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Open Box Marshall DSL40CR 40W 1x12 Tube Guitar Combo Amp Level 2 197881427856
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Amp Showcase | DSL40CR | Marshall Amps

DSL Series | Official Demo | Marshall

Reintroducing the DSL series.

Josh Landau | The Shrine | DSL Playthrough | Marshall

The Marshall DSL40CR 40W combo guitar amplifier delivers the classic Marshall sound with modern versatility, making it a go-to choice for players looking to explore rich tube-driven tones. Featuring a 12" Celestion V-Type speaker and powered by EL34 tubes, this 40W combo amp offers full-bodied sound, ranging from warm cleans to aggressive overdrive. With independent channel controls and built-in reverb, the DSL40CR lets you craft tones tailored to your playing style. Its adjustable power output ensures that you maintain dynamic tube response whether you're practicing at home or playing on stage. Advanced features like Softube emulated outputs and refined EQ circuitry make this amp ideal for both studio recording and live performance. Combining heritage tone with forward-thinking design, the DSL40CR offers players the best of classic Marshall sound and modern functionality.
Adjustable Power Output
The DSL40CR's adjustable power settings ensure you get authentic tube tone at any volume. Unlike traditional attenuation methods, this amp reduces power by adjusting the signal to the EL34 tubes rather than bypassing them. This means you get the same dynamic response and harmonic richness whether you're playing at bedroom levels or pushing the amp to full stage volume. Whether you're recording, rehearsing or performing live, this feature guarantees consistent sound quality and feel across all settings. The result is an amp that adapts to your environment without compromising the distinct Marshall character players love.
Emulated Outputs for Silent Practice and Recording
Developed in collaboration with Softube, the DSL40CR's emulated headphone and line outputs deliver accurate modeling of Marshall's iconic 1960 cabinet tone. This feature allows players to enjoy the full-bodied sound of a cranked amp without disturbing their surroundings, making it perfect for silent practice or direct recording. The emulated output captures the nuanced dynamics of the DSL's all-valve power section, ensuring your tone stays rich and detailed even when playing through headphones or direct into a DAW. This modern addition bridges the gap between analog warmth and digital convenience, giving players flexibility without sacrificing tone.
Built-in Reverb and Tone-Shaping Controls
With onboard spring reverb and resonance controls, the DSL40CR provides ample options for customizing your tone. The reverb can be dialed in to add subtle ambiance or lush depth to your sound, while the resonance control enhances low-end response for a more impactful presence. Independent channel volume controls let you balance clean and overdrive tones precisely, offering seamless transitions between styles. Combined with intuitive controls for master volume, gain and EQ, this amp delivers a refined and tailored playing experience. These features make the DSL40CR a powerful tool for crafting tones that feel cohesive and dynamic in any performance setting.
Rugged Build for Reliable Performance
Marshall designed the DSL40CR with durability and tone in mind. Its robust construction features a solid chassis and high-quality components that ensure long-term reliability. The 12" Celestion V-Type speaker delivers consistent performance, whether you're practicing at home or touring with your band. The amp's compact design makes it easy to transport, while its sturdy build ensures it can withstand the rigors of regular use. From its premium materials to its road-ready design, the DSL40CR is built to handle the demands of professional musicians without compromising sound quality or playability.
Designed for Stage and Studio Players
The Marshall DSL40CR combines classic valve tone with modern functionality to meet the needs of gigging musicians and recording artists alike. Its adjustable power output and Softube emulated outputs make it adaptable for both home practice and studio work, while its rugged build ensures reliable performance on stage. With versatile tone-shaping controls and a rich, dynamic response, this amp provides the tools you need to create your signature sound. Whether you're dialing in vintage warmth or pushing aggressive overdrive, the DSL40CR is your ultimate companion for capturing and delivering iconic Marshall tone.



