Softube Amp Room Bundle NATIVE (VST/AU/RTAS)

The Softube Amp Room Bundle consists of three state-of-the-art Amp Room plug-ins from Softube: Vintage Amp Room, Metal Amp Room, and Bass Amp Room. By buying them together in this virtual guitar amplifier software bundle you'll get a significant price drop, while expanding your DAW with several brilliant amp and cab modeling options.

Vintage Amp Room
Straightforward and simple, Vintage Amp Room software emulates three great guitar amps in a complete studio setup with speaker cabinets and fully flexible microphone positioning. The amp plug-in is easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking.

Amp Room plug-in has none of the added gadgets or weird-sounding presets sometimes found in simulation software. Focusing on quality and accuracy, it simulates three amps, with sounds that are timeless and authentically raw. The goal is not to give you a pre-produced, ultimate guitar sound, but to provide you with the ultimate tool to create your own. Because, after all, only you know exactly what sound you want.


White
White is based on an all-round great amps that set the industry standards for classic, distorted rock 'n' roll sounds. The genius is its simplicity. It's stripped down to the bare essentials”all tubes, only one channel, and no reverb or any other built-in effects. Sound-wise, it goes from mad screaming preamp shred, to warm, speakers-about-to-break power amp distortion. White is perfect when you need a characteristically distorted edge and a powerful roar.

Amp Room Brown
Amp Room Brown is based on one of the most versatile amplifiers in music history. One used in all kinds of genres, and for all kinds of instruments, because it has a sound that is clean, crisp, and clear, but also warm, thick, and punchy. Brown can produce anything from the clearest country-style sound for steel guitars to a dirty, bluesy guitar noise. It works for both funky rhythms and bassy, mellow chords. It's got a notoriously warm sound with a massive bass and a shimmering treble. Versatility embodied, it can do more or less whatever you want it to.

Green
Green is packed with character and produces a pleasant guitar sound with warm, yet intense power amp distortion. Its edginess makes it shine through in mixes, without drowning out other instruments. Green is based on a very adaptable three-channel amp model. All three channels sound fantastic, but if you want to add a little quirkiness, try the vibrato/tremolo one. The original amplifier has been widely used during the last forty years, from classic pop recordings in the 60s through to modern independent and alternative rock.

Metal Amp Room
The Metal Amp Room plug-in from Softube was designed to bring you the most brutal, evil, and aggressive sound that is possible to squeeze out of your DAW. The software was codeveloped with Patrik Jensen (The Haunted) and tailored to his needs. The continuous mic placement from Vintage Amp Room is back, but this time with twin mics and adjustable stereo panning. Get a huge stereo sound with complex adjustable phasing effects, a plain old one-mic-right-against-the-cone, or anything in between. The cabinets were measured in the In Flames studio (previously known as Studio Fredman) by Tue Madsen and Patrik Jensen.

Focusing on usability and sound quality, this is a plug-in that is proud not to include a gazillion amps, effects racks, patch cords, or a blow- dryer. Just two channels, two cabinets, two mics per cabinet, and a wickedly fast noise gate for palm mute galore. Every setting was optimized so it's almost impossible to get a useless sound from this software. Metal Amp Room is a real workhorse, a plug-in that will handle all your metal needs without ever getting in your way.

Program-Dependent One-Knob Gate

The gate in Metal Amp Room will automatically analyze your playing. Fast playing will give you an extremely fast gate, while slow playing will yield a slower closing gate. Regardless of playing style, the gate will always react instantaneously and open up faster than any hardware gate, without adding any latency to the signal.

Double mics on double cabs
Both speaker cabinets have two mics each”one dynamic and one condenser. Fully flexible mic positioning, link mic functionality, and realistic room resonance modeling will give you just the result you need, and much more.

Intuitive Stereo Control
The Balancing Stereo Preamp will keep your guitar signal focused, while giving you easy access to the features you want to use. While keeping the guitar signal centered, you can easily monitor each mic, change the stereo width of the signal, and dial in the sound that you want.

Version 1.1 update:
By popular demand Softube have added the possibility to bypass either the amp sim or the cabinet simulation. The most straightforward use of this feature is to use the amp simulation together with your favorite real-life guitar cabinet, or to use the cabinet simulations together with the line-out signal from your amplifier. New presets were added as well.

Bass Amp Room
Bass Amp Room was designed to handle all your bass amp needs, from dirty rock to modern clean, keeping two equally important goals in mind. The first was to give the user the best possible sound quality. The latter was to create an intuitive plug-in which allows for a really fast work flow. Time is money, but cutting down on time shouldn't mean you have to accept poor results.

Bass Amp Room consists of a model of a classic bass amplifier, three distinctive speaker cabinets with click-and-drag mics, and a blendable DI (Direct Inject) section with tone controls and a limiter. That's it. It's all you need to create a unique signature sound”the strength lies in the ease of use of the individual blocks and the huge range of sounds produced when combined.

In short, Bass Amp Room is all about getting a sound you know you can trust, and getting it quickly, from a plug-in you don't need a degree in computer science to handle.

Authentic Amp Modeling
Although designed as a guitar amp, the 70s amp that served as inspiration for Bass Amp Room has proven to be an excellent choice for bass players. A thick and solid preamp distortion without any fizz lets you crank it up without losing the low end.

The power amp has a more traditional power amp distortion (controlled by the Master Volume knob), but at extreme settings it will start to sound more, erhm, broken (which can be a good thing, depending on your musical tastes).

The High/Low switch wasn't a part of the original amp, but was added to give you a cleaner and fatter sound when necessary.

Cabinets
The three cabinets in Bass Amp Room include:
¢The Classic: Industry standard 8x10" for fat, rock-solid bass tones with lots of low end and lots of definition
¢The Rocker: For rock sounds, a 4x12" is the given choice and this one is focused, hard, and sounds just as it should
¢The Odd Bird: An open back 1x12" isn't exactly the most usual choice for a bass player, but in a studio it works just excellent

DI and Mix Panel
The DI is separate from the amp and cabs, and allows you to tailor the direct signal separately from the amped signal, just like in real life. The tone controls are specially designed for bass and are extremely fast to work with.

The DI Limiter is a one-knob limiter that tames the transients in the direct bass signal.

The possibility to blend the DI signal with the amp signal allows you to get a huge range of sounds. For instance, set the amp on a really distorted signal, and blend in some low end from the DI