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- WalkaBout
- Walrus Audio
- Walrus Productions
- Walton Music
- Waltons
- Wampler
- Warburton
- Warm Audio
- Warner Bros
- Warwick
- Washburn
- Wathen CryoTone Tubes
- Wave Arts
- WaveDNA
- Way Huge Electronics
- WD Music
- WEA
- WesAudio
- Westone Audio
- WFLIII Drums
- Whirlwind
- Wilfin Music
- Williams
- Willis Music
- Willson
- Win-D-Fender
- Wishbone
- Wm. S Haynes Amadeus
- Wolf
- Wolff Audio
- Woodrow Guitars
- Word Music
- Wrap-It Storage Straps
- Wren And Cuff
- Wuhan
- Wylde Audio

Description
This Shure drum microphone package includes Shure's PGDMK6 Drum Mic Kit, a DR Pro DR256 MS1500BK Low Profile Mic Boom Stand, 2 Musician's Gear MS-220 Tripod Microphone Stands, and 6 Gear One XLR microphone cables to give your drummer the proper miking a timekeeper deserves.
Shure PG 6-Piece Drum Mic Kit
The Shure PG drum mic package includes one PG52 kick drum mic, 3 PG56 snare/tom mics, 2 PG81 instrument mics, and a carrying case. PG microphones are developed with distinct characteristics and performance-based applications in mind, so you can be sure that they will perform up to the high standards expected of a Shure mic.
DR Pro DR256 MS1500BK Low Profile Mic Boom Stand
The DR Pro DR256 is a basic low-profile tripod microphone stand with telescoping boom. The boom is 19" and extends to 31". It is height adjustable from 9" to 17". The tripod legs extend to 19" per side.
Musician's Gear MS-220 Tripod Microphone Stands
The MS-220 tripod microphone stand has a thread adapter and tubular legs. Its adjustable height from floor to top thread is 35" to 61-7/8". The 30-1/4" fixed boom is not adjustable.
Gear One XLR Microphone Cable
For serious-minded musicians, Gear One's XLR cables have the strength and durability to withstand more than everyday use. Since your cable is your sound, this XLR mic cable's superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles.
Shure PG 6-Piece Drum Mic Kit
The Shure PG drum mic package includes one PG52 kick drum mic, 3 PG56 snare/tom mics, 2 PG81 instrument mics, and a carrying case. PG microphones are developed with distinct characteristics and performance-based applications in mind, so you can be sure that they will perform up to the high standards expected of a Shure mic.
DR Pro DR256 MS1500BK Low Profile Mic Boom Stand
The DR Pro DR256 is a basic low-profile tripod microphone stand with telescoping boom. The boom is 19" and extends to 31". It is height adjustable from 9" to 17". The tripod legs extend to 19" per side.
Musician's Gear MS-220 Tripod Microphone Stands
The MS-220 tripod microphone stand has a thread adapter and tubular legs. Its adjustable height from floor to top thread is 35" to 61-7/8". The 30-1/4" fixed boom is not adjustable.
Gear One XLR Microphone Cable
For serious-minded musicians, Gear One's XLR cables have the strength and durability to withstand more than everyday use. Since your cable is your sound, this XLR mic cable's superior wiring allows your signal to be quiet, eliminating frustrating hums, buzzing, and crackles.



Features
- (3) Three PG56 snare/tom microphones
- (1) One PG52 kick drum microphone
- (2) Two PG81 instrument microphones
- (3) Three A50D drum mounts
- (1) One durable carrying case
- Tailored frequency response is smooth and extended
- Tuned specifically for drum applications
- Cardioid polar pattern Less susceptible to feedback in high volume settings
- Dynamic cartridge with a simple, rugged coil Handles extreme volume levels
- Neodymium magnet for high output level
- Internal shock mount
- Durable metal construction
- Integral stand mount
- Hardened steel-mesh grille
- Die-cast housing
- Dynamic cartridge tailored for kick drums and bass amps
- Cardioid pattern rejects unwanted noise and minimizes feedback
- Neodymium magnet for high output
- Internal shockmount reduces handling noise
- Hardened steel mesh grille protects mic from errant sticks
- Wide, uniform,and flat
- frequency response
- Cardioid polar pattern
- Resists feedback in high volume settings
- Condenser cartridge has a lightweight, sensitive diaphragm
- Powered by AA battery or phantom power Internal shock mount
- Durable metal construction.
