Top-Rated
Audix VX5 Handheld Supercardioid Condenser Microphone
Order it today! This item is backordered, but you can save your place now so you don’t miss it when it’s back in stock. You won’t be charged until it ships.

Videos (1)
View All
Amanda Richards showcases the Audix

Description
With a smooth frequency response of 40Hz - 16.5kHz (plus or minus 3 dB), the VX5 microphone features a 14mm gold vapor diaphragm, a supercardioid polar pattern, a -10dB pad, a bass roll-off filter, an acoustically ported steel mesh grill screen, and a rugged die cast zinc body.
The VX5 will handle sound pressure levels in excess of 140dB (in the pad and roll-off position) without distortion and will additionally provide over 20 dB of ambient noise rejection for feedback control on live stages.
The Audix VX5 operates on phantom power of 9-52 volts and will achieve optimum results when used with a high quality mic preamp. In addition to vocal applications, the VX5 mic is ideally suited to capture acoustic instruments such as
guitar, woodwinds, brass, percussion toys, and drum overheads and hi-hat.



Features
- Extremely smooth and accurate response
- Perfectly balanced for handheld use
- -10 dB pad and bass roll-off
- Handles high sound pressure levels
- Excellent gain before feedback
- Low handling noise
- Pop resistant grill
- Supplied Accessories: gMC1 - High quality nylon mic clip adjustable through 180 degrees with a standard 5/8 inch ”27 thread. (Note: metal adapter also supplied to accommodate European standard threads).
Specs
- Transducer Type: Electret Condenser
- Frequency Response 40 Hz-16.5 kHz ±3 dB
- Polar Pattern: Supercardioid
- Output Impedance: 150 Ohms
- Open Circuit Sensitivity: 6.9 mV (ref 1k @ 1 Pascal)
- Equivalent Noise Level: 26 dB (A weighted)
- Signal to Noise Ratio: 68 dB
- (ref 1k @ 1 Pascal)
- Off axis rejection: >20 dB
- Maximum SPL: >140 dB (w/-10 pad)
- Cable/Connector: 3 pin gold platedmale
- XLR connector
- Polarity: Positive voltage on pin 2 relative to pin 3 of output XLR connector
- Housing: Die cast zinc
- Weight: 8 oz / 227 grams
- Finish: Black E-coat
Warranty
Featured Articles
Reviews
5
6 Reviews
100%
of respondents would recommend this to a friend
- Home Studio1
- Outdoor Events / Games1
- Performances1
- Professional Recording1
- Experienced1
- Easy To Use1
- Good Audio1
- Lightweight1
- Versatile1
Reviewed by 6 customers
Still A top Contender in 2024
submitteda year ago
byPaul
fromPacific NW
Get them while you can. Natural/transparent and a good feedback fighter. Fans of the Senny e935 will probably like this a lot. I thought that the Audix OM5 was great, and it is, but when I heard this mic I was blown away. It really is one of those best kept secrets (hint- so is a Miktek PM9 if condensers scare you)... Audix really never gave this mic the PR it deserves. I don't know if anyone has ever ponied up for a Audix VX10, or even heard of them, but I'd love to get my hands on one. Totally worth it. db cut and bass roll-off are things the mixer does and I guess I'd prefer they not be in the mic but they are there if you want them. Personally I'll never touch the switches. On the plus side they are recessed so there is no way you'll change the settings accidentally. The one somewhat odd thing is that the shape of Audix mics is unique and some mic clips don't work well and the Audix brand ones work best, of course. Made up the road in Wilsonville, Oregon, USA baby!
Nice Mic
submitted12 years ago
byCHARLES LOOMIS
fromLos Lunas-NM
Great hand held design. Our sound tech is upgrading us to condensor mics for stage use. He prefers AUDIX over the Beta 87A. We will be in soundcheck, shake out mode this week so we will see what happens! TY
NO BETTER MIC!!
submitted15 years ago
byCarlos Lopez
fromPortland, OR
I was told that the Beta 87a was the best microphone after the the KSM9 Shure mic, but after comparing them, I was sold for the VX-5. I saw that it adds more crisp and more power to the high end and it gave me that clarity that I was looking for. We have an beta 87a for our Pastor, but I always like to stick to the VX-5. I would recommend the VX-5 over any dynamic or condencer microphone, except the KSM9. I am waiting for the wireless version of this. It has a -10 dB pad and a bass roll off that is perfect for the loud stage or the loud singer (I'm guilty!). It is lightweight and it truly cuts through the mix, I love this mic!
Amazing mic how sweet the sound.
submitted15 years ago
byEveryday Rain
fromSpokane, WA
I love this mic (Audix vx5), it cuts through the mix. My sound guy loves how natural it sounds. I've been using a Shure beta58 for the past 10 years (good mic). We have started recording live and I knew I needed a condenser mic to sit right in the mix. After trying a few other mic's, I tried the Audix; the warmth and presence was awesome for my voice. We use IEM's and I could tell right away it just sounded amazing to me. Plus it didn't break my budget.
A breakthrough in microphones
submitted16 years ago
byJarema Pylypczak
fromChicago, Illinois
I sing in a folk/rock band and was looking for a new mic about 7 months ago. Previously I had used some sm-57's and 58's as well as a few AKG mic's (all cardioid). I went to a local guitar center and compared a Shure Beta 87a to the Audix VX5. I was sold by the anti-pop features and the crisp articulation that I was able to hear with the Audix. It was clear, yet kept the warm smooth condenser sound in my voice. After using this mic for 7 months I must say that I have no regrets. Frankly, I am grateful that I went with Audix and not the Shure powerhouse. I have played in some loud settings and not once has feedback been an issue. Overall this mic gets 10s across the board.
A condensor for bands that ROCk
submitted17 years ago
byHeavy G
fromChicago, IL
Wow. I have to admit that I was skeptical about deploying a condensor on stage with my band (heavy pop/rock/blues)...obviously the Audix engineers have done some great things in their lineup (the I5, which also have, smokes an SM57 for the "swiss army mic" honors...the D6 is the finest kick drum mic for those "in the know"...the OM5/OM7 are tremendous live dynamics for high volume applications)...and now the VX5 (the little brother to the high end VX10) has officially blow me away, too. I have used a Beta 58 for at least 10 years now and was pretty pleased with it...but since I am singing more in the band...I wanted to see if there was something better out there...so I " A / B'ed" the Beta 87, Beta 58, OM-7, EV-967 and the VX-5. The VX5 was easily the most balanced sounding, delivered with the most detail and clarity, the highest volume....well, you get the idea. I know that sound is very subjective, so all I would say in closing is...don't buy on reputation (Audis is a relatively unknown company compared to Shure, Neumann, EV, etc). Listen for yourself with truly open ears...you might be surprised...I sure was...I was determined to buy the Beta 87 (I had already made up my mind)...but my ears decided otherwise. Bravo, Audix...I am your biggest fan. Now if she will just hold up for 10 years like my Beta 58 (which I gave to my keyboard player to use). Rock on...
- Previous
- 1
- Next
Q&A
Have a question about this product? Our expert Gear Advisers have the answers.
No results but…
You can be the first to ask a new question.
It may be Answered within 48 hours.