- Adjustable power settings retain dynamic valve tone at any volume
- Emulated headphone and line outs deliver iconic cabinet sound for silent practice
- Spring reverb and resonance controls offer versatile tone-shaping options
- Independent channel volume controls balance clean and overdrive seamlessly
- Refined EQ circuitry provides precise tonal control for any musical style
- Presence and resonance adjustments enhance sound for greater depth and clarity
- Advanced valve technology ensures articulate and responsive performance
- Softube modeling delivers authentic Marshall sound without pushing air
- Power: 40W (tube)
- High- and low-output settings
- Tubes: Four 12AX7 (preamp); two EL34 (power amp)
- Two channels
- Single input
- Speaker: 1x12 Celestion V-Type
- Built-in reverb
- Softube emulated output
Featured Articles
4.45
144 Reviews
89%
of respondents would recommend this to a friend
Most Liked Positive Review
Better all around than previous model
I already had a 2014 DSL 40C, but the treble/highs seemed harsh. An emminence Cannibis Rex was a replacement that didn't make a big difference from original spkr. However, the 2018 DSL40CR has addressed the issue to my satisfaction. The two Master Volume controls make foot switching between rhythm and lead real smooth. They give you more control. The power level switch between 20 and 40 watt mode on the front stand-by switch is more accessible and practical whereas the older model had a pentode/triode switch on the back. The added input and emulated out should be useful, but I have yet to try them. I am having too much fun just getting used to all the goodies on the front. Power is no problem. hooked it to a two twelve cab and it really rocked - on the 20 watt setting! Can't wait to get a 4x12 cab to really turn it up. Reverb - unfortunately, is still the weakness - if it is that - as it is digital and I prefer the very deep/wet sound of a spring reverb. I will be ordering the available/compatible 6 button foot switch that comes with JVM 410 series so I can switch between more of the features. Then I can transition from setting to setting. I am one of the first to get to have this, ordered online in store because they had not hit the stores yet. I listened to the NAMM review of the series from Marshall and another NAMM source. I am absolutely sure I made the right choice in my price point! I considered the 100 watt version and cabinet combo, but couldn't swing or justify the extra coin and the 40 watt version is all I really need. If you HAVE to have the 100 watt head and cabinet, ok, I would recommend that for you, but 40 watts is plenty for me. The speaker differences between models is substantial as well. The DSL40C used the 80seventy 12 inch whereas the DSLCR uses a V series and it sounds warmer and smoother across the range. It is a better speaker and a better amp, so get your visa, cash or whatever out and buy one. Had it two weeks and I am impressed.
Most Liked Negative Review
Great Sound, Horrible FX Loop, Virtually Non-Existent Reverb
The sound is absolutely amazing for how much you are paying. Even without any pedals, you can get the classic rock n' roll tone easily by plugging a quality guitar directly into the amp. The simpler the setting, the less likely you'd hate it for any reason whatsoever. Then again, you only paid the bare minimum for a tube amp so there are catches. The most frustrating part about this amp is the FX Loop. So many bugs (seriously, Google "Marshall DSL FX Loop Problems" and you will see the amount of complaints. Sometimes the FX Loop doesn't turn on. Sometimes it will cut the volume by 70%. Even if it's working properly, the signal still gets a bit weaker in the FX Loop. The reverb is ridiculous. You can only start to hear it when you turn it all the way up. I don't know what reverb units they used, but I'm going to make an educated guess that it's cheap. Marshall hasn't been very responsive to these complaints. My guess is that they know the product has defects, but can't do anything about it because it will cost too much. They used poor quality materials for what they considered the "bells and whistles" so that they can deliver a great sounding amp for this much money. Bottomline: when you use the FX Loop "with caution" and add a reverb to your FX chain, you can make the amp sound like anything you've heard on records. This is why I give it a 3-star for what it is, but would still recommend it to anyone that wants the legendary Marshall sound.
- Home Studio87
- Performances87
- Amateur Recording58
- Outdoor Events / Games57
- Professional Recording57
- Poor Sound Quality6
- Heavy4
- Difficult To Use3
- Weak3
- Limited Functions1
- Experienced91
- Professional Musician21
- Novice19
- Excellent Sound122
- Good Power Output102
- Easy To Use95
- Warm / Comfy93
- Portable57
Reviewed by 144 customers
Great with some learning for Newbs
submitted12 days ago
byAlex
fromRaleigh, NC
Submitted as part of a sweepstakes
Takes a little bit for a newbie to learn the features. YouTUbe is your friend there. But the tube sound is so very worth it.
This Amp Will Rock Your Face Off
submitted16 days ago
byRob
fromDenver, CO
