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Audio Converters

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  1. Focusrite ISA ADN8 8 Channel Dante Network A/D Card for ISA 428 MkII and 828 MkII
    Your Price $999.99
  2. Rupert Neve Designs Master Buss Converter
    Your Price $3,999.00
  3. M-Audio MICRODAC
    Your Price $79.00
  4. Dangerous Music CONVERT-2 Two-Channel Reference Grade Digital to Analog Converter
    Your Price $2,999.00
  5. New Arrival
    Ferrofish A 32 Pro AD/DA Converter with Coaxial and Multi Mode MADI and ADAT and Headphone Output
    Your Price $2,499.00
  6. Lynx Hilo Converter with LTTB
    Your Price $3,199.00
    Open Box:
    $2,815.12
  7. RME ADI-2 DAC FS 2-Channel DA Converter
    Your Price $1,299.00
  8. Rupert Neve Designs RNDI-S Stereo Active Transformer DI Box
    Your Price $499.00
  9. Focusrite ISA ADN2 2-Channel Dante Network A/D Card for ISA One
    Your Price $799.99
  10. New Arrival
    Shure ANI4IN-BLOCK Audio Network Interface
    Your Price $624.00
    or $13/month‡
    with 48 month financing*. Limited Time. Special Financing Offers (Open in new window)
  11. New Arrival
    Shure ANIUSB-MATRIX USB Audio Network Interface
    Your Price $730.00
    or $16/month‡
    with 48 month financing*. Limited Time. Special Financing Offers (Open in new window)
  12. New Arrival
    Ferrofish Pulse 16 DX with Analog Out Modified for CV/Gate Compatibility with +24 dBu Level Compatibility
    Your Price $2,349.00
  13. New Arrival
    Ferrofish A 32 Pro Dante : 32 In/32 Out AD/DA Converter with Dante, Coaxial and Multi Mode MADI and ADAT
    Your Price $3,599.00
  14. New Arrival
    Ferrofish Pulse 16 with Analog Outputs Modified for CV/Gate Compatibility
    Your Price $1,199.00
  15. New Arrival
    Ferrofish Pulse 16 MX with Analog I/O Modified for +24dBu Level Compatibility
    Your Price $1,449.00
  16. New Arrival
    Ferrofish Pulse 16 MX with Analog I/O, MADI I/O Module, Modified for CV/Gate, and +24 dBu Level Compatibility
    Your Price $1,499.00
  17. New Arrival
    Ferrofish Pulse16 DX 16x16 AD/DA, Dante, MADI, and ADAT Converter
    Your Price $2,149.00
  18. New Arrival
    Ferrofish Pulse 16 MX Rackmount 16-Channel A/D-D/A ADAT Converter with MADI
    Your Price $1,349.00
  19. New Arrival
    Ferrofish Pulse 16 DX CV Converter with DANTE and Control Voltage
    Your Price $2,249.00
  20. New Arrival
    Ferrofish Pulse 16 MX CV 16 x 16 AD/DA Converter with MADI, ADAT and CV
    Your Price $1,449.00
  21. New Arrival
    Ferrofish Pulse 16 with Analog I/O Modified for +24 dBu Level Compatibility
    Your Price $1,199.00
  22. New Arrival
    Ferrofish Pulse 16 with Analog I/O Modified for CV/Gate, +24 dBu Level Compatibility
    Your Price $1,349.00
  23. New Arrival
    Ferrofish Pulse 16 DX with Analog Out Modified for CV/Gate Compatibility
    Your Price $2,249.00
  24. Art USB DI USB to Transformer Balanced XLR Analog Converter
    Your Price $79.99
  25. SPL Mercury Mastering DA Converter, Red
    Your Price $3,499.00
  26. SPL Mercury Mastering DA Converter
    Your Price $3,499.00
  27. Dangerous Music CONVERT-AD+ Stereo A/D Converter
    Your Price $2,999.00
  28. Burl Audio B2 Bomber DAC with Dante
    Your Price $2,649.00
  29. Ferrofish Pulse 16 16x16 AD/DA Converter with ADAT
    Your Price $1,099.00
  30. Ferrofish Verto MX MADI to Dante Converter
    Your Price $1,449.00
Showing 1-30 of 108 
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Professional audio production is one of the most digitally-oriented creative careers in the world. These days, digital audio workstations and computer software have largely displaced the hardware mixers, synths and sequencers of the past. We still rely on analog signals from the microphone in recording and to the speakers during playback, however, which means that audio converters are an important part of any studio. These work like translators, changing analog signals to digital ones (or vice-versa) to allow analog and digital components to communicate with each other.

Any all-in-one recording device will have its own built-in analog-to-digital converters, and any hardware that plays digital recordings has its own digital-to-analog converters. The catch with these integrated converters is that they're a compromise, made as compact as possible so that they'll fit into the equipment. For general-purpose recording and playback, that's fine—but for professional studio use, where you need the absolute highest sound quality, there's no substitute for a dedicated converter.

Depending on your studio setup, you'll either be looking at a desktop converter or a rack-mounted one. Most of the models can convert one way or the other, but some are dedicated DACs or ADCs, so take note that you're choosing the right one for your needs. A few examples of desktop converters are the Antelope Audio Integrity Zodiac, Lynx Hilo or Benchmark DAC1. These are all good choices for mobile recording studios that need to pack their equipment up from time to time for transport. Most of the others are rack-mounted, which makes them especially useful as interconnects between digital and analog equipment they may share a rack with in your studio. If you're a professional power user with no holds barred, the Antelope Audio ECLIPSE 384, with its atomic clock, might be the right choice for you. If you're a hobbyist looking to upgrade your home studio, you'll probably want a more down-to-earth convertor.

Maybe you're using primarily software editing tools, in which case, one detail to pay particular attention to is the selection of connectors on a given converter. Mac users will appreciate the Lynx models with Thunderbolt support, or if you're using a PC, look for USB or firewire. All of the audio converters available here are good choices—it's just a matter of matching the right model to your own studio setup. Will it be going into a rack or sitting on a shelf? Take your time and compare the features of the different models, and you'll find the one that's best for you soon enough.

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