Top-Seller
Neumann TLM 103 Condenser Microphone Black


Description
Delivering clear, pristine sound quality at a price point that makes it accessible to the home studio market, the TLM 103 is the flagbearer of a new generation of Neumann microphones that balance unmatched versatility with unbeatable value. At the heart of the Neumann TLM 103 is a purpose-built large-diaphragm condenser capsule derived from the U 87—Neumann’s iconic studio condenser that has long set the standard for studio performance. Combined with innovative transformerless circuitry and a suite of intelligent design elements, the TLM 103 offers ultra-low self-noise, a wide dynamic range, and a fixed cardioid pattern that renders audio in breathtaking detail. Simply put, it’s a modern classic and a beautiful expression of the classic Neumann sound.
An Affordable Alternative to the U 87
Introduced in 1997 with the home and project studio audience in mind, the TLM 103 was quickly adopted by audio professionals the world over for its faithful replication of the timeless U 87 sound. Ditching the bulky transformer in favor of Neumann’s transformerless microphone technology, the TLM 103 is roughly half the size and a third of the price of the U 87. The TLM 103’s large-diaphragm K 103 capsule captures the smooth, natural response of the U 87, allowing it to translate the essence of any sound source with stunning accuracy. However, it offers a slightly modern twist with a gentle 4dB presence boost above 5kHz, lending a sense of airiness and dimension that helps vocals and solo instruments pop out of the mix.
Transformerless Circuitry for Stunning Clarity
While the TLM 103 was built as an accessible riff on the U 87, it manages to improve upon its source material in a few key ways. For one, it utilizes a fixed cardioid capsule and innovative transformerless microphone (TLM) technology to reduce noise in ways that transformer-based multi-pattern condensers simply can’t compete with. This innovative circuitry ensures an incredibly transparent signal path that stays true to the original source. Even more impressive is the TLM 103's ultralow 7dB-A self-noise, allowing it to capture the most delicate whispers and nuanced details without a hint of hiss or coloration. This striking purity of sound makes it ideal for applications where the utmost clarity is required, such as hushed vocal takes, classical recordings and Foley work.
A Wide Dynamic Range Brings Impressive Versatility
On the other end of the spectrum, Neumann’s transformerless circuitry also allows the TLM 103 to handle tremendous sound pressure levels up to 138dB without the need for preattenuation. With a vast dynamic range of 131dB, the TLM is a true workhorse in the studio, capable of capturing everything from the delicate details of a fingerpicked acoustic to the high-volume intensity of a maxed-out amplifier. No need to worry about adjusting levels—just let the TLM 103 capture every nuance in vivid detail. Its combination of delicate transparency and robust SPL handling makes it an incredibly versatile studio tool.
Cardioid Pattern Eliminates Unwanted Sound
The TLM 103 features a tight cardioid polar pattern that rejects ambient noise from the rear and side while minimizing off-axis coloration. The result is focused and precise pickup that that renders the intended sound source in striking clarity and detail. It’s perfect for isolating vocals and acoustic instruments and allows you to track loud sources like drums and amplifiers without excessive bleed. With its highly directional polar pattern and excellent feedback suppression, the TLM 103 is even a solid choice for live applications and has been used by the likes of Jack White to mic guitar amps on stage.



Features
- Classic Neumann engineering in a smaller, more accessible package
- Large-diaphragm capsule derived from the legendary U 87
- Transformerless circuitry for high SPL and ultralow self-noise
- Cardioid polar pattern rejects ambient noise for crystal clarity
- Excellent feedback suppression for reliable live performance
- Vast dynamic range for impressive versatility
- Gentle high-frequency presence boost helps vocals pop
- Included swivel mount to attach your mic to a stand
Specs
- Acoustical operating principle: Pressure-gradient transducerDirectional pattern: Cardioid
- Frequency range: 20Hz–20kHz
- Sensitivity at 1kHz into 1 kohm: 23mV/Pa
- Rated impedance: 50 ohms
- Rated load impedance: 1 kohms
- Equivalent noise level, (CCIR1): 17.5dB
- Equivalent noise level, (A-weighted): 7dB-A
- Signal-to-noise ratio, (CCIR1) (rel. 94dB SPL): 76.5dB
- Signal-to-noise ratio, (A-weighted) (rel. 94dB SPL): 87dB
- Maximum SPL for THD 0.5%2: 138dB
- Maximum output voltage: 13dBu
- Dynamic range of the microphone amplifier (A-weighted): 131dB
- Supply voltage (P48, IEC 61938): 48V ± 4V
- Current consumption (P48, IEC 61938): 3 mA
- Matching connector: XLR3F
- Weight approx.: 450 g
- Diameter: 60 mm
- Length: 132 mm
Warranty
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Reviews
4.9
10 Reviews
100%
of respondents would recommend this to a friend
Filters
Best Uses
- Home Studio6
- Amateur Recording3
- Professional Recording3
- Performances2
Cons
- Bulky/Heavy1
- Pricey / Poor Value1
Describe Yourself
- Experienced3
- Professional Musician3
- Novice2
Pros
- Good Audio7
- Easy To Use6
- Compact4
- Durable4
- Lightweight3
Reviewed by 10 customers
The Perfect Mic for Voice-Over
submitted2 years ago
byLJ
fromAtlanta, GA
This is the perfect mic for voice-over. It's crystal clear and warm for female voices. At least with my tonal voice, it fits me just right. I was debating about going cheaper when it came down to choosing my first XLR mic but these days if you want to be competitive in this crowded industry - there's nothing wrong with upgrading to one of the best mics in the voice-over industry. You won't be disappointed when you buy this mic. I certainly have no regrets! I love my TLM 103 and I'm never going back to my old USB mic ever again.
