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Description
Auto Dual mode: Sledge 2.0 can now play two sounds at the same time, in Split or Layer mode; the feature is controlled by a new page of the Global function and allows to simply keep one note (for Split) or more notes (for Layer) and then select a new sound, that will be added to the previous sound; as any other sound, also Dual Sound combinations can be permanently stored in any of the 1.000 available presets;
Sample Player: sound samples and new waves can be loaded in the internal 60 megabyte of Flash memory, played by OSC 1 and modifiable by all parameters of the control panel, adding other oscillators, setting filters, envelopes and effects. This feature can constantly expands the instrument' sounds and create a totally new combination of synthesis and sampling.
Pitch & Hold controls: a new Global page allows to enable the Pitch and the Hold separately for the Lower and Upper sounds in Dual Mode, allowing to use the Pitch bend on the Upper sound (i.e. for solo parts) and the Hold pedal to control only the Lower (to keep playing a Drums groove or as a Damper for a Piano sound) and vice versa, or to enable Pitch Bend and Hold on both Upper and Lower sounds;
Reverb+Delay: a new function allows to mix both effects; the Reverb keeps the setting previously selected, while the real time controls (time and level) allows to set the parameters of Delay also when mixed.
Enhanced Polyphony: the total maximum number or notes that can be played at the same time have been expanded to 24, allowing to get a better real time control over the new sound possibilities obtainable from synthesis and sampling together.
Sledge Spectre: samples can be edited (keyboard range, tuning and other parameters) and transmitted to Sledge 2.0 by the USB port, with this easy sample editor that allows to first load and play the samples on your Computer and then download them into the instrument' memory.



Features
- 61 key polyphonic synthesizer with Aftertouch
- Enhanced polyphony, up to 24 voices
- Split or Layer mode, play two sounds at the same time
- Load up to 60MB of sound samples in the internal Flash memory
- Up to 999 programmable Sounds
- Fast and efficient sound selection via numeric keypad
- Enable Pitch and the Hold separately for the Lower and Upper sounds
- Enhanced Reverb and Delay effects with blend control
- USB compatibility, design sounds on the computer and load into Sledge 2.0
Specs
- 2 fast LFOs per voice with adjustable Speed and Depth
- 1 extra modulation routing for Mod Wheel, with adjustable Speed and Depth
- - LFO Shape: Sawtooth, Rectangular, Triangle, Sine, Sample & Hold, Ramp
- - Destination: Osc 1, Osc2, Ocs3, PWM / Wave / FM, Volume, Filter Cutoff
- 24 Voices polyphony - Monophonic mode with single or multiple trigger
- 3 Oscillators per voice OSC1/OSC2/OSC3
- - Range from 64' to 1' with Semitone ant Detune controls
- - Shapes: Sawtooth, Square, Triangle, Sine, Pulse (with Pulse Width Modulation)
- - OSC 1 with 66 Original PPG Wavetables + Sample Player (60MB internal memory)
- FM - Frequency Modulation of Sine and Triangle - Oscillator Hard sync (OSC 2 to OSC 3)
- Noise Generator - White and Pink noise
- Mixer with Volume and On/Off switch for each Oscillator and Noise
- AUTO DUAL MODE : Split or Layer mode “ prog. split point for each Program
- 1 Multi Mode Filter per voice - 24 / 12dB - Lowpass - Highpass - Bandpass
- - Resonance up to Self-Oscillation and beyond - Adjustable Key track and Drive
- 2 fast Envelopes per voice (Filter-Amplifier) with Amount and Velocity control (Filter+Ampli)
- Powerful Arpeggiator - Latch mode - syncable to MIDI Clock
- - Direction Up, Down, Alternate - Range up to 10 Octaves
- 2 simultaneous Effects
- - Effect 1: Chorus / Phaser / Flanger
- - Effect 2: Reverb / Delay / Reverb+Delay
- Master Volume Control
- Power Switch
- Stereo line output
- Headphone output
- Expression pedal input
- USB connector for MIDI IN/ OUT, Firmware Update, Samples Loading (with Spectre)
- - uses standard USB MIDI driver provided by host computer OS
- - Windows ME minimum, Windows XP or newer recommended
- - Mac OS X 10.2 minimum, Mac OS X 10.3 or newer recommended
- Built in power supply
- 97 cm x 40,5 cm x 11 cm
- 38,19" x 15,94" x 4,33"
- 8,3 Kg | 18,3 lbs
- Power Cord
- CD Manual
Reviews
4.5
2 Reviews
100%
of respondents would recommend this to a friend
- Electronic Music1
- MIDI1
- Experienced2
- Easy to Use1
- Responsive / Good Action1
Reviewed by 2 customers
If it has the functions you need, it will perform them well.
Verified Buyer
submitted8 years ago
bylambada bing
fromchicago ill
I use the sledge as jack of all trades. I have guitar and bass. I get drums through an akai mpc live. The sledge gets used as a straight synth or as a midi controller. It is a definite plus that samples can be loaded. The arpeggiator function isn't something I use alot with other instruments but I have had much fun messing with it on the sledge.6
Great Synthesizer!
submitted10 years ago
byMr. Snuffleupagus
fromTX
I purchased the Studiologic Sledge 2.0, and I would sum up this synthesizer as follows: Axel Hartmann designed, Waldorf powered, complex sound machine that has the option to combine the original classic PPG Wavetables with virtual 70s, 80s analog sounds with the added bonus of a sampler (Ferris Bueller comes to mind) and the ability to play two sounds at the same time (split/layer)--- I think that this combination of features make it stand out as a unique synthesizer linked to synthesizer history that is capable of producing an incredible amount of different sounds including epic virtual analog polyphonic sounds; I really like the knob layout and the retro-futuristic white font used on the panel - definitely has a vintage analog design vibe; has a good amount of keys (61) which is useful and effects are nice; organs, clavinet, Wurlitzer, Rhodes, & piano presets from Studiologic prowess was a nice and useful surprise; well-known synthesizer dudes play it: Geoff Downes from Yes, Jordan Rudess, and I believe Gaz Williams from Sonic State has one; I recommend giving Big Bird a try!
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