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MXR Timmy Overdrive & Octavio Fuzz | NAMM 2020

MXR Timmy Overdrive & Octavio Fuzz | NAMM 2020

MXR Custom Shop Timmy Overdrive

MXR Custom Shop Timmy Overdrive

MXR

Description

The MXR Timmy Overdrive provides a huge, responsive range of gritty and textured tones that enhance the sound of your rig while preserving its fundamental character—and in an MXR mini housing, this pedal will free up some serious pedalboard space. It’s based on a design created by veteran pedal builder Paul Cochrane that’s widely celebrated among high level pros, from first-call Nashville session player Kenny Greenberg to first call L.A. player Lyle Workman to rockstar Brad Whitford. When Cochrane decided to bring his pedal to a wider audience, he chose to work with the MXR design team. "It's an honor to work with MXR," Cochrane says. "My first-ever pedal was a Phase 90."

Thanks to Cochrane’s inventive implementation of clipping options and tone controls, this pedal is a working guitar player’s dream come true. The Clip switch provides three different clipping styles that cover a multitude of playing situations, whether you need an always-on sound that’s big and bold with a ton of headroom to slam the front end of your amp, a more compressed and saturated sound for fat, gnarly chords or anything in between.

The Bass and Treble controls offer further refinement of your sonic profile. Firstly, they’re cut-only, keeping the character of your signal intact and making it super easy to dial in a clean boost. Secondly, Cochrane wired the Bass control to affect your pre-OD signal so that you can your maintain low end at lower Gain settings, and the Treble control to affect your post-OD signal so that you can adjust the top end to keep dirty settings smooth and musical. 

Finally, the MXR design team worked closely with Paul to select an op-amp that perfectly complements his expertly crafted design. They landed on the LF353, a trusty component well-respected by Dunlop engineers for providing high output, high gain and  hi-fi signal delivery. The resulting MXR Timmy Overdrive is a professional-grade must-have for players who want sweet, harmonic breakup that responds to playing dynamics and maintains the personality of your rig at a fraction of the size of a standard pedal.
MXR Timmy Overdrive Effects Pedal
MXR Timmy Overdrive Effects Pedal
MXR Timmy Overdrive Effects Pedal

Warranty

All pedals - one year parts and labor warranty.

Featured Articles

Reviews

4.79

19 Reviews

94%

of respondents would recommend this to a friend

Most Liked Positive Review

5

Peavey Classic 50 in a Pedal…

…and that's a good thing. I'm probably gonna make some people mad by writing that, but it's true. It's a fizzy, gritty, dirty drive pedal like the 'Lead' channel on a Peavey Classic 50. The Classic 50 is a criminally underrated amp by the way, just ask Pearl Jam and Satriani. I've never heard the original Timmy, but I would guess that since the original designer of it was involved with the MXR version, it's probably pretty close. I didn't notice a huge difference when flipping through the toggle, though the middle setting is the cleanest of the bunch. It's cleans up ok with the volume rolled back but not all the way like a klone. For me the sound is so close to the Classic 50 that I don't (completely) regret getting rid of mine, so it's pure nostalgia. Best part is that you can use it in a low wattage amp and get the same snarl as the 50 watt monster at bedroom levels.

VS

Most Liked Negative Review

3

Way over hyped in my opinion

I must have read a hundred positive mentions while reading forums and reviews on the Timmy, "it works with any amp, ... it's my go-to overdrive" etc. I finally got around to getting one, and I'm not impressed in the least. I spent some time trying to find out what everyone raves about... is it good at taking a clean tone into a sweet break up? Eh, it's okay at that. Is it good at taking a breaking up tone into a nice crunch tone? Eh, not really. Is it good at tightening up a crunchy tone? Not to my ears. Is it good at putting that liquid sustain on an overdriven tone for great leads? It's okay at that. The point here being that I have other pedals that are far better sounding in all aspects compared to the Timmy. I've tried it with everything from Fender Princeton, '57 Custom, and Pro Junior, to Vox AC30, to Marshall 1987 and 2203, with humbuckers, single coils and P90s, but was not impressed with any setup. It's better than say a TC Electronic Tube Pilot , so it's worth owning; however, I already have other pedals that sound better, so sent it back. Disappointing considering how much great press it gets.

Filters
Best Uses
  1. Performances14
  2. Home Studio10
  3. Amateur Recording8
  4. Professional Recording7
  5. Outdoor Events / Games2
Cons
  1. Difficult To Use1
  2. Poor Sound Quality1
  3. Smaller than I thought.1
Describe Yourself
  1. Experienced12
  2. Professional Musician6
  3. Novice1
Pros
  1. Compact17
  2. Excellent Sound Quality16
  3. Responsive14
  4. Versatile10
  5. Good Selection Of Effects2
  • Great sounding OD

    5

    Verified Buyer

    submitteda year ago

    byAnt

    fromSATX

    Submitted as part of a sweepstakes

    It definitely sounds great. I stack it with a DOT from MXR and mannnn it beefs up my tone on my Strat. I would recommend if you need that boost/od sound. I had a golden boy mini on my board before. This is good.

  • Worth Having

    5

    Verified Buyer

    submitteda year ago

    byJohn

    fromARCADIA, OKLAHOMA

    Submitted as part of a sweepstakes

    Home studio and performances.

  • Super versitile!

    5

    submitted2 years ago

    byCarlos

    fromReno, NV

    I use it for a "crunch lite" sound or I add it to other overdrives to create a great lead sound. The same setting works for both.

  • Great pedal! Burns the candle on both ends!

    5

    submitted2 years ago

    byCarlos

    fromReno, NV

    I use this pedal for two things (same settings for both): 1. My lead tone- I run this with my amp's OD1 channel for a tone thats better than the amp's OD2 channel 2. Crunch Lite- I use the amp's chunch channel with my Strat, I use the pedal with my 335 & Firebird to get the same tone

  • 911 Denton Street

    4

    Verified Buyer

    submitted2 years ago

    byBrent

    fromDFW

    Submitted as part of a sweepstakes

    Great sound for the money

  • Peavey Classic 50 in a Pedal…

    5

    submitted3 years ago

    byGuy on the sofa

    fromMy Room

    …and that's a good thing. I'm probably gonna make some people mad by writing that, but it's true. It's a fizzy, gritty, dirty drive pedal like the 'Lead' channel on a Peavey Classic 50. The Classic 50 is a criminally underrated amp by the way, just ask Pearl Jam and Satriani. I've never heard the original Timmy, but I would guess that since the original designer of it was involved with the MXR version, it's probably pretty close. I didn't notice a huge difference when flipping through the toggle, though the middle setting is the cleanest of the bunch. It's cleans up ok with the volume rolled back but not all the way like a klone. For me the sound is so close to the Classic 50 that I don't (completely) regret getting rid of mine, so it's pure nostalgia. Best part is that you can use it in a low wattage amp and get the same snarl as the 50 watt monster at bedroom levels.

Q&A

Have a question about this product? Our expert Gear Advisers have the answers.

  • asked byStephen

    fromMass

    Does it come with a power supply?

    Open Reply - Gear-Support
    Unfortunately, no.