Open Box Akai Professional MPK225 25-Key Controller Level 1

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The All-New Akai Professional MPK225 Keyboard & Pad Controller

Description
Akai Professional's MPK225 is a compact yet fully loaded keyboard controller tailor-made for music producers and performers alike. Boasting 25 semi-weighted keys with aftertouch, 32 velocity-sensitive pads and an array of assignable knobs and buttons, the MPK225 puts comprehensive command of your studio and stage setup at your fingertips. Akai Pro's cutting-edge controller is optimized to interface directly with your Mac or PC via USB, providing plug-and-play connectivity and portability.
Express Yourself With Semi-Weighted Keys and Aftertouch
The MPK225's 25 keys are semi-weighted and velocity-sensitive, responding dynamically to your playing style. Aftertouch capability on each key enables you to add subtle expression and sonic nuance. Octave Up and Down buttons extend the keyboard's range, allowing you to play everything from deep bass notes to soaring leads. For keyboard players accustomed to a weighted hammer-action keybed, the MPK225 offers a familiar feel and playing experience.
Launch Samples and Loops With 32 Pads
Producers and performers will appreciate the MPK225's 32 pads with RGB illumination, which provide visual feedback to ensure your hits are on target. Four pad banks put up to 128 samples, loops and one-shots at your fingertips. Akai Pro's Note Repeat and Full Level options are onboard, enabling you to create rolls, stutters and other rhythmic effects on the fly. An arpeggiator with adjustable resolution, range and pattern settings helps you discover complex melodic ideas with ease.
Take Total Control With Assignable Knobs and Buttons
The MPK225's control set is highly flexible, with 8 assignable knobs and 4 buttons that can be assigned to virtually any parameter in your DAW or virtual instruments. Three knob banks and one button bank provide a total of 24 knob assignments and 12 button assignments, streamlining your workflow and keeping all key parameters within easy reach.
Powerful Software Tools for Creativity
Included with the MPK225 are two professional production tools: Ableton Live Lite and MPC Beats. Ableton Live Lite is a fluid audio/MIDI environment for composing and performing music. MPC Beats, based on the legendary MPC workflow, enables you to make beats, grooves and samples with an intuitive interface and powerful tools. The MPK225 also comes with two virtual synths: Hybrid 3, which combines analog warmth and digital precision and SONiVOX Twist, an innovative spectral morphing synth.



Features
- 25 semi-weighted, full-size keys with aftertouch
- 8 RGB-illuminated MPC-style pads each with 4 banks for 32 pads
- 12 assignable Q-Link controllers include 8 control knobs and 4 backlit buttons
- Revamped control layout with backlit LCD screen
- USB-MIDI with 5-pin MIDI input & output
- iOS compatibility using the Apple iPad Camera Connection Kit (sold separately)
- Comprehensive transport and parameter controls for hands-on DAW integration
- MPC Note Repeat and arpeggiator for advanced rhythmic and melodic manipulation
- MPC Full Level, Tap Tempo, and Time Division assist with dynamics and tempo
- Pitch bend, modulation, and octave controls for expressive recording and performing
- 1 assignable footswitch jack & 1 expression jack
- USB power and plug-and-play connectivity
- Production software package included
Specs
- Number of Keys: 25 semi-weighted, full-size keys with aftertouch
- Pads: 8 pressure- and velocity-sensitive, light-up MPC-style pads x 4 banks
- Q-Link Controls: 8 assignable control knobs and 4 backlit buttons
- Computer Interface: USB-MIDI with 5-pin MIDI input & output
- Octaves: 10 with Octave Up and Down
- Arpeggiator: Yes
- Additional Controls: MPC Note Repeat, MPC Full Level, Tap Tempo, and Time Division
- Additional Inputs: (1) 1/4" (6.35 mm) TRS expression pedal input and (1) 1/4" (6.35 mm) TS sustain pedal or footswitch input
- Power: USB power; no power adapter required
- Dimensions: 19.25" x 11.75" x 3.63"
- Weight: 6.09 lb.
Reviews
4.16
186 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
- Practice4
- Recording3
- All around great guitar1
- Metal songs1
- Rock songs1
- None6
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
- Beginner2
- Stray player since 19741
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 186 customers
Great all around strat
submitted6 days ago
byCass
fromDenver
Price is right
Sounds really good
submitteda month ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitteda month ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitteda month ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
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