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Taylor 562ce V-Class Grand Concert 12 Fret 12-String Acoustic-Electric Guitar Shaded Edge Burst

Description
Taylor 12-string guitars are famous for their ease-of-play, their neck stability, their intonation and their overall tone, making them the most popular 12-strings on the market. Taylor's slim neck profile and neck-to-body system allow precise and low action, resulting in the most comfortable "handfeel" possible in a 12-string guitar. Refined aesthetic appointments add to the elegant charm of this all-mahogany 12-fret model. The mahogany top imparts its natural smoothness and and classic dry voicing. This 500 series 12-fret 12-string takes the Taylor dynamic to a new level, providing a new way for players to interact with the instrument. This instrument ships in a deluxe hard shell case made by Taylor for optimal fit and protection.
Body Shape
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable. Taylor's 12-fret designs are appealing to many players who enjoy the guitars' compact playing framework, blending the lap-friendly Grand Concert body with the slightly condensed fret spacing of the 24-7/8-inch scale length and the shorter 12-fret neck orientation. This combination creates a slinky "handfeel" and easier fretting. Factor in the surprising tonal power and midrange warmth and vibrancy for a smaller body, thanks to the bridge's position near the center of the lower bout.
The design is physically efficient, so it has strong projection; despite its smaller size it sounds like a huge instrument. Taylor 12-fret guitars are not just great for fingerstyle and light playing; players who love strumming or digging in with a heavier attack also appreciate them for their tonal character. Pairing a 12-fret neck design with a cutaway body blends the unique response from the bridge sitting back a little farther on the lower bout with the accessibility to the upper register - you get to play the high notes.
Tone Wood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Tropical mahogany is known for a meaty midrange featuring a strong fundamental without adding a lot of ringing overtones. It responds well to players with a strong attack who like dry, earthy, lo-fi sounds. It has a natural compression that smooths out strumming and picking technique. Mahogany's clear and direct tonal character makes it a great option for playing and standing out among other instruments.
Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in.
Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
V-Class Bracing
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially an "engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience.
Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.



Features
- Body type: Taylor 12-Fret Grand Concert
- Cutaway: Yes - Venetian
- Top wood: Solid Tropical Mahogany
- Back & sides: Solid Tropical Mahogany
- Bracing pattern: Taylor V-Class Bracing with Relief Rout
- Body finish: Gloss
- Orientation: Right-Handed
- Neck shape: Taylor Standard Profile
- Nut width: 1-7/8" (47.6mm)
- Fingerboard: Genuine West African Ebony
- Neck wood: Tropical Mahogany
- Scale length: 24-7/8"
- Number of frets: 18
- Neck finish: Satin with Shaded Edge Burst
- Pickup/preamp: Expression System 2 Professional Audio-Grade
- Brand: Taylor
- Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
- Preamp EQ: Volume, Active Bass and Treble
- Feedback filter: Onboard Phase Switch
- Tuner: None
- Headstock overlay: Genuine West African Ebony
- Tuning machines: Taylor Nickel Tuners with Nickel Buttons
- Bridge: Genuine West African Ebony
- Saddle & nut: Black Graphite Nut, Micarta "Wave" Saddle
- Number of strings: 12
- Special features: Double-Mounted String Anchoring; Double-Compensated Saddle
- Case: Taylor Deluxe Hard Shell Case
- Accessories: None
- Country of origin: USA
WARNING: This product can expose you to chemicals including Lead, which is known to the State of California to cause cancer, and to cause birth defects or other reproductive harm. For more information go to www.P65Warnings.ca.gov.
Reviews
5
5 Reviews
100%
of respondents would recommend this to a friend
- Recording4
- Small Venues4
- Jamming3
- Practicing3
- Rock Concerts2
- Experienced3
- Novice1
- Professional Musician1
- Consistent5
- Fun To Play5
- Good Audio5
- Good Feel5
- Stays In Tune5
Reviewed by 5 customers
1 of the best 12 strings I've ever played & I've played many
submitted4 years ago
byAlan R.
fromNorthern NJ
I've been playing 12 string guitars for 55+ years. Over those years, I've tried to re-embrace the 6 string that I started off with. But, as I mentioned in another review, I got the 12 string bug as soon as I heard The Byrds. And, I've never looked back. This guitar is an exceptional 12 string!!! Sound quality, playability, appearance - it has all of these - to the hilt and beyond! But, that's not surprising. It's a Taylor 12. One cautionary tale, however. A week before I got my 562ce, I owned a Taylor 652ce - for about 24 hours. Stunningly beautiful. Great sound! But the reverse stringing on its base strings and my 55 year old callouses (earned only on regularly strung 12 strings) were totally incompatible. The 652ce's treble strings rang like bells; the base strings were badly muted. If you rarely play a regularly strung 12 string, I suspect the 652ce might be ideal. But, if your callouses started developing during the Nixon administration, and developed only on regularly strung 12 strings, go with the 562ce (which is regularly strung). You'll also save a few bucks.
Great In Store Shopping Experience, Awesome Guitar!
submitted4 years ago
byDan M
fromSantee, California
I've had several 12 string guitars and wanted to try one with the 12 fret "shorter wheel base" that the 562Ce has to offer. This guitar is SO COMFORTABLE to play, I could not possibly be happier!
Beautiful looking, easy to play 12 string
submitted5 years ago
byOrville
fromRocky Hill
This guitar gives a different flavor to my music. It adds so much color to the songs i play. Has great intonation up and down the fret board. Very comfortable to hold and easy to play
Greatest guitar alive!
submitted6 years ago
byUncleD
fromCosta Mesa
This is my dream guitar.
Fantastic 12-String Guitar
submitted6 years ago
byTanuki
fromSouthfield, Michigan
I just received this -- and a month earlier than expected from the anticipated delivery date since they weren't in stock -- so I've only had it for two days. It sounds great, very nuanced for a 12-string; not a banger or jingly jangly like a classic 12-string, so if you want that, this ain't it. This one's refined, like the designer says, almost more like a doubled guitar (excepting of course that four of the courses are octaves). It has good depth for a Grand concert, owing no doubt to the 12-fret design that puts the bridge further back, and the all-mahogany top, sides, back, (and apparently the V-class construction) temper the sound such that this is quite a different instrument from the 12-string we usually think of. It gets and stays in tune! One slight disappointment for me is that this particular guitar doesn't play as easily as the older version I played several months ago -- the previous incarnation of the 562ce -- so I've tuned it down a 1/2 step to Eb and will probably take it to an authorized Taylor service shop to have the action adjusted. It's more playable than most 12 string acoustics I've played (and always returned because they were a pain), just not as perfectly easy to play as I expected it to be. It also sounds beautiful through my Fishman Loudbox Mini Charge acoustic amp. I'm not that big a fan of the Taylor Expression System in general, but it works great in this case -- for me anyway. I play an eclectic mix of classic rock, pop, jazz, blues, country influenced originals for my own amusement, though I'm gearing up to hopefully play live with this and my regular 6-string in the near future. I expect this 12-string to get more regular use than the traditional 12 that's exciting at first but gets left forgotten and eventually sold because of disuse. Because of it's more subtle, nuanced voice, it can, I think, take its place as a regular accompaniment to voice, or blend colorfully with other instruments without overpowering everyone else.
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