RANE SEVENTY 2-Channel Battle Mixer for Serato DJ

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Introducting RANE SEVENTY - Your New Battle Companion

RANE SEVENTY x JFB - Wembley, UK

Rane Seventy | Walkthrough & Tutorial

DJ Ronfa SEVENTY Routine

Description
RANE SEVENTY 2-channel battle mixer for Serato DJ is engineered for DJs who demand the ultimate in performance, sound quality and cutting-edge technology. The SEVENTY mixer offers a premium solution for DJs playing on the Serato DJ software platform. Each of the two channels features a highly accurate line fader, precision EQ and dedicated filter knob to provide the responsive, tactile control essential for DJing. With a high-performance 32-bit floating point digital signal processor, the SEVENTY delivers studio-quality sound with a wide frequency range and distortion-free output.
Precision Channel Faders and EQ for Unparalleled Control
The SEVENTY mixer is equipped with precision line faders and 3-band full cut EQ on each channel, allowing for nuanced control of the mix. The line faders provide a smooth, frictionless response for executing even the fastest and most intricate scratches and cuts. The 3-band EQ with full cut enables complete removal of frequency ranges to create dramatic drops and buildups during a set.
Onboard Effects and Dedicated Filter Knobs
Each channel of the SEVENTY features an onboard effects module with parameter knobs and a dedicated filter knob for manipulating the sound and creating exciting transitions. The effects module provides echo, reverb, flanger and phaser effects, which can be dialed in on the fly using the dedicated effects level and parameter knobs. The filter knobs enable sweeping cuts or boosts of high and low frequencies to dramatically alter the sound from one song to the next.
Superior Sound Quality and Output
With a high-performance 32-bit floating point DSP, the SEVENTY mixer delivers pristine, high resolution audio with a frequency range of 20Hz to 40kHz. The mixer provides both XLR and RCA master outputs as well as booth outputs, allowing you to send the main mix to the house PA and booth monitors. Each channel can accept line-level inputs from a variety of sources, including turntables, CD players, laptops and other devices.
Additional Features
Other features of the RANE SEVENTY mixer include channel-independent cueing with headphone cue mix, input selector switches, gain control, a crossfader with adjustment knob and Serato NoiseMap control for fine-tuning the channel fader curve. The SEVENTY mixer comes with Serato DJ intro software and is compatible with the full version of Serato DJ Pro.



Features
- Intuitive High-Performance Layout
- (3) MAG FOUR contactless faders
- External crossfader tension-adjustment control
- Solid steel construction & front guard handle protection
- (6) Dual post-fader internal FLEX FX engines
- Serato DJ FX controls
- Independent pad modes for each channel
- (32) MIDI-Assignable Pads
- Browse and track select controls
- Intuitive Instant Double buttons, toggle as Sync On-Off or Silent Cue mode
- Dedicated loop controls
- Dual diecast aluminum 180˚ rotatable FX paddles
- RANE TWELVE Connection Hub
- Dual microphone inputs
- Industry leading signal-to-noise ratio of 114dB
- Dual USB connections for DJ handoffs
- 16 Akai Professional MPC performance pads
- Scratch Bank support with the release of Serato DJ Pro 2.4.3
WARNING: This product can expose you to chemicals including Diisononyl phthalate (DINP), which is known to the State of California to cause cancer. For more information go to www.P65Warnings.ca.gov
Specs
- Converters: AKM High Definition Audio; 24-bit PCM, 48kHz
- Digital Signal Processing: 32-bit, floating point, double precision
- ADC: 114dB
- DAC: 114dB
- CD Input to Analog Output: 114dB
- CD Input to USB Output USB Input to Analog Output: 114dB
- Microphone 1/2 (Combo XLR/1/4” [6.35 mm] TRS, Mic/Line switchable)
- Aux Inputs 1/2 (RCA stereo pairs)
- CD/Phono Inputs 1/2 (RCA stereo pairs, switchable)
- Session Input (RCA stereo pair)
- Outputs Main Outputs (XLR)
- Booth Outputs (1/4”/6.35mm TRS)
- Session Outputs (RCA stereo pair)
- Headphone Outputs (1/4”/6.35 mm and 1/8”/3.5 mm TRS)
- Display: 1.6” OLED (diagonal)
- Pads: (16) velocity-sensitive multi-color back-lit pads (8 per deck, 10 modes each)
- Faders: (3) MAG FOUR tension-adjustable faders (2 channel/line faders, 1 crossfader)
- (2) XLR outputs (Main)
- (2) 1/4” (6.35mm) TRS outputs (Booth)
- (4) RCA stereo input pairs (Deck 1–2)
- (2) XLR / 1/4” (6.35mm) TRS inputs (Mic 1–2)
- (1) RCA stereo input pair (Session)
- (1) RCA stereo output pair (Session)
- (1) 1/4” (6.35mm) TRS output (Headphones)
- (1) 1/8” (3.5mm) TRS output (Headphones)
- (1) 1/4” (6.35mm) TRS input (Footswitch)
- (2) USB Type-A ports (Deck 1–2 USB Controllers) (2) USB Type-B ports
- (1) IEC power cable input
- Connection: IEC
- Voltage: 100–240V, 50/60Hz
- Consumption: 30W
- (width x depth x height) 11.2” x 17.5” x 4.13”, 285 x 445 x 105mm
-
12.3 lbs. 5.6kg
Reviews
4.15
185 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
Filters
Best Uses
- Practice4
- Recording3
- Metal songs1
- Rock songs1
- fun. and looking cool shredding for the normies1
Cons
- None5
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
Describe Yourself
- Beginner2
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Retired 64 YO beginning amateur1
Pros
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 185 customers
Sounds really good
submitted20 days ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitteda month ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitteda month ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
23862 SYCAMORE DR
submitteda month ago
byETHAN
fromMission Viejo, CA
Electronics are really good. Was going to use it for jamming and professional playing. However, I could not lower the action due to stripped saddle screws
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