JBL LSR 4328P Studio Monitor Pair

Item # 600377 | Customer Ratings: Ratings (Based on 7 reviews)

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JBL LSR 4328P Studio Monitor Pair

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      JBL LSR 4328P Studio Monitor Pair (600377)
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      JBL LSR 4328P Studio Monitor Pair (600377)
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Automatically analyzes and corrects the sound for accurate mixing.

The JBL LSR4300 Series Studio Monitors are designed for critical stereo and multi-channel audio production applications that require exceptional spectral accuracy and high SPL capability. Exclusive technology from JBL automatically analyzes and corrects the response of each speaker in the room for absolute accuracy in mixing. Acknowledging that much of today's production is carried out in acoustically untreated rooms, the LSR4300 Series is the first professional monitor to combine JBL's Linear Spatial Reference technology and automated RMCTM Room Mode Correction, an onboard system that automatically compensates for low frequency anomalies measured at the mix position. The LSR4300 enhances computer-based production by incorporating system-wide volume control, input source selection, individual speaker solo and user EQ. Harman HiQnetTM Network protocol enables centralized system-wide control from any speaker, wireless remote control, or computer using LSR4300 Control Center Software. 438H Low Frequency Transducer The 8" woofer utilizes a powerful, shielded lightweight neodymium magnet which can be used in close proximity to CRT-type monitors with no interference. The transducer utilizes a copper-clad polepiece that improves high frequency output by reducing voice coil inductance. A copper ribbon voice coil ensures high sensitivity, and a flux shorting ring stabilizes the magnetic field in the gap, reducing distortion. Heat sinking has been placed close to the magnetic gap in order to draw out heat as efficiently as possible. The cone is polymer coated for uniformity of response over the woofer's passband. 431G High Frequency Transducer The high frequency transducer has a treated silk diaphragm that produces uniform and smooth sound. Its flat ribbon aluminum voice coil ensures low-moving mass and enables the transducer to achieve response out to 22kHz. A lightweight neodymium magnet structure with integral heat sinking, along with ferrofluid in the magnetic gap, enable the transducer to produce high peak output levels with minimal power compression. The magnet structure is integrally shielded, enabling the system to be used in proximity to CRT-type monitors with no interference. Bi-amplified Power System The LSR4328P incorporates 2 high power amplifiers that provide 150 watts of power to the low frequency transducer and 70 watts of power to the high frequency transducer. A precision digital dividing network having high-order Linkwitz-Riley slope characteristics for smooth transition between transducers, results in exceptional imaging and lack of time smear. The circuitry also yields a tonal-artifact-free noise floor. Network and Digital Features The LSR4300 Series utilizes the Harman HiQnetTM network protocol that allows centralized control of a multi-channel system from a from any speaker's front panel, wireless remote control, or computer via a standard USB connection and LSR4300 Control Center Software. The network is configured using supplied CAT5 cable and by setting a DIP switch on each speaker. Harman HiQnet also enables synchronized RMC calibration of all speakers on the network.

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JBL LSR 4328P Studio Monitor Pair Features:

  • Key Features: Advanced LSR Linear Spatial Reference Design provides neutral off-axis response for greater clarity at the mix position Automated RMCTM Room Mode Correction system with calibration microphone measures and automatically compensates for low frequency standing waves and boundary conditions Harman HiQnetTM Network Protocol enables system-wide control of level, EQ, input selection, solo and more Wireless remote control and LSR4300 Control Center Software enable control from the listening position AES/EBU, S/PDIF digital inputs Balanced analog input with selectable +4dBu / -10 dBV sensitivity Bi-amplified design eliminates the need for external amplification Front panel output meter with variable brightness displays signal level Custom designed, self-shielded transducers with neodymium motor structures for exceptional transient response and superb power-handling Integrated mounting points allow wall mounting for greater placement options Built-in handles facilitate optimum positioning Low and High Frequency Equalization with factory presets allows tailoring of response to preference, or acoustic conditions in the room


JBL LSR 4328P Studio Monitor Pair Specifications:

