Top-Seller
Shure BETA 52A Kick Drum Mic

Videos (4)
View All
Every Icon Has a Story. What's Yours? | Shure

How to Mic a Drum Kit Using BETA Microphones | Shure

How to choose the best mics for drums

Microphone Techniques for Drums | Shure

Description
Are you a lover of low-end? The Shure Beta 52A’s got you. This dynamic supercardioid microphone is a top choice for professional drummers and sound engineers across the globe. Built to bring out the punch in kick drums, bass guitars, and anything else that rumbles the ground, it’s the mic to grab when you need your low-end to stand tall in the mix. With a frequency response from 20Hz to 10kHz, it accurately captures those earth-shaking lows, and with a handling capacity of up to 174dB SPL, it won’t flinch under pressure. From rehearsals to packed venues, it nails those deep, vibrating lows so every note hits with authority. Go ahead and push the envelope with the resonant thump of an upright bass or throb of a didgeridoo—this microphone won’t miss a beat.
Beyond Big Low-End
This microphone isn’t just about low-end—it’s about getting those low lows just right. Designed for high-SPL moments, it locks in the bass without getting muddy. Whether you're fine-tuning a kick drum or any other bass-heavy instrument, it keeps the details intact. The Shure Beta 52A is about to become your boomy bass-miking best friend. This is a true workhorse that delivers solid performance and handles even the heaviest bass tones without sacrificing definition. It’s not just about power—it’s about precision where and when it counts.
Tough Enough for the Road
Ready for the road? The Shure Beta 52A is built to keep up with you. Its durable construction and shock-mounted design mean it can withstand the challenges of tour life—bumpy rides, hectic travel days, and everything in between. Expertly tuned to unleash the thunderous low-end of kick drums, bass amps, and other low-frequency instruments, it’s a go-to for pros in high-energy settings. Whether you’re setting up in a packed venue, a rehearsal space, or a recording studio, this microphone gets the job done. Plug it in and let its strength and precision engineering bring out the best in your performance.
Dial It In for Your Sound
The Shure Beta 52A gives you full control. Its supercardioid pattern locks in on your sound, while keeping unwanted noise out. The end result? Clean, focused audio—just what you need to stand out, even in the most chaotic moments. On stage or in the studio, this mic keeps your low-end tight and clear, giving your sound the spotlight it deserves. From powerful kicks to grooving bass, it brings the sound you need—always dependable, always on point. It’s built for players who crave that punch, that presence, and that rock-solid consistency every time they plug in. When you’re ready to get serious about customizing your low-end recordings, this mic delivers.
Harness the Thunder
When your low-end needs to hit hard and stay clean, the Shure Beta 52A is built for the job. Designed to grab deep, resonant bass without distortion, it delivers rock-solid clarity at any volume. The supercardioid pattern zeroes in on your sound while rejecting background noise, keeping your mix tight and focused. Whether you’re tracking in the studio or shaking the walls on stage, this mic handles massive SPLs without breaking a sweat. From deep kick drum thumps to rumbling bass tones, the Beta 52A locks in the foundation of your sound—powerful, precise, and always at the ready.



Features
- Supercardioid pattern for focused sound capture
- Optimized for high-SPL applications like kick drums and bass guitars
- Rugged construction built for the road
- Shock-mounted design to reduce handling noise
- Tailored frequency response for clear, punchy bass
- Tackles sound pressure levels up to 174 dB without distortion
- Durable, road-ready, and reliable for any environment
- Designed to isolate bass-heavy instruments from unwanted background noise
Specs
- Type: Dynamic (moving coil)
- Frequency response: 20 to 10,000Hz
- Polar pattern: Supercardioid, rotationally symmetrical about microphone axis
- Output Level: (at 1,000Hz)
- Open Circuit Voltage: -64dBV/Pa* (0.6 mV) *1 Pa = 94dB SPL
- Impedance: Rated impedance is 150Hz (45Hz actual) for connection to microphone inputs rated low Z
- Phasing: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
- Maximum SPL: 174dB at 1,000Hz (calculated)
- Connector: Three-pin professional audio connector (male XLR type)
- Case: Silver blue enamel-painted die cast metal with hardened, matte-finished steelgrille
- Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180, with standard 5/8"-27 thread
- Net Weight: 605 g (21.6oz.)
Warranty
2 year warranty on wired mics.
Warranty terms vary. Check with manufacturer for specific product warranty.
Featured Articles
Reviews
4.86
14 Reviews
83%
of respondents would recommend this to a friend
Most Liked Positive Review
What more can I say?
What more can I say? This is the "Industry Standard" of kick drum mics. I've seen this mic being used on the kick drums in national act concerts more times than I can count. This mic kicks butt. I originally bought the Audix Kick drum mic that is supposed to be so great, but I returned it and bought this one. I got exactly what I was looking for. This mic has great lows, punch, and click(slap). I love it and I'm glad I own one.
Most Liked Negative Review
I bought 3 mics Beta 52a, Audix D6 and Sennheiser e902
I do allot of home recordings. I consider myself very experienced 30 years and thousands of hours. I wanted a kick mic for my DW Collectors kit so I bought 3 to test. The Beta 52a when recorded without any compression or EQ sounded like I was hitting a cardboard box. After I compressed and EQ'd it got better but it has a high click in the tone that the other 2 mics don't have. The Audix D6 and Sennheiser evolution e 902 had a better sound out of the box punchy and fat with out EQ or compression. I'd recommend both. I ended up choosing the Audix D6 but they were both very nice.
- Performances5
- Outdoor Events / Games4
- Home Studio3
- Amateur Recording2
- Professional Recording2
- Bulky/Heavy1
- Poor Sound Quality1
- Experienced4
- Professional Musician3
- Easy To Use6
- Good Audio6
- Durable5
- Versatile4
- Compact2
Reviewed by 14 customers
A Kick for the Money
Verified Buyer
submitteda year ago
byLuis
fromGainesville, GA
Submitted as part of a sweepstakes
The BETA 52A is great kick mic. Takes the sound produced by the kick and the result is exactly what a drummer expects to hear
Great bassdrum mic
Verified Buyer
submitted2 years ago
byElias
fromFort Worth tx
Submitted as part of a sweepstakes
#sweepstakes You can't go wrong with it! I use it for my bass drum and cajon!
Great mic
Verified Buyer
submitted4 years ago
byMike T
fromCatlett, VA
Live sound
I would buy this again
submitted5 years ago
byFearlie
fromNy
Live recording/home studio/live sound
I bought 3 mics Beta 52a, Audix D6 and Sennheiser e902
submitted5 years ago
byGairo
fromLake Elsinore, CA
I do allot of home recordings. I consider myself very experienced 30 years and thousands of hours. I wanted a kick mic for my DW Collectors kit so I bought 3 to test. The Beta 52a when recorded without any compression or EQ sounded like I was hitting a cardboard box. After I compressed and EQ'd it got better but it has a high click in the tone that the other 2 mics don't have. The Audix D6 and Sennheiser evolution e 902 had a better sound out of the box punchy and fat with out EQ or compression. I'd recommend both. I ended up choosing the Audix D6 but they were both very nice.
Souls Performer
submitted6 years ago
byAnimal
fromFairfax, VA
Live shows at small clubs.
Q&A
Have a question about this product? Our expert Gear Advisers have the answers.
submitted5 years ago
asked byPhantom
fromeast Hartford
do you have used ones of the same product and brand?
Unfortunately, we don't have any used versions of this microphone available at this time.