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Every Icon Has a Story. What's Yours? | Shureplay button

Every Icon Has a Story. What's Yours? | Shure

How to Mic a Drum Kit Using BETA Microphones | Shureplay button

How to Mic a Drum Kit Using BETA Microphones | Shure

How to choose the best mics for drumsplay button

How to choose the best mics for drums

Microphone Techniques for Drums | Shureplay button

Microphone Techniques for Drums | Shure

Shure

collapse expand iconDescription

Are you a lover of low-end? The Shure Beta 52A’s got you. This dynamic supercardioid microphone is a top choice for professional drummers and sound engineers across the globe. Built to bring out the punch in kick drums, bass guitars, and anything else that rumbles the ground, it’s the mic to grab when you need your low-end to stand tall in the mix. With a frequency response from 20Hz to 10kHz, it accurately captures those earth-shaking lows, and with a handling capacity of up to 174dB SPL, it won’t flinch under pressure. From rehearsals to packed venues, it nails those deep, vibrating lows so every note hits with authority. Go ahead and push the envelope with the resonant thump of an upright bass or throb of a didgeridoo—this microphone won’t miss a beat.

Beyond Big Low-End

This microphone isn’t just about low-end—it’s about getting those low lows just right. Designed for high-SPL moments, it locks in the bass without getting muddy. Whether you're fine-tuning a kick drum or any other bass-heavy instrument, it keeps the details intact. The Shure Beta 52A is about to become your boomy bass-miking best friend. This is a true workhorse that delivers solid performance and handles even the heaviest bass tones without sacrificing definition. It’s not just about power—it’s about precision where and when it counts.

Tough Enough for the Road

Ready for the road? The Shure Beta 52A is built to keep up with you. Its durable construction and shock-mounted design mean it can withstand the challenges of tour life—bumpy rides, hectic travel days, and everything in between. Expertly tuned to unleash the thunderous low-end of kick drums, bass amps, and other low-frequency instruments, it’s a go-to for pros in high-energy settings. Whether you’re setting up in a packed venue, a rehearsal space, or a recording studio, this microphone gets the job done. Plug it in and let its strength and precision engineering bring out the best in your performance.

Dial It In for Your Sound

The Shure Beta 52A gives you full control. Its supercardioid pattern locks in on your sound, while keeping unwanted noise out. The end result? Clean, focused audio—just what you need to stand out, even in the most chaotic moments. On stage or in the studio, this mic keeps your low-end tight and clear, giving your sound the spotlight it deserves. From powerful kicks to grooving bass, it brings the sound you need—always dependable, always on point. It’s built for players who crave that punch, that presence, and that rock-solid consistency every time they plug in. When you’re ready to get serious about customizing your low-end recordings, this mic delivers.

Harness the Thunder

When your low-end needs to hit hard and stay clean, the Shure Beta 52A is built for the job. Designed to grab deep, resonant bass without distortion, it delivers rock-solid clarity at any volume. The supercardioid pattern zeroes in on your sound while rejecting background noise, keeping your mix tight and focused. Whether you’re tracking in the studio or shaking the walls on stage, this mic handles massive SPLs without breaking a sweat. From deep kick drum thumps to rumbling bass tones, the Beta 52A locks in the foundation of your sound—powerful, precise, and always at the ready.

Shure BETA 52A Kick Drum Mic
Shure BETA 52A Kick Drum Mic
Shure BETA 52A Kick Drum Mic

collapse expand iconFeatures

  • Supercardioid pattern for focused sound capture
  • Optimized for high-SPL applications like kick drums and bass guitars
  • Rugged construction built for the road
  • Shock-mounted design to reduce handling noise
  • Tailored frequency response for clear, punchy bass
  • Tackles sound pressure levels up to 174 dB without distortion
  • Durable, road-ready, and reliable for any environment
  • Designed to isolate bass-heavy instruments from unwanted background noise

collapse expand iconSpecs

  • Type: Dynamic (moving coil)
  • Frequency response: 20 to 10,000Hz
  • Polar pattern: Supercardioid, rotationally symmetrical about microphone axis
  • Output Level: (at 1,000Hz)
  • Open Circuit Voltage: -64dBV/Pa* (0.6 mV) *1 Pa = 94dB SPL
  • Impedance: Rated impedance is 150Hz (45Hz actual) for connection to microphone inputs rated low Z
  • Phasing: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
  • Maximum SPL: 174dB at 1,000Hz (calculated)
  • Connector: Three-pin professional audio connector (male XLR type)
  • Case: Silver blue enamel-painted die cast metal with hardened, matte-finished steelgrille
  • Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180, with standard 5/8"-27 thread
  • Net Weight: 605 g (21.6oz.)

