Restock Line 6 Helix Limited-Edition Multi-Effects Guitar Pedal Purple

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Line 6 | Helix | HX 3.70 Firmware Update

Line 6 | Helix Floor | Overview

Line 6 | Eric Klein Details the Development of the Helix Guitar Processor

Line 6 | Helix 3.0 | Part Two | Effects Demo

Description
A pioneer in effects processors, Line 6 delivers an intuitively designed master controller with this Helix limited-edition multi-effects guitar pedal featuring a cool purple finish. Created to be seamlessly integrated with the pedals and amps you already own, this unit has some of the most extensive inputs and outputs ever built for a multi-effect. With the capability to function as your command center for your whole rig, this guitar processor gives you unparalleled versatility in a compact size. A true powerhouse with the dual-DSP engine, this Helix delivers on intuitive functionality and world-class sound quality.
Powerful Connections for Authentic Acoustics
The HX modeling engine has a dual-DSP that supplies an immense amount of power, which is able to capture an accurate, organic sound quality of any mics or amps you connect to. To give you even more depth and true sound reproduction for each of your amps, this multi-effects unit has a 123dB of dynamic range for the guitar input. For ultimate versatility, the dual DSP has four stereo signal paths per preset for endless choices. You can operate multiple instruments simultaneously and take advantage of the 10 inputs and 12 outputs. This includes four FX loops that can connect to four pedal chains, to capture both analog or digital, and dry or wet signals for maximum creative freedom. This unit has the most comprehensive routing system ever seen in a multi-effects pedal.
Intuitive Controls With a Seamless Design
The large 6.2" 800 x 480-pixel LCD display gives you easy control that has an ideal functionality for anyone to quickly learn its capabilities. However, if you want to go hands-free, the pedal edit mode allows you to effortlessly select whatever effects parameters you want to adjust. There are 12 touch-sensitive footswitches with customizable scribble pads and colored LED rings that give you the freedom to edit in a seamless environment. This guitar system complete with extensive MIDI control and the ability to add up to three expression pedals, external amp switching and CV/Expression out for a definitive experience.
Helix 3.80 firmware update (as of Nov. 2024), is free to download by any owners of this product.
This free firmware update for Helix and HX hardware devices and the 3.80 software update for the Helix Native plug-in finally delivers six of the most requested amp channels and four unique cabs. Although the focus is on new amps and cabs, please note that the HX Effects processor and HX One pedal will still receive a new free effect.
Based on the Bogner Ecstasy and EVH 5150III (6L6), these new models round out the portfolio of amps, and the Teardrop Bass Q represents the first new Wah since v1.0.
The update gives you the following:
NEW AMP MODELS
For Helix Floor, Helix Rack, Helix LT, Helix Native, HX Stomp XL and HX Stomp
• US Super Nrm, based on* the Fender Super Reverb (normal channel)
• US Super Vib, based on* the Fender Super Reverb (vibrato channel)
• German Xtra Red, based on* the Bogner Ecstasy 101B (EL34) (red channel)
• German Xtra Blue, based on* the Bogner Ecstasy 101B (EL34) (blue channel)
• EV Panama Blue, based on* the EVH 5150III 100 [6L6] (Blue channel)
• EV Panama Red, based on* the EVH 5150III 100 [6L6] (Red channel)
NEW CABS
For Helix Floor, Helix Rack, Helix LT, Helix Native, HX Stomp XL, and HX Stomp
• 4x10 US Super (Single, Dual), captured from* the Fender Super Reverb
• 4x12 Cartog Guv (Single, Dual), captured from* Ben Adrian's Cartographer cabinet (Modified Lee Jackson 4x12 with Eminence Governor speakers)
• 4x12 Cartog C90 (Single, Dual), captured from* Ben Adrian's Cartographer cabinet (Modified Lee Jackson 4x12 with Mesa C90 speakers)
• 4x12 SoloLead EM (Single, Dual), captured from* the Soldano SLO 4x12 cabinet
NEW EFFECT
For Helix Floor, Helix Rack, Helix LT, Helix Native, HX Effects, HX Stomp XL, HX Stomp and HX One
• Wah > Teardrop Bass Q (Mono, Stereo), based on* the Dunlop 105Q bass wah



Features
- Dual DSP-powered HX modeling engine with four discrete stereo signal paths, more than 200 amps, cabs, mics and effects
- Imports 3rd-party 1024/2048 cab IR (impulse responses)
- 12 capacitive-sensing footswitches and customizable scribble strips—touch to edit, hold to assign, press to engage
- Hands-free Pedal Edit mode lays out effect parameters across switches and expression pedal
- Near-instant footswitch and controller assignment
- Up to three expression pedals, CV/Expression out, external amp switching and deep MIDI control
- Extensive I/O for seamless integration with your entire rig—10 inputs 12 outputs (including four FX loops), plus 8-in/8-out USB audio interface
- AES/EBU, SPDIF and VDI interfaces
- Industry-leading 123dB of dynamic range on the guitar input, for tremendous depth and ultralow noise
- Tour-grade construction
- Includes Helix Firmware update 3.8
Reviews
4.15
185 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
Filters
Best Uses
- Practice4
- Recording3
- Metal songs1
- Rock songs1
- fun. and looking cool shredding for the normies1
Cons
- None5
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
Describe Yourself
- Beginner2
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Retired 64 YO beginning amateur1
Pros
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 185 customers
Sounds really good
submitted22 days ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitteda month ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitteda month ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
23862 SYCAMORE DR
submitted2 months ago
byETHAN
fromMission Viejo, CA
Electronics are really good. Was going to use it for jamming and professional playing. However, I could not lower the action due to stripped saddle screws
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