Sterling Audio

collapse expand iconDescription

The Sterling MX8 Black bi-amplified, powered studio monitors combine top sound quality with next-generation materials to meet or exceed the most demanding needs of audio professionals working in project studios. They sound great, have a stylish matte black finish, 8” LF drivers, 1” tweeters, high- and low-frequency control switches, balanced XLR and TRS inputs and unbalanced RCA connectivity. The MX8s are similar in form and function to the MX3s and MX5s, however, the MX8s are the largest monitors in the series, with the deepest bass response and loudest output.

Sterling MX8 Studio Monitor Rear Panel

Wide dispersion

The back of the monitors feature a balanced XLR input, a balanced TRS input and an unbalanced RCA. They have a robust power switch, rotary level dial, high-frequency filter with three parameters—+2dB, –2dB and neutral 0—and low-frequency filter with three parameters—+3dB, –3dB and neutral 0. These features allow you to tune your speakers to your room for optimal playback monitoring when mixing and producing so you’re assured the best sound possible. MX8 monitors deliver 125 Watts of high-efficiency, low-distortion, Class A/B amplification with 37Hz–22kHz frequency response.

Sterling MX8 Studio Monitor Front View With Computer Screen, DAW and EQ

Superior damping

The front of the monitors feature acoustically engineered 8” low-frequency drivers with superior damping. This minimizes any sonic artifacts and unnatural resonance to ensure a clean, natural sound for referencing your mixes. It has a four-layer voice coil which provides greater motor force for outstanding low-frequency performance. The 1” silk-dome high-frequency tweeter features a powerful neodymium magnet for a smooth and natural high-frequency response.

A project studio desk with recording equipment on it and two Sterling MX8 Studio Monitors setup as a stereo pair on stands.

Outstanding performance

The MX8s are designed to provide optimal frequency dispersion even when listening off-axis. This means they’ll sound great in imperfect acoustic environments, like most home and project studios, to give you an accurate representation of your music. The bi-amplified Class A/B design ensures superior transient response and a natural bass presence. They also look fantastic with a sophisticated dual matte black finish and backlit Sterling logo, looking as good in your studio as they sound to your ears.

collapse expand iconFeatures

  • 8" low-frequency driver with acoustically engineered cone design
  • 4-layer voice coil provides greater motor force for outstanding low-frequency performance
  • 1" silk-dome tweeter feature powerful neodymium magnets
  • 125 watts of high-efficiency, low-distortion Class A/B amplification with 37Hz–22kHz frequency response
  • Bi-amplified Class A/B design ensures superior transient response and natural bass presence
  • Rear-port design reduces low-frequency turbulence and distortion

collapse expand iconSpecs

General
  • Size: Near-field
  • System type: Active
  • Configuration: 2-way
Drivers
  • Low-frequency driver: 8"
  • Mid-frequency driver: Not specified
  • High-frequency driver: 1"
  • Full-range driver: Not specified
  • Driver type: Proprietary cone
Sound
  • Frequency response: Not specified
  • Max peak SPL: Not specified
  • Amplifier class: Class A/B
  • Output power: 125W
Onboard Features
  • Input connectors: XLR, TRS, RCA
  • Standby mode: Yes
  • Acoustic space control: Yes
  • Power indicator: Yes
Other
  • Enclosure type: Ported

collapse expand iconReviews

4.15

185 Reviews

81%

of respondents would recommend this to a friend

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters

Best Uses

  1. Practice4
  2. Recording3
  3. Metal songs1
  4. Rock songs1
  5. fun. and looking cool shredding for the normies1

Cons

  1. None5
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1

Describe Yourself

  1. Beginner2
  2. 74 years old, been playing 60 years.1
  3. Jazz, rock, classical player for 60 years1
  4. Metal,hard rock and instrumental rock1
  5. Retired 64 YO beginning amateur1

Pros

  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Sounds really good

    5

    submitted16 days ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitted24 days ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitteda month ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitteda month ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitteda month ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

  • 23862 SYCAMORE DR

    1

    submitteda month ago

    byETHAN

    fromMission Viejo, CA

    Electronics are really good. Was going to use it for jamming and professional playing. However, I could not lower the action due to stripped saddle screws

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