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MXL R144 Multi-Purpose Ribbon Microphone

Description



Features
- Analog or digital: Analog
- Frequency response: 20Hz to 17kHz
- Max SPL: 130dB
- Connectivity: XLR
- Capsule: Ribbon
- Polar pattern: Figure-8
- Type: Mounted
- Applications: Studio
- Diaphragm size: Large
- Switches: No
- Phantom power required: No
- Width: 1.85"
- Height: 6.75"
- Weight: 0.85 lb.
- Case: No
- Clip: No
- Shockmount: Yes
- Power supply: No
WARNING: This product can expose you to chemicals including Lead, which is known to the State of California to cause cancer, and Lead, which is known to cause birth defects or other reproductive harm. For more information go to www.P65Warnings.ca.gov.
Specs
Warranty
Featured Articles
Reviews
4.42
19 Reviews
100%
of respondents would recommend this to a friend
Most Liked Positive Review
GREAT
amazing for the price. perfect for starting to record AMAZING vocals, or eval micing amps, or acoustic guitars, or percussion, what ever you need, this mic is unbelievable.
Most Liked Negative Review
Disappointed with this ribbon mic.
I was looking for a new mic to add a new flavor to my arsenal. I've had good experiences with MXL in the past, and I've wanted a ribbon mic for quite some time now to use on vocals and guitar cabs. I wasn't expecting Royer quality or anything when dropping $100 on the R144 -- but I was still disappointed. The R144 sounded incredibly muddy regardless what I was recording. I tried it on vocals, acoustic guitar, my fender deluxe -- I just couldn't get anything usable. At first I thought it was because of the figure 8 polar pattern, but even guarding the rear of the mic I couldn't get a remotely clean sound. Next, I thought my interface or my outboard pre's maybe weren't driving it hard enough, so I bought a Cloudlifter for some extra boost, but even with the cloudlifter the R144 just sounded terrible. Bottom line: if you're looking for a budget microphone, you'd be better off with one of MXL's other offerings, like the 990 condenser. If you're looking for a mic with some color -- save a couple more bucks and pick up a tube condenser.
- Experienced1
- Easy To Use1
- Good Audio1
- Lightweight1
Reviewed by 19 customers
this mic is great, i use it for voice on ham radio, a plus
Verified Buyer
submitted9 years ago
bytim
fromfort knox
don't get the warranty as it does not cover the ribbon element, I told the person who put the order in for me I wanted the warranty for that purpose and they sold it to me knowing this anyway acting as if it did cover it, so mabey don't trust information from sales
R144 Great Value!
Verified Buyer
submitted9 years ago
byPilgrim
fromundisclosed
Well made, solid mic. Used with a UA Solo 610 pre-amp resulted in a very warm & "live" sounding vocal track. This is a keeper!
Great sounding microphone!
submitted12 years ago
byJames
fromPlano, TX
The sound is great, well above my expectations. Some people have mentioned that they didn't think it had enough gain but I had no problem at all with the gain when connected to a Crate Limo amp. It actually is louder with much lower feedback then my other microphones. The sound it reproduced was clean, balanced, crisp, clear and very natural sounding. Highly recommended!!
Disappointed with this ribbon mic.
submitted12 years ago
byColin Weaver
fromCincinnati, OH
I was looking for a new mic to add a new flavor to my arsenal. I've had good experiences with MXL in the past, and I've wanted a ribbon mic for quite some time now to use on vocals and guitar cabs. I wasn't expecting Royer quality or anything when dropping $100 on the R144 -- but I was still disappointed. The R144 sounded incredibly muddy regardless what I was recording. I tried it on vocals, acoustic guitar, my fender deluxe -- I just couldn't get anything usable. At first I thought it was because of the figure 8 polar pattern, but even guarding the rear of the mic I couldn't get a remotely clean sound. Next, I thought my interface or my outboard pre's maybe weren't driving it hard enough, so I bought a Cloudlifter for some extra boost, but even with the cloudlifter the R144 just sounded terrible. Bottom line: if you're looking for a budget microphone, you'd be better off with one of MXL's other offerings, like the 990 condenser. If you're looking for a mic with some color -- save a couple more bucks and pick up a tube condenser.
