Alesis MultiMix 4 USB FX 4-Channel Mixer with Effects & USB Audio Interface


Description
Plug it in
The MultiMix 4 USB FX mixer has four input channels, all of which can accept a 1/4" line input. You can plug XLR microphones into channels one and two, including condensers thanks to the selectable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input. A stereo, 1/4" headphone output has its own level control for private monitoring.
Get in the Mix
Ideal for live sound engineering or home recording, MultiMix 4 USB FX features onboard volume, pan, and EQ controls for making quick, accurate adjustments to your mix. The MultiMix 4 USB FX mixer has a two-channel, five-stage, multicolor LED meter for visual monitoring the main output level. Channels one and two offer switchable high-pass filtering at 75Hz to reduce low-frequency rumble, handling, and wind noise. Channels one and two provide high- and low-shelving EQs, independent gain trims, and have independent pan controls. For convenient stereo mixing and recording, channels three and four are configured as a stereo pair at the level and pan controls.
Record via USB
MultiMix 4 USB FX contains a complete USB recording interface. Plug the MultiMix 4 USB FX's class-compliant USB connection into your Mac or PC without the need for software drivers and enjoy a digital-direct stereo connection with virtually any audio software application. The MultiMix 4 USB FX enables bidirectional stereo playback, so you can record the stereo Main output into your computer and listen back using the mixer as an interface from software to headphones and monitoring loudspeakers. Pro Tools First comes bundled with MultiMix 4 USB FX and gives you a powerful software environment to record, edit, and bounce down your mixes. Plus, you can record stereo audio directly to your iPad with the Apple iPad Camera Connection Kit (sold separately).
Built-In Effects
MultiMix 4 USB FX comes with high-quality Alesis DSP effects that include spacious reverbs, delays, phasers, and much more. For lush mixes, the internal effects processors enables you to add extra depth to live sound--say, a long delay on the vocalist's channel--or beef up dry recordings with some extra ambiance. Now, you can use professional audio effects with your mixer whether you're out mixing the live gig or at home recording at your desktop.



Features
- 4-channel mixer with stereo (2) 1/4" inputs and stereo (2) 1/4" outputs
- 16-bit, 44.1/48 kHz signal stereo in / stereo out via USB for easy recording and playback
- (2) XLR inputs with gain trim, switchable high-pass filters, and 48V phantom power
- (4) 1/4" line-level inputs for instruments and high-impedance guitar input
- Record directly to your iPad via the Apple iPad Camera Connection Kit (sold separately)
- Dual-band EQ on XLR inputs for accurate tone control
- 15 DSP effects with footswitch bypass control and aux bus for external processing
- Multicolor LED metering for real-time, visual level feedback
- Headphone output with independent level control for additional monitoring and mixing
- Class-compliant USB for plug-and-play support on both Mac and PC
- Includes Pro Tools First for out-of-the-box music creation
Specs
- Inputs:
- Line (CH 1, 2): 10 K„¦ input impedance 5.5 mV 4.9 V RMS sensitivity Mic (CH 1, 2): 600 „¦ input impedance balanced 700 mV RMS sensitivity
- Line (CH 3, 4): 700 mV RMS sensitivity for max output
- HPF (CH 1, 2): 200 Hz (-1 dB), 80 Hz (-3 dB), 20 Hz (-24 dB)
- Outputs:
- Line: 7 V RMS max
- Headphone: 0.5 W into 47 „¦
- Signal-to-Noise Ratio:
- Line: > 92 dB
- (max output; JIS A-weighted) Mic: > 62 dB
- Distortion: < 0.02%
- Frequency Response: Line: 20 Hz - 20 kHz (± 0.5 dB), Mic: 20 Hz - 15 kHz (± 0.5 dB)
- Channel Equalizer: Bass: ± 14 dB @ 80 Hz, Treble: ± 14 dB @ 12 kHz
- Channel Fader Kill: > 90 dB @ 1 kHz
- Crosstalk: > 85 dB @ 1 kHz
- Interface: USB 1.1 or higher (stereo in and stereo out)
- Power Adapter: 10 V AC, 500 mA
- Weight: 1.5 lbs.
- Dimensions: 7 3/4 x 6 x 2"
Reviews
4.15
185 Reviews
81%
of respondents would recommend this to a friend
Most Liked Positive Review
A very cool guitar, if you're into the 1980's shred thing!
I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.
Most Liked Negative Review
Amazing bass with a major flaw
Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.
Filters
Best Uses
- Practice4
- Recording3
- Metal songs1
- Rock songs1
- fun. and looking cool shredding for the normies1
Cons
- None5
- Poor Quality2
- Virtually no low end warmth.1
- Kind of expensive1
- Shipping box arrived damaged1
Describe Yourself
- Beginner2
- 74 years old, been playing 60 years.1
- Jazz, rock, classical player for 60 years1
- Metal,hard rock and instrumental rock1
- Retired 64 YO beginning amateur1
Pros
- Sound4
- Attractive3
- Stays in Tune2
- Stays in tune2
- Tone2
Reviewed by 185 customers
Sounds really good
submitted21 days ago
byTrenton
fromGladwin county
This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.
Not too bad for the price
submitteda month ago
byJeff
fromNashville TN
Typical Chinese bling, the sound is lacking.
This drum is just like the vintage ones
submitteda month ago
byJeff
fromSeattle, WA
Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.
Love this guitar.
submitteda month ago
byLarry
fromMinnesota
Love this guitar. Easy/Good tuning, very playable, thin neck is fast.
Its so good it fits my church setting well
submitteda month ago
byjordan
fromHamilton, new jersey
This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.
23862 SYCAMORE DR
submitted2 months ago
byETHAN
fromMission Viejo, CA
Electronics are really good. Was going to use it for jamming and professional playing. However, I could not lower the action due to stripped saddle screws
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