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Get Lifted: More Mic, Less Pre.play button

Get Lifted: More Mic, Less Pre.

Get Lifted: Lower Your Noise Floor.play button

Get Lifted: Lower Your Noise Floor.

Cloud Microphones - Cloudlifter CL-1 Mic Activatorplay button

Cloud Microphones - Cloudlifter CL-1 Mic Activator

Cloudlifter CL-1, CL-2, CL-4 Video User Guideplay button

Cloudlifter CL-1, CL-2, CL-4 Video User Guide

Cloud

collapse expand iconDescription

The Cloudlifter CL-1 Mic Activator is a pioneering piece of gear designed to solve common issues faced by home studio owners and audio engineers. This innovative DI box and mic preamp activator boosts your microphone's signal by up to 25dB without passing phantom power to the mic itself. Guitar Center is thrilled to offer the Cloudlifter CL-1, which uses discreet JFET circuitry to provide completely transparent gain, enabling you to hear the natural tone of your mic like never before.

Unparalleled Control Over Your Tone

The Cloudlifter CL-1's variable input impedance, adjustable from 150 ohms to 15,000 ohms, gives you an incredible amount of control over your mic's tone. Dial in the perfect amount of high-end sparkle or midrange warmth to suit your needs. Creating custom EQ curves for each mic in your collection has never been easier.

Ultra-Quiet Performance

With up to 25dB of gain on tap, the Cloudlifter CL-1 eliminates the need to push your preamp to noisy levels. Its discrete JFET design adds gain without adding noise or distortion, allowing even budget preamps to sound high-end. Long cable runs won't sap your signal, either, thanks to the CL-1's line-driving output stage.

Ribbon Mic Ready

The Cloudlifter CL-1 was created with ribbon mics in mind. Its phantom-powered circuit provides more than enough gain and proper impedance loading for ribbons, allowing them to sound their best even when connected to an underpowered preamp. If you own a ribbon mic, the CL-1 is an essential companion.

Compatible With All Your Gear

In addition to ribbon mics, the Cloudlifter CL-1 works with dynamic mics, condenser mics, tube mics and any other mic that requires lots of clean gain. You can use it with any standard mic preamp, mixer or audio interface to improve sound quality and gain extra headroom.

Open Box Cloud Cloudlifter CL-1 Mic Activator Level 1

collapse expand iconFeatures

  • Gives passive microphones up to +25dB of ultraclean gain; no need to reinvest in an expensive, high-gain premap
  • Self-contained, driven only by the phantom power from your mixer or preamp
  • Active output signal prevents added noise over long cable runs

collapse expand iconReviews

4.16

186 Reviews

81%

of respondents would recommend this to a friend

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters

Best Uses

  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1

Cons

  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1

Describe Yourself

  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1

Pros

  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Great all around strat

    5

    submitted5 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitteda month ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitteda month ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitteda month ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitteda month ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitteda month ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

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