Love it - the SM58 of Ribbon Mics
submitted12 years ago
byKENNETH ALSIP
fromChoctaw, OK
This mic just exactly what I wanted it to do ? 1. For singing with a voice that is not windy and powerful - in a small room through a large PA system; 2. Recording the same type voice. Here?s some things you may want to think about. The instruction say to use a pop filter to keep breath moisture off the ribbon inside. If you blow on a ribbon mic, or drop it, you can damage the ribbon. My personal observation is that the mic doesn?t like effects and sounds its best 100% clean. It?s very sensitive. Once I reached its loudest setting without feedback, I set it in the middle of the room. 6 inches back it picked up voice & acoustic guitar well, even clearer (voice only) at 3 inches. I used it with a cheap Ballari MP 105 tube mic preamp. The highest settings I could obtain was only one or one and a half marks on the gain and level knobs. Low settings on the master and channel on the Carvin 800W PA system too. Guitar Center said these are very popular and they are real workhorses ? excellent quality for a 100 dollar mic! It?s like the SM58 of the ribbon mic world.
You have got to get one...
submitted12 years ago
byDontavious Dixon
fromCharlotte, NC
Never used a ribbon before but I wanted to try to capture the natural sound of a singer that came intot the studio and boy did this mic do it. I compared it to my other mics which are not ribbon mics and the sound sounds more natural with the ribbon. You best believe that when ever singers are coming into the studio the ribbon mic will be used.
Q&A
Have a question about this product? Our expert Gear Advisers have the answers.
submitted10 months ago
asked byRich
fromRacine, Wisconsin
What is the sound difference between the MXL 144 Ribbon and the MXL R40 Ribbon ???
MXL 144: Sound Profile: The MXL 144 has a smooth, natural sound with a slightly more pronounced midrange compared to the R40. It offers a classic ribbon sound with good detail, especially in the high mids, making it versatile for various applications, including vocals and instruments. Tonality: The MXL 144 has a bit more warmth in the low end, making it excellent for capturing fuller tones, particularly in acoustic instruments. Use Case: Often preferred for vocals and acoustic instruments where clarity and warmth are needed. MXL R40: Sound Profile: The MXL R40 is a bit more neutral and linear in its response, offering a smoother, more even sound across the frequency spectrum. It tends to have a more extended high-end than the MXL 144, making it slightly brighter and more detailed. Tonality: The low end is not as pronounced as the MXL 144, but it still retains a good amount of warmth. Its more balanced frequency response can help it capture a wider range of instruments without coloration. Use Case: The R40 is better suited for applications where a more accurate, uncolored sound is needed, such as for capturing orchestral instruments, strings, or ambient sounds. The MXL 144 has a bit more warmth in the lows and a slightly forward midrange, making it a good choice for adding fullness to vocals and acoustic instruments. The MXL R40 offers a more neutral, balanced sound with extended high frequencies, which can be ideal for recording a wider range of instruments with a more accurate and detailed representation.submitteda year ago
asked byGussy
fromundisclosed
Does the mic require a preamp?
Yes, the MXL R144 ribbon microphone does benefit from a preamp, and in most cases, it's highly recommended. Ribbon mics have low output Ribbon microphones like the MXL R144 naturally produce a low output signal, much lower than dynamic or condenser mics. This means you’ll need a high-gain preamp (ideally offering 60dB or more of clean gain) to bring the signal up to usable levels. If your audio interface or mixer doesn’t provide enough clean gain, you can use something like: Cloudlifter CL-1, TritonAudio FetHead, Soyuz The Launcher, These are inline mic preamps that sit between the mic and your main preamp/interface and give it a clean boost, especially useful for passive ribbons.

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