It really is that good.
submitted2 years ago
byJ
fromSan Jose
I debated this purchase for weeks, but I was tired of messing around with other mics for years, and spending so much time EQ'ing and post processing them to get professional results. I am now extremely glad I bought it and would do so again. Pros: - Jaw-dropping clear and detailed sound. - Dead-quiet, practically zero self-noise. - Very sensitive, but somehow it rejects stray background noise better than my other cheaper condenser. With the levels set properly, and getting somewhat close to this mic (but where it still sounds great), it rejects stray background noise almost as well as my SM7B. - Vocals in particular sound amazing through this mic. I was reluctant because some reviews said it was too bright or sibilant. Not at all for my voice. The tonality has a similar richness and warmth as my SM7B, but with a lot more high-frequency detail, and smooth but crisp transients. Simply put, this sounds every bit like a pro studio mic. - The presence lift in the highest frequencies gives the mic a beautiful "air"/sparkle, which makes EQ'ing it for a mix a breeze. It's very typical to boost those frequencies with EQ after the fact to make a vocal pop, but this mic does it on its own straight from the source. You can always EQ out detail if you don't want/need it... but it's hard to add back if it's not there. - It's a beautiful mic and the build quality is everything you'd expect from a Neumann. Comes in a nice wooden case and has a solid heft to it. - It sounds fantastic for singing vocals, but if you're into VO work, it also has a beautiful proximity effect warmth when you get in close to it. The sound thickens up without any boominess or muddiness. It just gets fatter and warmer but retains all the crispness and sparkle. Cons: - Price. But you get what you pay for in this case. If you're tired of messing around trying to get your vocal recordings sounding professional and polished, even after you've already got a good pre-amp and lots of experience with compression, EQ, reverb, etc... this mic will likely get you the rest of the way there. And, it's an investment you will use for many years.
Good vocal mic, but not for everyone
submitted3 years ago
byAnthony
fromMaine
This is obviously a good vocal mic as it is highly regarded and a modern classic. However, it's not a one size fits all as most all mics are not. This is not overall bright as others have mentioned. With eq you can give it a more modern sound, but if you want something bright with a nice top end from the start you may need to look elsewhere. Overall a good mic though for the price.
Sounds like my old U87 but 1/3 the price
Verified Buyer
submitted3 years ago
byCary
fromDenver
Use as my vocal mic. Was using a Sanheiser u 41
Great product
submitted5 years ago
byRob
fromSan Jose ca
Very easy to use
Buy this now, on the fence rapper!!!
submitted5 years ago
byZeo rapper
fromDETROIT
This is the Mike bros @ gals! Lots of confusing information out here between singers and rappers my .02 Singers are looking for warm tonal quality and a mike to "help" their vocals shine as rappers need a mike that wont distort under yelling @certain frequencies and wont add any character to ones voice, but captures the nuances that make ones vocals unique, cheaper Mikes drop the ball on this. Get information from someone in your genre of music or be confused. I also noticed that this Mike takes eq gates and autotune soooo much better. Believe it or not I could even hear the quality differences between headphones I didn't notice with my nt1! The u87 is NOT worth it if you don't record guitars drums or other instruments. Just be done with it buy this mic pair it with a good preamp and record a professional album!!! Snatch this mic!!!
Q&A
Have a question about this product? Our expert Gear Advisers have the answers.
submitted5 years ago
asked byEast
fromDallas, TX
Is the shock mount included in this package?
The Shockmount sold separately.submitted5 years ago
asked byJay
fromundisclosed
Does it come with a microphone cable?
The cable is sold separately.No, it does not.No, it does not. Please give us a call and we’ll help you pick something out – 877 687 5403submitted5 years ago
asked byAnderson
fromLos Angeles
Which Universal Audio Apollo interface would you recommend for this mic?
Any of them would be compatible. The Universal Audio Apollo Twin X DUO Thunderbolt 3 Audio Interface would be a good choice.submitted5 years ago
asked byAnderson
fromLos Angeles
Which Apollo interface would you recommend for this mic?
It would depend on what you're looking to use it for and how many inputs you'll need. Give us a call at 866-498-7882 and we can get you a few options.This condenser mic would work well with any audio interface.submitted5 years ago
asked byBob
fromPort St. Lucie fll
Can I use this mic for my live performances
Condenser mics re not recommended for live performance, just recordingsubmitted5 years ago
asked byFreyja
fromBoulder, CO
The picture shows the TLM 103 with a shock mount, but the description says it is sold separately. Which is true? Also, does it include the wooden box?
This doses not come with a shockmount or boxsubmitted6 years ago
asked byBob
fromPort St. Lucie, Florida 34987
I have a tc electronics AE 3300 mike going through a voice live extreme, Mackie Vlz 14 channel mixer and mackie powered pa speakers. I am a single artist w/guitar, two good amps and a boss dr-880 rhythm machine. My goal is to improve the quality of my vocals worth the right equipment...I like what I think the Neumann tl103 would do to improve the sound. I want to get closer to the audience with the vocals without a lot of the FX. Can you guide me in the right direction? Thank you.
This will take more than a couple of sentences to convey to you, and we also need to know your vocal range. (if you're mid, to lower octave will be a different mic than a higher register. Email us at YourVoice@GuitarCenter.com and we can help you find the best gear for your needs.