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Introducing the LD Systems MON G3 Series – Completely Redesigned and One Step Beyondplay button

Introducing the LD Systems MON G3 Series – Completely Redesigned and One Step Beyond

LD Systems MON G3 series - One Step Beyondplay button

LD Systems MON G3 series - One Step Beyond

Your Sound. Our Mission. | LD Systems | A Declaration of Love to Mobile DJs and Musiciansplay button

Your Sound. Our Mission. | LD Systems | A Declaration of Love to Mobile DJs and Musicians

LD Systems

collapse expand iconDescription

The LD Systems MON 12 A G3 12" powered coaxial stage monitor is part of an entirely newly developed family of powered stage monitors for high performance. The MON G3 Series incorporates the advanced technology and premium materials found in high-end monitors typically rented by professionals, making this quality available to everyone. These include, for example, advanced coaxial loudspeakers with integrated 50° x 90° CD horn, which ensure the acoustic ideal of a true point source and thus outstanding audio characteristics even at short listening distances. Besides this, the series offers a high-level of robustness, a comprehensive set of features and the elegant LD Systems design.

For decades, 12"/1" stage monitors have been the golden mean when it comes to sonority, sound pressure and portability. With coaxial design, smart electronics and a professional look, the MON 12 A G3 brings this concept into the modern age. The ideal dispersion geometry of 50° x 90° for monitor use or 90° x 50° for FOH use make it a multi-talent that offers the right solution for a wealth of different tasks.

Both the signal (XLR/jack combo) and the power connection (PowerCON compatible) can be looped through. This allows for elegant, tidy cabling in multi-monitor set-ups or for distributed sound reinforcement.
Open Box LD Systems MON 12 A G3 12" Powered Coaxial Stage Monitor Level 1
Open Box LD Systems MON 12 A G3 12" Powered Coaxial Stage Monitor Level 1
Open Box LD Systems MON 12 A G3 12" Powered Coaxial Stage Monitor Level 1

collapse expand iconFeatures

  • Class-D power amplifier with 300 W RMS/1200 W peak and 127 dB max. SPL
  • Coaxial design for true point source with a 1.75" titanium-diaphragm HF driver
  • 12" woofer with 2.5" voice coil
  • Optimised, practical radiation pattern due to 50° x 90° CD horn
  • DynX DSP (Gen.2) for distortion-free sound even at maximum volume
  • 3-band EQ, Notch filter, 4 application presets and delay function
  • PowerCON compatible loop-through professional power connection
  • 1.4" speaker stand flange for FOH applications
  • Durable Polyurea coating and heavy-duty front grille

collapse expand iconSpecs

General
  • Product type: Stage monitors
  • Type: Powered
  • Color: Black
  • System output (RMS): 300 W
  • System output (Peak): 1200 W
  • Max. SPL Average (Sine burst): 120 dB (100 Hz - 12 kHz, fullspace @1m, 10% THD)
  • Max. SPL Peak (Sine burst): 127 dB (fullspace @1m, 10% THD)
  • Frequency response (-3 dB): 68 - 18000 HZ
  • Frequency response (-10 dB) : 55 - 20000 Hz
  • Crossover frequency: 1400 Hz
  • Monitor angle: 33°
  • Dispersion (H x V): 50° x 90°
  • Width: 17"
  • Depth: 18"
  • Height: 12"
  • Weight: 38lbs
Low/mid woofer
  • Low/mid Woofer dimensions: 12"
  • Woofer magnet: Ferrite
  • Woofer brand: Custom-made
  • Woofer type: Coaxial loudspeaker
  • Woofer voice coil: 2.5"
  • Cabinet construction: Bass Reflex
  • Cabinet material: 0.59" Birch Plywood, 0.59" MDF
HF
  • Horn: CD Horn
  • Tweeter dimensions: 1"
  • Tweeter magnet: Ferrite
  • Tweeter brand: Custom-made
  • Tweeter voice coil: 1.75"
Amplifier module (integrated)
  • Amplifier: Class D
  • Protection circuits: Multiband limiter, over voltage, over-current, thermal overload
  • Operating Temperature: 0–40 °C
  • Humidity Range: < 80 % ( non-condensing )
  • Fuse: T4AL 250 V
  • Controls: On/off switch, Rotary/push encoder
  • Indicators: LC display
  • Operating voltage: SMPS
  • Operating voltage: 100 V AC - 240 V AC, 50 - 60 Hz
  • Power consumption: 150 W
  • Power in/out: PowerCON compatible
  • Line inputs: 2
  • Line input connectors: 6.3 mm jack, XLR - combo
  • Line thru: 2
  • Line through connector: XLR

collapse expand iconReviews

4.16

186 Reviews

81%

of respondents would recommend this to a friend

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters

Best Uses

  1. Practice4
  2. Recording3
  3. All around great guitar1
  4. Metal songs1
  5. Rock songs1

Cons

  1. None6
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1

Describe Yourself

  1. Beginner2
  2. Stray player since 19741
  3. 74 years old, been playing 60 years.1
  4. Jazz, rock, classical player for 60 years1
  5. Metal,hard rock and instrumental rock1

Pros

  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Great all around strat

    5

    submitted4 days ago

    byCass

    fromDenver

    Price is right

  • Sounds really good

    5

    submitted25 days ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitteda month ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitteda month ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitteda month ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitteda month ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

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