Taylor

collapse expand iconDescription

This Custom Grand Auditorium #10686 acoustic-electric is one of the stunning custom guitars Taylor displayed at its annual Custom Guitar event at the NAMM show held in Anaheim, California in January 2018. This guitar's other unique features include: bloodwood "Wings" fretboard inlay; bloodwood solid-ring rosette; "Dove on a Branch" peghead inlay made of mother-of- pearl, koa and paua; custom wood pairing of sinker redwood and west African ebony; gloss ebony truss rod cover and backstrap. It also comes in a deluxe hardshell case.

Body Shape

A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.

Tonewood Pairing
A player favorite for its origins, sinker redwood soundboards are sliced from huge old-growth redwood logs reclaimed from the depths of Northern California rivers, where they’ve rested in many cases for more than a century. The tops typically display a rich spectrum of variegation, the result of colors uniquely imparted from silt and the mineral-rich water. The age and size of these trees translates into a tight grain with nice cross-grain stiffness, so it will tend to have a fairly bold response, with a brilliance complemented by warm overtones similar to cedar. In fact, it’s often characterized around the Taylor factory as "cedar on steroids." It's great for players who like the warm overtones of cedar with a little extra brightness and headroom. It looks striking when visually matched with African ebony. African ebony is a dense hardwood that produces a clear, focused sound with good projection and volume. It's characterized by strong bass, lower mids, clear highs and a scooped midrange similar to rosewood. It yields rich overtones that complement slower, softer playing, yet it responds well to aggressive playing. Players' techniques and pick choice come through very clearly.

Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acousticly or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.

The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.

collapse expand iconFeatures

  • Bloodwood "Wings" fretboard inlay
  • Bloodwood solid-ring rosette
  • Mother-of-pearl, koa and paua "Dove on a Branch" peghead inlay
  • Custom wood pairing of sinker redwood and west African ebony
  • Gloss ebony truss rod cover
  • Backstrap

collapse expand iconSpecs

Body
  • Body type: Grand Auditorium
  • Cutaway: Venetian
  • Top wood: Solid Sinker rosewood
  • Back and sides: Solid West African ebony
  • Bracing pattern: Sitka CV bracing with relief rout
  • Body finish: Gloss
  • Orientation: Right handed
Neck
  • Neck shape: Taylor Standard Profile
  • Nut width: 1.75" (44.45 mm)
  • Fingerboard: West Africa "Pinstripe" Ebony
  • Neck wood: Tropical mahogany Figured maple
  • Scale length: 25.5"
  • Number of frets: 20
  • Neck finish: Satin
Electronics
  • Pickup/preamp: Yes
  • Brand: Taylor
  • Configuration: Behind-the-saddle transducer with Adjustable Sensors
  • Preamp EQ: 2-band
  • Feedback filter: Phase
  • Tuner: No
Other
  • Headstock overlay: West African ebony
  • Tuning machines: Gotoh Antique gold tuners (21:1 ratio) with black buttons
  • Bridge: West African ebony
  • Saddle and nut: Micarta "Wave"/TUSQ
  • Number of strings: 6
  • Special features: None
  • Case: Deluxe hardshell case
  • Accessories: None
  • Country of origin: United States