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Audio-Technica

Description

The Audio-Technica AT4050 is a multi-pattern studio condenser microphone that captures every nuance of your performance of with three switchable polar patterns and high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity.

The AT4050 is an ideal microphone for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps and more. It requires phantom power.
Open Box Audio-Technica AT4050 Multi-Pattern Condenser Microphone Level 2 Regular 190839849113
Open Box Audio-Technica AT4050 Multi-Pattern Condenser Microphone Level 2 Regular 190839849113
Open Box Audio-Technica AT4050 Multi-Pattern Condenser Microphone Level 2 Regular 190839849113

Features

  • Transparent uppers/mids balanced by rich low-end qualities combine with advanced acoustic engineering for extensive performance capabilities and highest quality
  • Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone
  • The 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process, so that the optimum characteristics achieved remain constant over years of use
  • Three switchable polar patterns: omni, cardioid, figure-of-eight
  • Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients
  • State-of-the-art surface-mount electronics ensure compliance with Audio-Techinca's stringent consistency and reliability standards
  • Switchable 80Hz Hi-pass filter and 10dB pad
  • Custom shockmount provides superior isolation

Specs

  • Element: externally polarized (DC bias) condenser
  • Polar pattern: Cardioid, omnidirectional, figure-of-eight
  • Frequency response: 80Hz–18kHz
  • Low frequency roll-off: 80Hz, 12dB/octave
  • Open circuit sensitivity: –36dB (15.8 mV) re 1V at 1 Pa
  • Impedance: 100 ohms
  • Maximum input sound level: 149dB SPL, 1kHz at 1% T.H.D., 159dB SPL, with 10dB pad (nominal)
  • Dynamic range (typical): 132 333dB, 1kHz at Max SPL
  • Signal-to-noise ratio: 77dB, 1kHz at 1Pa
  • Phantom power requirements: 48V DC, 4.2 ma typical
  • Switches: polar selection; flat, roll-off; 10dB pad (nominal)
  • Weight: 18 oz (510 g)
  • Dimensions: 7.4" (188 mm) long, 2.1" (53.4 mm) maximum body diameter
  • Output connectors: Integral 3-pin XLRM-type
  • Accessories furnished: AT8449 shockmount for 5/8"-27 threaded stands; microphone dust cover; protective carrying case
  • Audio-Technica case style: R1

Reviews

5

4 Reviews

100%

of respondents would recommend this to a friend

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  5. Lightweight1

Reviewed by 4 customers

  • Clear and clean

    5

    submitted6 years ago

    byRaisemore

    fromAustin, TX

    Great sounding and solidly built mike that is versatile. Use it for vocals, instruments, as an overhead, and podcasting. It has a very neutral sound. What you hear is what you get. Sounds much better than my old Shure. You can't go wrong.

  • Truthful Revealing

    5

    submitted6 years ago

    byJerry

    fromNew York

    Pure delivery of sound.

  • Love this Mic

    5

    Verified Buyer

    submitted10 years ago

    byClassical

    fromPhoenix AZ

    I had seen some videos online about this mic. I needed a large condenser mic to record my classic guitar tracks. I recorded with a TLM 103 and then with the AT 4050 and really could not hear any noticeable differences. WOW.. I love the TLM 103 for vocals but really couldn't afford buying a second. The AT 4050 is at a great price and worked great.

  • Wonderful microphone

    5

    submitted17 years ago

    byBrian Kutscher

    fromCanton, MI

    I've been using AT 4050s in my home studio for about 13 years. Several CDs that have hit the market and many others for private interests have been recorded here with them. They are good for nearly every application from vocals to guitars to orchestral instruments to drums. I only use smaller mics for situations where there isn't enough room for the 4050 to fit in. The adjustable pattern feature makes them truly universal mics.

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