Putting a completely new angle on miking toms and snares, the PL35 establishes a new price-to-performance standard for dynamic drum set microphones. Designed for super-fast transient response, and sonically-voiced to deliver open and natural tom and snare sounds, it employs a unique physical design that eliminates the need for right-angle XLR conne... Click To Read More About This Product
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Putting a completely new angle on miking toms and snares, the PL35 establishes a new price-to-performance standard for dynamic drum set microphones. Designed for super-fast transient response, and sonically-voiced to deliver open and natural tom and snare sounds, it employs a unique physical design that eliminates the need for right-angle XLR connectors, minimizing cable clutter over the drum. In addition to all of its other outstanding features, it also includes a clever snap-on drum rim clamp that mounts the mic directly to just about any brand drum rim. With its unique design, drum rim clamp, integrated swivel and supercardioid polar pattern for isolation, the PL35 will take its place as a must have microphone for outstanding live sound and recording studio performance.
Element Type: Dynamic
Freq Response: 50 Hz - 16,000 Hz
Polar Pattern: Supercardioid
Sensitivity: 2.2 mV/Pa
Impedance: 600 ohms
Connector: 3-pin, XLR-type
Accessories Included: Locking stand adapter with Euro-thread adapter, Drum rim clamp DRC-1, Soft zippered gig bag
Net Weight: 8.3oz (236g)
Shipping Weight: 18.6oz (527g)
Guitar Center's Pro Coverage
Pro Coverage gives you added warranty protection for your gear. Stepping in where the manufacturer's "normal wear and tear" coverage ends, our Pro Coverage program offers you upgraded coverage if your product ever fails Click To Read More About This Product.
Reviewed by 1 customer
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Comments about Electro-Voice PL35 Drum Microphone:
This microphone is amazing for snare drums. I used to have a really nice maple snare, and I used a PL35 on it in my studio, and, while the snare sounded great by itself, the PL35 just brought something really special to the sound. It sounded really bright, with just the right attack and snare noise, and this was all without any EQ. Now, I have a different snare, a steel one that I don̴��t like nearly as much. I gave the maple one back to my brother, but the steel snare sounds almost as good. I would never use any other microphone for snare drum ever again, because you don̴��t need anything better than this mike. If you̴��re looking for a good snare drum mike, you̴��ve found what you need.
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