collapse expand iconWarranty

One year warranty on wireless mics, mixers, and circuitry products.
2 year warranty on wired mics.
Warranty terms vary. Check with manufacturer for specific product warranty.

Featured Articles

collapse expand iconReviews

4.86

14 Reviews

83%

of respondents would recommend this to a friend

Most Liked Positive Review

5

What more can I say?

What more can I say? This is the "Industry Standard" of kick drum mics. I've seen this mic being used on the kick drums in national act concerts more times than I can count. This mic kicks butt. I originally bought the Audix Kick drum mic that is supposed to be so great, but I returned it and bought this one. I got exactly what I was looking for. This mic has great lows, punch, and click(slap). I love it and I'm glad I own one.

VS

Most Liked Negative Review

3

I bought 3 mics Beta 52a, Audix D6 and Sennheiser e902

I do allot of home recordings. I consider myself very experienced 30 years and thousands of hours. I wanted a kick mic for my DW Collectors kit so I bought 3 to test. The Beta 52a when recorded without any compression or EQ sounded like I was hitting a cardboard box. After I compressed and EQ'd it got better but it has a high click in the tone that the other 2 mics don't have. The Audix D6 and Sennheiser evolution e 902 had a better sound out of the box punchy and fat with out EQ or compression. I'd recommend both. I ended up choosing the Audix D6 but they were both very nice.

Filters
Best Uses
  1. Performances5
  2. Outdoor Events / Games4
  3. Home Studio3
  4. Amateur Recording2
  5. Professional Recording2
Cons
  1. Bulky/Heavy1
  2. Poor Sound Quality1
Describe Yourself
  1. Experienced4
  2. Professional Musician3
Pros
  1. Easy To Use6
  2. Good Audio6
  3. Durable5
  4. Versatile4
  5. Compact2
  • A Kick for the Money

    5

    Verified BuyerVerified Buyer

    submitteda year ago

    byLuis

    fromGainesville, GA

    Submitted as part of a sweepstakes

    The BETA 52A is great kick mic. Takes the sound produced by the kick and the result is exactly what a drummer expects to hear

  • Great bassdrum mic

    5

    Verified BuyerVerified Buyer

    submitted2 years ago

    byElias

    fromFort Worth tx

    Submitted as part of a sweepstakes

    #sweepstakes You can't go wrong with it! I use it for my bass drum and cajon!

  • Great mic

    5

    Verified BuyerVerified Buyer

    submitted4 years ago

    byMike T

    fromCatlett, VA

    Live sound

  • I would buy this again

    5

    submitted5 years ago

    byFearlie

    fromNy

    Live recording/home studio/live sound

  • I bought 3 mics Beta 52a, Audix D6 and Sennheiser e902

    3

    submitted5 years ago

    byGairo

    fromLake Elsinore, CA

    I do allot of home recordings. I consider myself very experienced 30 years and thousands of hours. I wanted a kick mic for my DW Collectors kit so I bought 3 to test. The Beta 52a when recorded without any compression or EQ sounded like I was hitting a cardboard box. After I compressed and EQ'd it got better but it has a high click in the tone that the other 2 mics don't have. The Audix D6 and Sennheiser evolution e 902 had a better sound out of the box punchy and fat with out EQ or compression. I'd recommend both. I ended up choosing the Audix D6 but they were both very nice.

  • Souls Performer

    5

    submitted6 years ago

    byAnimal

    fromFairfax, VA

    Live shows at small clubs.

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collapse expand iconQ&A

Have a question about this product? Our expert Gear Advisers have the answers.

  • asked byPhantom

    fromeast Hartford

    do you have used ones of the same product and brand?

    do you have used ones of the same product and brand?

    Open Reply - Beau
    Unfortunately, we don't have any used versions of this microphone available at this time.