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  1. On Sale
    Harbinger L1402FX-USB 14 Channel mixer with Digital Effects and USB
    Was:  $249.99 $14999
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    Yamaha MG10XU 10-Channel Mixer with Effects
    $159.99 +
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    Behringer XENYX 802 Mixer
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    Behringer XENYX X2222USB USB Mixer with Effects
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    Behringer Xenyx Q1202USB Mixer
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    Behringer Xenyx 502 Mixer
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    Behringer X AIR XR18 Digital Rackmount Mixer
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    Behringer Digital Mixer X32
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    Behringer Xenyx Q802USB Mixer
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    Mackie Mix8 8-Channel Compact Mixer
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    Behringer XENYX 1202FX Mixer
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    Behringer POWERPLAY P16-M 16-Channel Digital Personal Mixer
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    Behringer XENYX X1222USB USB Mixer with Effects
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    Behringer X AIR XR12 Digital Rackmount Mixer
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    Behringer XENYX 1002B 5-Channel Compact Mixer
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    Harbinger L1202FX 12-Channel Mixer with Effects
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    Presonus StudioLive 32 Digital Mixer
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    Behringer X AIR X18 Digital Desktop Mixer
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    Behringer XENYX X1204USB USB Mixer with Effects
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    QSC TouchMix-16 16-Channel Compact Digital Mixer
  21. On Sale
    Bose T1 Tonematch Audio Engine
    Was:  $499.00 $4240
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    Behringer Xenyx Q502USB Mixer
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    Harbinger L502 5-Channel Mixer with XLR Mic Preamp
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    Yamaha MG06X 6-Channel Mixer
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    Yamaha MG12XU 12-Channel Mixer with Effects
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    Soundcraft Ui24R Digital Mixer
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    Harbinger L802 8-Channel Mixer with 2 XLR Mic Preamps
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    Behringer X AIR XR16 Digital Rackmount Mixer
  29. Save 15%
    Nady MM-242 4-Channel Mini Mixer
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    QSC TouchMix-8 8-Channel Compact Digital Mixer
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About Audio Mixers:

Audio mixers can go from the sheer simplicity of a mono summing mixer, with a bunch of inputs and a single output with a knob to control output volume to the complexity of a multi-bus digital mixer with more built-in DSP power than a small recording studio such as the Behringer X32. So, it's kind of a big topic, and we'll try and break down a few basic categories to get you started.

Line mixers are designed to handle, as you might suspect, line level signals. Most frequently, they're used as sub-mixers for things like multiple keyboard setups on stage or simple summing mixers. The things to look for in a line mixer are flexibility in connections and quality internal electronics—high-quality, low-noise op amps and capacitors. They tend to be fairly stripped down—no EQ, no inserts, no DSP—but are compact and very simple to use.

Larger mixers, in addition to more channels, will start to have features like multiple sends, subgroups, and built-in DSP for effects. The EQ will also get more sophisticated and you'll begin to have assignable routing on channels and returns.

Digital mixers start to hit the crossover point between live and studio mixing, with some intended to do both such as the Slate Raven MTI. These mixers have analog to digital conversion at the inputs and do everything in the digital world once the signal is in the board. They will have a USB or FireWire output so you can record the stereo mix directly to a computer system. They'll have more internal processing power, with some even doing some internal guitar amp or microphone modeling, giving you more options for sound. A convenient feature of many of these boards for live sound use is the ability to store presets, so you can easily recall the settings for a particular venue, saving a lot of setup and sound check time when you come back to someplace you play regularly.

Many new mixers have connections to tablet computers, so you can use a tablet for remote mixing and touchpad control. New features keep popping up, so check with your Pro Audio department at Guitar Center to see just what the latest and greatest features are.

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