes an optional high-pass filter at 80 or 100Hz; an Acoustic Space switch with flat, -2 and -4dB notches to compensate for boundary bass boost when speakers are positioned near a wall; and a pair of Mid and High shelving EQs at 1kHz and 10kHz with ±6dB of range. These intelligent, intuitive inclusions make it easy to dial in the "flatness" we want from a monitor despite an acoustically imperfect room trying to interfere.

Elliptical Boundary Modeled (EBM) Waveguide
Eris Studio 5 monitors have a custom-designed waveguide surrounding the high-frequency driver to give it an ultrawide horizontal dispersion measurement of 120°. For listeners, this means a much broader sweet spot than you’d get without EBM technology, as well as a more pronounced stereo image that’s immersive in its scope. Meanwhile, narrow vertical dispersion (60°) prevents desktop reflections from smearing the frequencies you’re hearing, so audio is always as crisp as can be. On their own, the Eris Studio 5 silk-dome tweeters are snappy and responsive, capable of reproducing transients with absolute precision. Paired with the PreSonus EBM waveguide, their performance is naturally enhanced for even more width and detail.

Stylish Design
Not only can PreSonus Eris Studio 5 monitors help take your mixes to new levels—they also look good while doing it. The sleek all-black enclosure sets off the dark blue composite woofer, and the driver's woven texture is an aesthetically pleasing juxtaposition to an otherwise ultrasmooth look. A thin blue power indicator, centered in a groove just above the bass port, subtly lets you know when the Studio 5 is on or off. The understated elegance of PreSonus Eris Studio 5 monitors makes them a welcome addition to any mix space.
The PreSonus Eris Studio 5 reference monitor has a smooth, even frequency response that takes the guesswork out of mixing. Execute mix moves to taste with reliable information from the Eris Studio; carve out a space for rumbling bass and make vocals sparkle with airy top end. These speakers have your back across the entire spectrum, so you can hear your work like never before. Demo a pair of PreSonus Eris Studio 5 monitors at your local Guitar Center, and see if they become your new go-tos.
Features
- 5.25" woven-composite, low-frequency transducer
- 1" (25 mm), ultralow-mass, silk-dome, high-frequency transducer
- 120º(H) x 60º(V) EBM waveguide for a wide sweet spot
- Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
- 80W, Class-AB bi-amplification
- 48Hz to 20kHz frequency response
- 102dB SPL (Peak, @ 1 meter)
- Acoustic Tuning controls: HF (±6dB, continuously variable); Midrange (±6dB, continuously variable), and Acoustic Space (flat, -2, -4dB), plus high-pass filter (Off, 80Hz, 100Hz)
- RF interference, output-current limiting, over-temperature, transient, subsonic protection and amplifier "soft start" feature (eliminates popping on power up)
- Internal power supply with IEC connector and power switch with on/off LED
- Balanced XLR and 1/4" inputs and unbalanced RCA inputs
Specs
- Frequency response: 48Hz to 20kHz
- Peak SPL: 102dB (@ 1M)
- LF amplifier power: 45W, Class-AB
- HF amplifier power: 35W, Class-AB
- LF driver: 5.25" woven composite
- HF driver: 1", silk-dome
- Inputs (1 each): Balanced XLR, balanced 1/4" TRS, unbalanced RCA
- Controls: Volume, High frequency, Low frequency, Acoustic space, Low cut, Power saver
- Dims (HxWxD): 11.48" x 8" x 8.78"
- Weight: 11.46 lb.
Reviews
4.15
185 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
Filters
Best Uses
- Practice4
- Recording3
- Metal songs1
- Rock songs1
- fun. and looking cool shredding for the normies1
Cons
- None5
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
Describe Yourself
- Beginner2
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Retired 64 YO beginning amateur1
Pros
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 185 customers
Sounds really good
submitted23 days ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitteda month ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitteda month ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
23862 SYCAMORE DR
submitted2 months ago
byETHAN
fromMission Viejo, CA
Electronics are really good. Was going to use it for jamming and professional playing. However, I could not lower the action due to stripped saddle screws
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