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Overview: The Zoom LiveTrak L-8play button

Overview: The Zoom LiveTrak L-8

The Zoom LiveTrak L-8: The Board For Musiciansplay button

The Zoom LiveTrak L-8: The Board For Musicians

Zoom LiveTrak L-8: Basic Recordingplay button

Zoom LiveTrak L-8: Basic Recording

Zoom LiveTrak L-8: Audio Interface Modeplay button

Zoom LiveTrak L-8: Audio Interface Mode

Zoom

collapse expand iconDescription

Zoom's LiveTrak L-8 makes recording and mixing high-quality audio easy for podcasters, musicians and small ensembles. With six studio-grade mic preamps, built-in effects and separate headphone monitor mixes, the L-8 ensures pristine sound for any production.

Six Versatile Mic Preamps Provide Pristine Recordings

The L-8 features six high-performance preamps, each with 48V phantom power, a low noise floor (-121dBU) and up to 54dB of gain for crystal-clear recordings. Two inputs accept hi-Z signals for direct recording of electric guitars and basses. Line-level inputs and a USB stereo return provide additional connectivity. Dial in the ideal sound using the 3-band EQ and reverb/delay effects on each channel.

Multitrack Recording and Mixing On the Go

Record up to 12 tracks simultaneously, plus a stereo mix, directly to an SD card at up to 96kHz/24-bit resolution. Overdub, punch in and create custom mixes with ease while monitoring through the four headphone outputs. Power the L-8 for up to 2.5 hours using four AA batteries or a USB power bank for recording in remote locations. A built-in USB audio interface allows streaming and recording with your computer.

Flexible Monitoring Gives Each Performer Their Own Mix

The L-8 provides three separate monitor mixes so each performer can have a tailored listening experience. Send different combinations of inputs and effects to the three monitor busses for the ideal blend in each performer's headphones or stage wedge. Mute channels, set pan positions and adjust levels for maximum comfort and control over what each performer hears.

Designed for Podcasters and Musicians Alike

Whether you're recording a podcast, livestreaming a performance or laying down tracks for your next album, the L-8 delivers professional results. Dedicated sound pads and mix-minus make it easy to incorporate remote guests and call-ins. Save up to seven "scenes" to quickly recall your favorite settings. The L-8's portable, intuitive design provides an all-in-one solution for audio production on the go.

Zoom LiveTrak L-8 8-Channel Mixer
Zoom LiveTrak L-8 8-Channel Mixer
Zoom LiveTrak L-8 8-Channel Mixer

collapse expand iconFeatures

  • 8-channel mixer (6 combo, plus 2 TS)
  • 12-track simultaneous recording, 10-track playback
  • Mix-Minus function preventing audio feedback from dial-in guests
  • TRRS connection and included TRRS cable for phone connectivity
  • 6 assignable Sound Pads, with 13 preset sounds
  • 4 headphone outputs, consisting of 3 custom monitor mixes, plus one main mix
  • 3-band EQ and a low-cut function
  • 7 scene memories for storing mixes
  • 12-in/4-out USB audio interface
  • Class-compliant mode (for iOS compatibility)
  • Battery operated with four AA batteries or a USB power supply
  • Record up to 24-bit/96kHz, record up to 48kHz to computer and SD card simultaneously
  • In the box
    • LiveTrak L-8 mixer/recorder
    • TRRS cable
    • USB cable
    • AD-17 AC adapter
    • Quick guide
    warning

    WARNING: Cancer and Reproductive Harm www.P65Warnings.ca.gov.

