Audio-Technica

collapse expand iconDescription

The Audio-Technica AT4040 Condenser Microphone is designed for pro recording. It features an externally polarized true condenser designed with a technically advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics. Cardioid pattern. Exceptional low noise, wide dynamic range, and high-SPL capability give it studio versatility. Transformerless circuitry virtually eliminates low-frequency distortion. Switchable 80Hz hi-pass filter and 10dB pad. Includes shockmount.
Requires phantom power.
Open Box Audio-Technica AT4040 Large-Diaphragm Studio Condenser Mic Level 1

collapse expand iconFeatures

  • Technically-advanced large diaphragm tensioned specifically to provide smooth, natural sonic characteristics
  • Externally polarized (DC bias) true condenser design
  • Exceptionally low noise, wide dynamic range and high-SPL capability for greatest versatility
  • Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients
  • Precision-machined, nickel-plated brass, acoustic element baffle provides enhanced element stability and optimal sensitivity
  • Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections
  • State-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standards
  • Custom shock mount provides superior isolation
  • Switchable 80 Hz hi-pass filter and 10 dB pad

collapse expand iconSpecs

  • ELEMENT Externally-polarized (DC bias) condenser
  • POLAR PATTERN Cardioid
  • FREQUENCY RESPONSE 20-20,000 Hz
  • LOW FREQUENCY ROLL-OFF 80 Hz, 12 dB/octave
  • OPEN CIRCUIT SENSITIVITY -32 dB (25.1 mV) re 1V at 1 Pa
  • IMPEDANCE 100 ohms
  • MAXIMUM INPUT SOUND LEVEL 145 dB SPL, 1 kHz at 1% T.H.D.;
  • 155 dB SPL, with 10 dB pad (nominal)
  • NOISE 12 dB SPL
  • DYNAMIC RANGE (typical) 133 dB, 1 kHz at Max SPL
  • SIGNAL-TO-NOISE RATIO 82 dB, 1 kHz at 1 Pa
  • PHANTOM POWER REQUIREMENTS 48V DC, 4.2 mA typical
  • SWITCHES Flat, roll-off;
  • 10 dB pad (nominal)
  • WEIGHT 12.7 oz (360 g)
  • DIMENSIONS 6.69" (170.0 mm) long,
  • 2.10" (53.4 mm) maximum body diameter
  • OUTPUT CONNECTOR Integral 3-pin XLRM-type
  • ACCESSORIES FURNISHED AT8449 shock mount for 5/8"-27 threaded stands; microphone dust cover; protective carrying case
  • AUDIO-TECHNICA CASE STYLE R1

Featured Articles

collapse expand iconReviews

4.93

15 Reviews

100%

of respondents would recommend this to a friend

Filters

Best Uses

  1. Amateur Recording2
  2. Home Studio2
  3. Professional Recording2
  4. Outdoor Events / Games1
  5. Acoustic Guitar1

Cons

  1. The Shock Mount1

Describe Yourself

  1. Experienced1
  2. Professional Musician1

Pros

  1. Easy To Use2
  2. Good Audio2
  3. Lightweight2
  4. Compact1
  5. Durable1
  • It was a great choice

    5

    originally posted on

    http://www.audio-technica.com/

    brand logo

    submitted5 years ago

    byMaher Abdo

    fromMorocco

    I do voiceovers, and this mic works perfectly well for me.

  • Great Mic, Great Price

    5

    Verified BuyerVerified Buyer

    submitted7 years ago

    byJoeyDeetz

    fromSan Jose, CA

    Used this to do pre-pro vocals for softer parts of songs in a melodic metal band. Excellent quality that surpassed my expectations

  • Utility Large Diameter Mic

    4

    Verified BuyerVerified Buyer

    submitted9 years ago

    byajo1958

    fromCharlotte, NC

    I use this often with a shield as while a cardioid mic easy to get bleed over and cause feedback. But really works well for choirs or large singing groups.

  • Simply The Best

    5

    submitted10 years ago

    byJohnnie

    fromRocky Mount, North Carolina

    I have tried out the AKG C214, AKG P220, AKG P420, AKG C3000, RODE NT1-A and the Audio-Technica 4040 microphone. The AT4040 is by far the best of the bunch. With a flat response and transparent sound across the board this microphone is a graet choice for vocals and acoustic guitar tracks. I would highly advise this well built and sturdy unit from Audio-Technica.

  • Flat response, multi-purpose cardiod pattern mic

    5

    submitted10 years ago

    byDAVID

    fromBrooklyn, NY

    Best used as a close-source instrument mic (acoustic guitar, piano, voice) It has a generally flat response that makes it handy for a wide variety of tasks. There are switches for a -10dB pad and high pass filter which could come in handy when capturing high SPL sources or to clean up mud. It is a massive step up in quality from the bargain condensers so if you're looking for an upgrade from one of those, you will not be disappointed. That being said, $100 more will get you the AT4033, which is, in my opinion, the best bang for your buck condenser on the market today.

  • Its just right

    5

    submitted11 years ago

    byjohn mobley

    fromWashington DC

    with my voice I need all te help I can get, and this mic is just right! Hearing myself clearly while singing and keeping my true vocal tone intact, for me, is not easy, I suck at studio singing!! This mic makes it work for me. I can just sing and not think, and not worry about how I am hitting notes, and the clarity and responsiveness of the mic does the rest!

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collapse expand iconQ&A

Have a question about this product? Our expert Gear Advisers have the answers.

  • asked byGwaup

    fromundisclosed

    What kind of shock Mount do I need?

    What kind of shock Mount do I need?

    Open Reply - Thomas
    Please see "On-Stage Studio Microphone Shock Mount Black"