Top-Rated
Audix F6 Kick Drum & Bass Frequencies Microphone


Description
Featuring the same depth and "no-EQ-necessary" performance as the Audix D6, the f6 boasts a little more midrange punch, also making it suitable for more aggressive styles of music, such as hard rock and punk. Another great benefit of Audix' purpose-built mics is the ease of placement-they sound great no matter where you place them (within reason), so a "walking" kick drum, or active performers bumping the mic is rarely a problem.
The Audix f6 has a hypercardioid pickup pattern for isolation and feedback control, and an LM (Low Mass) Type A diaphragm for natural, accurate sound reproduction. It employs a transformerless design for transparent reproduction, while its low-impedance, balanced output provides interference-free performance-even with long cable runs. It's roadworthy construction includes a precision-cast zinc alloy body, black coat finish, laser-etched model and serial number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.
User tips:
The f6 is designed with low output in order to compensate for instruments having very high sound pressure levels. For kick drums, start with the mic inside the middle of the drum positioned slightly off-center, pointed towards the beater. For more attack, and less bass boom, move the mic closer to the beater. For less attack and more bass, move the mic further away from the beater. For kick drums without a hole in front head, place the f6 a few inches from the head for a large dynamic sound. For toms, position the mic 2 inches from the head and point towards the center of the drum. For bass cabinets, position the mic 90 to the grille cloth and 1 - 2 inches inside the edge of the speaker.

Features
- Compact, lightweight
- Cast zinc-alloy body
- LM (low mass) type A diaphragm
- Studio-quality sound
- Excellent mid-bass punch
- Handles high SPL without distortion
- Great for both studio and stage
- Roadworthy construction
- Designed, assembled, and tested by Audix in the USA
- 3-year warranty
Applications for stage and studio:- Kick drum
- Kettle drum
- Floor tom
- Bass cabinets
- Leslie bottom
Specs
- Transducer type: Dynamic
- Frequency response 40Hz - 16kHz
- Polar pattern: Hypercardioid
- Output impedance: 580 ohms
- Sensitivity: 0.6 mV/Pa@80Hz
- Off-axis rejection >23dB
- Maximum SPL: ‰140dB
- Power Requirements: None
- Capsule technology: LM Type A
- Connector: 3-pin gold-plated male XLR connector
- Polarity: Positive voltage on pin 2 relative to pin 3 of XLR connector
- Housing: Cast zinc alloy
- Finish: Black coat
- Weight: 11 oz. (311g)
- Length: 4-3/4" (121mm)
Warranty
Featured Articles
Reviews
4.6
5 Reviews
100%
of respondents would recommend this to a friend
- Performances3
- Professional Recording1
- Experienced3
- Professional Musician1
- Good Audio4
- Compact2
- Easy To Use2
- Durable1
- Lightweight1
Reviewed by 5 customers
If needed yes I would buy it again
submitted3 years ago
byTravis
fromFriday Harbor Wa
Recording in the studio
Nice kick mic
submitted7 years ago
bytomvette
fromDFW
Good punchy sound. Mic has a pre equalized scoop that removes the boom and creates a clean whack with a clear attack.
Excellent mic
submitted7 years ago
bytomvette
fromDFW
Well made mic with punchy dynamics. Produces clear bass drum articulation with a strong bottom end that is not boomy.
Excellent definition
submitted7 years ago
byTomH
fromDFW
This mic has a good solid build quality. The sound via a ported bass, is tight and articulate with good definition while maintaining a full bass drum sound without boominess.
its ok
submitted15 years ago
bykyle
fromct
ok i got this to record my drum set for my bands album but it didnt have the power for low bass sounds. i even cranked the bass on the mixer and then the recording software we use and it still sounded like it wasnt low enough. like i guess if you want to record jazz maby it would be good but deffinetly not for metal.
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