    collapse expand iconSpecs

    Inputs
    • :
    • MIC/LINE: 6
    • LINE: 2
    Output
    • :
    • MASTER OUT: 1
    • MASTER OUT (PHONES): 1
    • MONITOR OUT (PHONES): 3
    INPUTS
      MIC/LINE:
      • Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT)
      • Input gain: +10 – +54dB/–3 – +41dB (when Hi-Z ON)
      Input impedance 
      • XLR: 3 kohm
      • TRS: 3 kohm/1 mohm (when Hi-Z ON)
      Maximum input level
      • –2dBu when –26dB switch OFF (at 0 dBFS)
      • +24dBu when –26dB switch ON (at 0 dBFS)
      Phantom power
      • +48V
      LINE
      • :
      • Type: TS phone jack
      • Input impedance: 10 kohm
      • Maximum input level: +3 dBu
      Smartphone connection jack
      • :
      • Type: TRRS mini jack (4-contact/TIP: L, RING 1: R, RING 2: GND, SLEEVE: MIC)
      • Input impedance: 10 kohm
      • Maximum input level: +3 dBu
      OUTPUTMASTER OUT:
      • Type: XLR jacks (balanced)
      • Maximum output level: +14.5 dBu
      • Output impedance: 100 ohm
      MASTER OUT (PHONES):
      • Type : Standard stereo phone jack
      • Maximum output level: 10 mW + 10 mW (60 ohm load)
      • Output impedance: 10 ohm
      MONITOR OUT (PHONES):
      • Type: Standard stereo phone jack
      • Maximum output level: 10 mW + 10 mW (60 ohm load)
      • Output impedance: 10 ohm
      BUSES
      • MASTER: 1
      • MONITOR: 3
      • SEND EFX: 1
      CHANNEL STRIP
      • LOW CUT: 75Hz, 12 dB/OCT
      EQ:
      • HIGH: 10kHz, ±15dB, shelving
      • MID: 2.5kHz, ±15dB, peaking
      • LOW: 100Hz, ±15dB, shelving
      • Level meter: 9 segments
      • Send effects: 8 types
      RECORDER
      • Maximum simultaneous recording tracks: 12 at 44.1/48/96kHz
      • Maximum simultaneous playback tracks: 10
      • Recording format: WAV 44.1/48/96kHz, 16/24-bit, mono/stereo
      • Recording media: 4GB–32GB SDHC-compliant cards (Class 10 or higher), 64GB–512GB SDXC-compliant cards (Class 10 or higher)
      AUDIO INTERFACE
      • 44.1/48kHz
      • Recording: 12 channels
      • Playback: 4 channels
      • Bit depth: 24-bit
      • Interface: USB 2.0
      SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE
        Windows:
        • OS: Windows 7 SP1 or later/8.1/10 (32-bit/64-bit)
        • CPU: Intel Core i3 or faster*
        • USB: USB 3.0/USB 2.0**
        • *Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD.
        • **Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards.
        Mac:
        • OS: macOS 10.12/10.13/10.14 /10.15
        • CPU: Intel Core i3 or faster
        • USB: USB 3.0/USB 2.0*
        • *Operation is not guaranteed when used with USB hubs or expansion cards
        • iPhone/iPad:
        • OS: iOS 10/11/12/13
        • *Apple Lightning to USB camera adapter required
        CARD READER
          Class:
          • Mass storage USB 2.0 High Speed
          • Sampling frequency: 44.1/48/96kHz
          Frequency response:
          • 20 Hz–20kHz: –1dB at 44.1kHz
          • 20 Hz–40kHz: –3dB at 96kHz (when GAIN at 3 o'clock)
          • Equivalent input noise: –121dBu or less (IHF-A) at +54dB/150 ohm input
          • Display: LCD with backlight (96x64 resolution)
          Power:
          • 4 AA batteries (alkaline, lithium, or rechargeable NiMH)
          • AC adapter (ZOOM AD-17): DC 5V/1A
          • Supports USB bus power
          • Estimated continuous recording time using batteries:
          • Recording 44.1kHz/16-bit/4-ch. audio to SD card (when 48V is OFF, LCD BACKLIGHT is 15 sec., BATTERY SAVING is ON and headphone impedance is 62 ohm):
          • Alkaline batteries: about 2 hours
          • NiMH batteries (1,900 mAh): about 3.5 hours
          • Lithium batteries: about 6.5 hours (values are approximate)
          • Power consumption: 5W
          • External dimensions (WxDxH): 268 mm x 282 mm x 74 mm
          • Weight (main unit only): 1.56 kg

          Featured Articles

          collapse expand iconReviews

          3.89

          9 Reviews

          67%

          of respondents would recommend this to a friend

          Filters
          Best Uses
          1. Amateur Recording8
          2. Performances6
          3. Outdoor Events / Games4
          4. Professional Recording3
          5. Soundtracks2
          Cons
          1. Limited Functions2
          2. Not Durable1
          3. Unreliable1
          4. Getting started will require a bit of reading1
          5. Difficult To Use1
          Describe Yourself
          1. Experienced7
          2. Professional Musician2
          Pros
          1. Compact8
          2. Excellent Sound6
          3. Simple Controls5
          4. Versatile4
          5. Easy To Use3
          • Long term review. Would not recommend.