After reading about this amp and the similar DSL20CR, I went to Guitar Center to try them for myself. I saw several reviews about this amp saying it was too loud for home use, so I was expecting to lean toward the DSL20CR, but as soon as I tried the DSL40CR (on the half-power setting), I didn't even bother to try the DSL20CR. I don't know why so many people said this amp was too loud for home use, unless maybe they live in an apartment. The volume at half power seems perfect for home use in my basement guitar cave. I will say, however, that the 40W full-power setting is VERY loud - easily loud enough for performing. The amp is a HUGE upgrade from my 2004 Marshall AVT-50 (50 watts, tube preamp, solid state power amp). The DSL40CR barks out classic Marshall tube tone, and lots of it. With four voicings to choose from (clean, crunch, overdrive and more overdrive), I am able to dial in the right amount of drive for any type of music. The clean setting sounds very good as well. The equalization section gives me a lot of control over the tone, with controls for Bass, Middle and Treble as well as Presence (boosts mids and highs) and Resonance (boosts low end). The Tone Shift button scoops the midrange for more of a metal tone in any of the overdrive voicings. As others have said, the reverb could be a lot better, and is very subtle even when dimed out, but the type of music I'm going to be using this amp for generally doesn't need a lot of reverb. If I want sparkly clean tones dripping with reverb, I'll use my Fender amps. The dual Master Volume controls are really useful, but I had to go to YouTube to figure out how to use them to full advantage. The quick start guide that came with the amp is pretty basic, and didn't go into detail about that feature. I haven't tried it with all of my guitars yet, but it sounds very good with a Strat for either clean tone or crunch/drive. But humbucking guitars is where this amp really shines. It sounds great with my PRS 513, and it absolutely roars with my Les Paul. Guitar Center gave me a decent trade-in for my old amp, and took 10% off the price of the new one, so when it was all said and done, it was really kind of a no-brainer. I'm really glad I upgraded. I am going to enjoy rocking with this amp for many years to come.
Value is unreal
submitteda month ago
byAlex
fromAustin, Tx
Getting a brand new 40w tube amp is quite the feat today. It's markedly cheaper than a new AC30 and Hot Rod Deluxe but I think much better than both. I've used it for 2 different gigs so far and couldn't be happier. The 4 different channels are great for getting any degree of clean or distorted you'd want, except highly saturated metal tones. I no longer use my overdrive or distortion pedals and rely instead on the amp because it's native overdriven and distorted tones play better than external sources. I don't use/need high levels of reverb. If you do, get a different amp or get a reverb pedal. The 20w mode is super helpful for small venues and the 40w gets the job done everywhere else. This amp also plays well when plugged into a PA system/mixer. It can be used like a digital setup by plugging it into a PA/mixer and leaving it on standby. This will mean no volume comes through the amp speaker and only the PA. That said, I love 20w mode+into the mixer because it gives you stage volume up close and then the more even volume balance throughout with a PA/mixer. I've heard complaints about the FX loop but I don't use a ton of modulation or time effects so I can't speak on that.
dear god this thing is loud
submitteda month ago
byneo
fromvirginia beach, VA
I was in the market for a tube amp for a while, and when the dsl40 caught my eye, it didn't let it go for a year straight. ive only had it for a couple days and I'm greatly enjoying jamming and pushing it pretty loud. one thing to note is that while this amp is super versatile for all things rock and roll, it defiently sounds better when being pushed rather than quieter volumes. if you want the sound of rock and roll this is the amp to start with.
Best amp for the money
submitted5 months ago
byGreg
fromQueen Creek, AZ
Bought this to use in my band. It sounds amazing and it's plenty loud enough. It's got a surprisingly good clean channel and of course it has all the crunch and overdrive you'd need. Takes pedals very well. It's very versatile to dial up rock, blues, pop, metal, etc., tones.
This amp is a beast, I love it
submitted7 months ago
byJeff
fromMetro Detroit, MI
I wanted the Marshall sound because most of the guitar players I like use Marshall but I didn't want to break the bank. My skills can't justify spending thousands of dollars. This 40 DSL CR is the perfect compromise. I wanted a tube amp and it's not crazy expensive. Even though this is a splurge purchase I went all out and purchased the 6 way foot controller so I could switch between channels a lot quicker. To protect the amplifier from dust when not in use, I also purchase the cover. Now to the sound: It's loud! It can be tamed by switching it to low output. I do like the EQ to find that tone you're looking for.
Have a question about this product? Our expert Gear Advisers have the answers.
submitteda year ago
asked byJaws
fromMilwaukee WI
What are the dimensions of the cabinet?
Height: 19.29" Width: 24.4" Depth: 9.9" Weight: 50.4 lbs.submitteda year ago
asked byVincent
fromBranchburg nj
What is the cabinet made of? On this and the 20 watt modle
The cabinet is plywood.submitted2 years ago
asked byB
fromNew Jersey
Can you play head phones thru the line out?
No, a line out is a line level signal- it can't power headphones.submitted2 years ago
asked byB
fromNew Jersey
So...Can you use headphones or no?
No , you can't.submitted2 years ago
asked byEdgar
fromJupiter, Fl
I thought you can use the Simulated Output for headphones? I see here it was stated that this was not an option.
You can.."The DSL40CR's emulated headphone and line outs "submitted2 years ago
asked byWill
fromundisclosed
Can you use headphones with this amp?
Unfortunately, no.submitted2 years ago
asked byIsa
fromHemet
How many speakers does this amp come with?
The Marshall DSL40CR 40W 1x12 Tube Guitar Combo Amp has one 12" speakersubmitted5 years ago
asked byKnihnicki
fromEast Longmeadow, MA
How much does it weigh?
The Weight is: 50.4 lbs.submitted6 years ago
asked byCucatti
fromBrazil
Is it 127V?
This would operate at 110 volts.submitted7 years ago
asked byJosh
fromKnoxville, TN
Is this better than a Vox amp? I understand that the reverb is digital but otherwise is this an all-tube amp? How does this compare to the Marshall Origin amps?
Both Marshall and Vox are very reputable amps. Whether one is better than the other is a matter of personal preference. Marshall tends to be a little more versatile with the genres of musicians who play them

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