Lehle

collapse expand iconDescription

The Lehle P-Split III combines passive splitting with the highest possible signal fidelity.
Its applications range from splitting signals and eliminating hum, to balancing and re-amplification along with any signal routing that requires a clean signal free from noise.

At its core is the high-end Lehle Transformer HZ, which galvanically isolates the two outputs, eliminating any possibility of ground loops. The Lehle Transformer HZ was specially designed for use with high-impedance signals but also splits low-impedance signals with uncompromising sound quality. The signal can be picked off either symmetrically or asymmetrically from the ISO output.

By using the phase inverter switch with gold-plated contacts you can flip the signal phase at the ISO output, preventing phase cancellation from impairing signal reproduction.

The classic application for the Lehle P-Split III is splitting an input signal to two outputs, enabling you to connect an instrument to two devices, which may, for example, be two amplifiers, or an amp and a mixer/recording unit (PC/DAW). Thanks to its ability to pick off the balanced signal on the ISO output, the Lehle P-Split III is also eminently suitable for use as a high-quality compact DI box for all types of signal.

Another useful application for the Lehle P-Split III is as a hum suppressor. Frequently background noise caused by ground loops occurs when two electronic devices are connected to each other. The Lehle P-Split III provides a simple, but extremely effective remedy when installed between the two units. Using the ISO output, the devices are galvanically isolated and background noise becomes a thing of the past.

You can even use the versatile Lehle P-Split III as a passive mono summing unit for a stereo signal by using the DIR output as second input.

And just in case you are looking for a power connection: the Lehle P-Split III performs all its functions without any need for a power supply.
Lehle P-Split III Signal Splitter
Lehle P-Split III Signal Splitter
Lehle P-Split III Signal Splitter

collapse expand iconSpecs

  • Top of enclosure: orange
  • Bottom of enclosure: gris foncé 59
  • All colors by Le Corbusier's color keyboards
  • Passive splitter and DI box
  • Absolutely no signal loss or hum
  • High-impedance Lehle transformer HZ with phase and ground switch
  • Suitable for balanced or unbalanced signals

collapse expand iconReviews

4.15

185 Reviews

81%

of respondents would recommend this to a friend

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters

Best Uses

  1. Practice4
  2. Recording3
  3. Metal songs1
  4. Rock songs1
  5. fun. and looking cool shredding for the normies1

Cons

  1. None5
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1

Describe Yourself

  1. Beginner2
  2. 74 years old, been playing 60 years.1
  3. Jazz, rock, classical player for 60 years1
  4. Metal,hard rock and instrumental rock1
  5. Retired 64 YO beginning amateur1

Pros

  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Sounds really good

    5

    submitted22 days ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitteda month ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitteda month ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitteda month ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitteda month ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

  • 23862 SYCAMORE DR

    1

    submitted2 months ago

    byETHAN

    fromMission Viejo, CA

    Electronics are really good. Was going to use it for jamming and professional playing. However, I could not lower the action due to stripped saddle screws

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