            1

            submitted2 months ago

            byD

            fromTexas

            I had high hopes for a simple mixer, but the L8 has sadly let me down. I originally purchased the L8 four years ago as a live streaming device for a group project. It did not impress. Afterwards, I relegated it as a USB 2.0 audio interface for my synthesizer setup. One major flaw is the lone USB input (not a USB C) - you either use it attached to your computer (mine was a desktop) or to a wall wart/USB power supply. While connected to a computer, any movement of the USB cable causes analog static. Also, roughly within the last year, some type of Windows or device update caused the interface became extremely unreliable. It now shuts off whenever it feels like - right in the middle of recording a track or making a mix. Even when just listening to a YouTube video. I am surprised at the multitude of gleaming positive comments, but my advice is to please do yourself a favor and look elsewhere.

          • Awesome little mixer with a lot of usable features

            5

            Verified BuyerVerified Buyer

            submitted6 months ago

            byTom

            fromJohnson City NY

            Submitted as part of a sweepstakes

            Quality vocal effects and an added bonus...... you can record live shows

          • Great product but best for podcasts and studio, not live

            5

            Verified BuyerVerified Buyer

            submitteda year ago

            byDavid

            fromOakland, CA

            Submitted as part of a sweepstakes

            This is a great product, although it is most suitable for podcasting and studio recording rather than live performance recording. The primary reason for this is because monitor outputs are only for headphones; there is no auxiliary output for monitoring with speakers. It is nice that you can dial in a separate mix for each of the headphone outputs, but that is only useful in live performance if the musicians are using an in-ear monitoring system.

          • Pots last about a year

            3

            submitted2 years ago

            byRandy

            fromPortland

            About a month ago, 14 months after purchase, one of the pots went out. Tested the mic on other working pots and it was fine. As I write this, another pot stopped working. 14 months for basic functionality to fail is concerning to say the least.

          • It is a learning experience

            5

            submitted4 years ago

            byChristopher

            fromMcClure Ohio

            I'm just learning how to use it to record my songs to put on spotify n stuff ... thank you

          • Excellent digital mixer - will buy more!

            5

            submitted4 years ago

            byKB

            fromSeattle, WA

            This mixer has continued to impress me, more quality stuff from the Zoom company. Some random notes about it that I've found top notch: - When using it attached to a computer via USB, you're able to get 2 distinct channels of return/output (Ch.7 and Ch. 8). Specifically, with Ableton, you're able to set up Outputs sending to USB 1-2 (Ch. 7) **AND** USB 3-4 (Ch. 8). I used this with great success as a DJ mixer, with USB 1-2 as my main output and 3-4 as my cue mix. Awesome flexibility. - The pads on Ch. 1-6 are awesome for managing hot levels - I exclusively use this mixer for Zoom (different company?!) video meetings. It's amazing. It's plugged in via USB and is my audio interface -- oddly enough, there is actually an option in Mixer mode called "Audio I/F" (Interface) but you don't need to actually select this to make it function like this. The L8 mixer appears as my Microphone and Speaker option in the Zoom meeting. Any audio from Ch. 1-6 is sent to the meeting and heard by participants (think of these are your send or "Mic" audio). The meeting audio from your end is heard through Ch. 7 as the USB 1-2 audio (your return channel). Using different mix channels, I have it set up so that my mic can feed into the meeting and I can monitor the meeting through speakers, but I have no feedback whatsoever because the mic audio isn't in the monitor mix. It's amazing. Also, you can still use the onboard audio recording function in the L8, which I use as a backup audio record. - I also use this for music multitracking and it's great. You may have to get a little creative with your inputs, but you can do really excellent recordings on this unit. One minor critique: the old Zoom H4n recorder could record WAV or .mp3 files of varying bitrates, the L8 only records WAV which is fine but sometimes you just don't need the highest quality audio revolution so fingers crossed this some kind of firmware update that can make this happen, otherwise it's just a simple file

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          collapse expand iconQ&A

          Have a question about this product? Our expert Gear Advisers have the answers.

          • asked byEian

            fromTexas

            Will this allow me to record 8individual mono tracks on a DAW at the same time?

            Will this allow me to record 8individual mono tracks on a DAW at the same time?

            Open Reply - Thomas
            This needs a little bit of discussion. Please give us a call 855-770-3373