- On/off switch
- Sturdy construction for enhanced signal and performance
- Flexible mic cable design eliminates kinks and twists for a tangle-free performance in-studio and onstage
WARNING: This product can expose you to chemicals including Styrene and Diisononyl phthalate (DINP), which are known to the State of California to cause cancer, and Bisphenol A (BPA), which is known to cause birth defects or other reproductive harm. For more information go to www.P65Warnings.ca.gov.
Specs
PG56 snare/tom kick drum mic
- Microphone Type: Dynamic (moving coil)
- Polar Pattern: Cardioid (unidirectional)
- Polarity: Frequency Response: 50Hz-15kHz
- Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of microphone output connector
- Output Impedance (at 1kHz): 200Î
- Sensitivity (at 1kHz): -56dBV/Pa, (1.6 mV), 1 Pascal=94dB SPL
- Electromagnetic Hum Sensitivity: 26dB equivalent SPL in a 1 millioersted field (60Hz)
- Connector: Three-pin professional audio connector (male XLR type)
- Case: Die cast metal housing, black matte finish; hardened silver colored, tapered steel meshgrille; built-in locking stand adapter
- Environmental Conditions: This microphone operates over a temperature range of -20“125 F (-29“57 C) and at a relative humidity of 0 to 95%
- Weight: Net: .71lb. (323g)
- Microphone Type: Dynamic (moving coil)
- Polar Pattern: Cardioid (unidirectional)
- Frequency Response: 30Hz”13kHz
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of microphone output connector
- Output Impedance (at 1kHz): 300Î
- Sensitivity (at 1kHz): -55dBV/Pa, (1.8 mV), 1 Pascal=94dB SPL
- Electromagnetic Hum Sensitivity: 25dB equivalent SPL in a 1 millioersted field (60Hz)
- Connector: 3-pin professional audio connector (male XLR type)
- Case: Die-cast metal housing, black matte finish; hardened silver colored, tapered steel meshgrille; built-in locking stand adapter
- Environmental Conditions: This microphone operates over a temperature range of -20“135 F (-29“57 C) and at a relative humidity of 0 to 95%
- Weight: 1.04lb. (470g)
- Microphone Type: Condenser (electret bias)
- Polar Pattern: Cardioid (unidirectional), symmetrical about axis
- Frequency Response: 40Hz“18kHz
- Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of microphone output connector
- Output Impedance (at 1kHz): 600Î
- Sensitivity (at 1kHz): -48dBV/Pa, (4.0 mV), 1 Pascal = 94dB SPL
- Electromagnetic Hum Sensitivity: -7dB equivalent SPL in a 1 millioersted field (60Hz)
- Switch: Built-in On/Off switch
- Recommended Input Load Impedance: 800Î minimum
- Output Clipping Level (1kHz, 1 % THD): : 2000Î load, 13dBV (0.22 V) phantom, -17dBV (0.14 V) battery
- Maximum SPL: 2000Î load: 131dB (phantom), 127dB (battery)
- Self-Noise (Equivalent SPL): 20dB typical, A-weighted
- Dynamic Range (maximum SPL, 2kÎ load, to A-weighted noise level): 111dB (phantom); 107dB (battery)
- Signal-to-Noise Ratio: 68dB (IEC 651)* at 94dB SPL
- Supply Voltage: 11 to 52 VDC
- Current Drain: 2.0 mA max at 52 VDC
- Maximum Exteral Voltage Applied to Pins 2 and 3 with respect to Pin 1: +52 VDC
- Reverse polarity protected to: 100 VDC
- Recommended: 1.5 V alkaline AA size (NEDA 15A)
- Life: up to 10,000 hours
- Connector: 3-pin professional audio connector (male XLR type)
- Case: Steel and brass construction with black painted finish
- Environmental Conditions: This microphone operates over a temperature range of -20“135 F (-29“57 C) and at a relative humidity of 0 to 95%
- Weight: 0.55lb. (250g) without battery
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