Videos (7)

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Paiste Big Beat Cymbalsplay button

Paiste Big Beat Cymbals

Official Paiste Cymbal Production Videoplay button

Official Paiste Cymbal Production Video

Paiste Cymbals - Bobby Rondinelli (Big Beat - Studio Session)play button

Paiste Cymbals - Bobby Rondinelli (Big Beat - Studio Session)

Paiste & The Psm: Factory Groovesplay button

Paiste & The Psm: Factory Grooves

Paiste

collapse expand iconDescription

Paiste's Black Label Big Beat cymbals represent a modern, yet timeless interpretation of the celebrated 2002 sound. The cymbals feature a distinct hammering pattern for the 2002 family, a slightly darkened, semi-matted finish and simplified black logos to distinguish the Big Beat set.

In terms of sound, the cymbals are rooted in the world of 2002 Alloy, with its celebrated brilliance, clarity, precision and strength. Big Beat models add particular warmth, depth and complexity to the mix. They are perfect for broad, voluminous sound without being overly aggressive.

The individual cymbals are designed to be multifunctional and work well across the range as both crashes and rides. Despite their sizes, the cymbals feature excellent manageability and well controllable decay. Warm luscious crashes and an airy, defined ping over a wide multi-layered wash, and broad, musical bells are the hallmarks of the Big Beat singles.

With the 2002 Black Big Beat models, Paiste takes the 2002 sound into a new realm, while preserving the legendary 2002 heritage. Live or studio, these cymbals are decidedly multi-musical, well suited for a wide range of applications.
Paiste 2002 Black Big Beat 24 in.

collapse expand iconFeatures

Sizes and Purpose
  • Quantity: 1
  • Type: Crash-Ride
  • Sizes (in): Multiple
Construction
  • Material: Bronze
  • Hammering: Machine
  • Lathing: Full
  • Cymbal Weight: Medium Thin
  • Bell: Standard
Other
  • Finish: Traditional
  • Country of Origin: Switzerland
  • Added Value: No

collapse expand iconWarranty

One year warranty against cracks or manufacturer defects on all cymbals.

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