  • Frequency Response: (+/- 1.5 dB): 55Hz—20kHz Enclosure Resonant Frequency: 52Hz Low Frequency Extension: User controls set to default -3 dB: 47 Hz — 22 kHz -10 dB: 39 Hz — 32 kHz Low-High Frequency Crossover: Digital Crossover: 2.4kHz, 8th order LR LF/4th order BW HF Distortion, 96dB SPL, 1 m: Mid-High Frequency (200 Hz - 20 kHz) 2nd Harmonic: <0.4% 3rd Harmonic: <0.3% Low Frequency (<200 Hz) 2nd Harmonic: <0.8% 3rd Harmonic: <1.4% Measured Maximum Continuous SPL : 106dB / 1m Measured Maximum Peak SPL: 112dB / 1m Maximum Peak SPL Per Pair: 118dB SPL / 1m Low Frequency Model: 436H Diameter: 159 mm (6-1/4") Voice Coil: 1.5" (38 mm) Magnet Type: Neodymium Cone Type: Polymer coated paper fiber Impedance: 8 ohms High Frequency Model: 431G Diameter: 25 mm (1 in) diaphragm Voice Coil: 1" (25 mm) Magnet Type: Neodymium, shielded with integral heat sink Diaphragm Type: Silk Dome Other Features: Elliptical oblate spheroidal waveguide Impedance: 4 ohms Amplifier: Low Frequency Topology: Class A-B Monolithic, Balanced Sine Wave Power Rating: 150 watts (<0.1% THD into rated impedance) THD + N, _ Power: <0.02% High Frequency Topology: Class A-B Monolithic Sine Wave Power Rating: 70 watts (<0.1% THD into rated impedance) THD + N, _ Power: <0.02% AC Input Voltage: 115 VAC, 60 Hz (230VAC, 50 Hz — models LSR4328P/230 and LSR4326P/230) AC Input Connector: IEC Self-Generated Noise Level: <13 dBA / 1m tonal artifact-free noise floor using analog input 1/8TH Power Rating: 13 watts LSR4326P Full Power Rating (100 hrs. IEC 58 watts IEC Pink Noise LF Channel Only pink noise, 6dB crest Factor): Wattage Rating: AC at 1/8th power IEC Pink Noise 60 watts Maximum Current: AC at maximum power output (audio) 120V AC line 2.2A (LSR4328P, LSR4326P) 230V AC line 1.1A (LSR4328P/230, LSR4326P/230) Fuse Value: 5A, 250VAC, Time Lag (LSR4328P, LSR4326P) 2.5A, 250VAC, Time Lag (LSR4328P/230, LSR4326P/230) Inputs and Outputs Analog XLR IN: Selectable +4 dBu/-10 dBV; Input Impedance 10K. Positive voltage applied to XLR pin 2 produces outward woofer motion 1/4-in tip-ring-sleeve IN: Balanced or unbalanced, Selectable +4 dBu/-10 dBV; Input impedance 20K. Positive voltage applied to 1/4" tip produces outward woofer motion AD Converters: 96kHz, 24 Bit, 64x Over sampling Calibrated Input Sensitivity, Analog XLR & 1/4": +4 dBu: 94 dB SPL / 1 m -10 dBV: 94 dB SPL / 1 m Digital XLR IN: AES/EBU(IEC60958) XLR OUT: AES/EBU(IEC60958) RCA IN: S/PDIF , (EIAJ CP1201) RCA OUT: S/PDIF (EIAJ CP1201) Digital Input Sample Rates: 96k Hz, 88.2 kHz, 48 kHz, 44.1 kHz, 32 kHz. Tolerance: +/- 3% Digital Input Word Length: 24 Bit RMC Microphone Input 1/8" tip-ring-sleeve; powered +15 Volts on tip. (Use supplied microphone only) Network Connection: RJ45 IN, RJ45 OUT Network Protocol: Proprietary Harman HiQNetTM Protocol using RS485 Computer Interface: USB Type 1 Front Panel Controls: ON, SOLO, RMC, EQ ON, LF, HF, PRESET, INPUT, +/- RMC Functions: Start, Bypass RMC Filter Range: 73 Frequencies (1/24th octave centers) between 20Hz to 160Hz, with a variable Q from 1 (1.4 octave bandwidth) to 16 (1/11th octave bandwidth, and from 3 to 12 dB of attenuation. LF EQ: Factory Default: 500Hz Shelf, +/- 2dB in _ dB increments. 137 corner frequencies between 19.7 Hz and 1kHz accessible via LSR4300 Control Center Software HF EQ: Factory Default: 2kHz Shelf , +/- 2dB in _ dB increments 104 corner frequencies between 1kHz and 20.2 kHz accessible via LSR4300 Control Center Software PRESET: 1-6 Factory/User plus NULL. Recall only. STORE possible using LSR4300 Control Center Software. INPUT Selection: Analog (XLR / 1/4") S/PDIF A, B AES/EBU A, B +/- Default: System Volume Control: 0 dB to - Secondary functions: Increment/decrement value of selected function Rear Panel Controls: Input sensitivity +4dBu/ -10dBV 8 SPEAKER ID DIP switches: Left, Right, Center, Left Surround, Right Surround, Center Surround, Left Extra, Right Extra Additional Controls via LSR4300 DIM (-12dB at full volume), System MUTE, Preset STORE; Control Center Software: LOAD Configuration, SAVE Configuration; Level TRIM +3 dB to — 10 db in 1/4dB increments Front Panel Display: 31 LED Segments for dBFS and indication of settings Front Panel Meter: -70 dBFS to 0 dBFS plus CLIP Rear Panel Indicators: 5 LEDs indicate active input & digital stream selection Physical Finish: Dark graphite Handles: 2, flush mounted on sides Mounting: 4 threaded mounting points conforming to industry standard square pattern, 107.9 mm x 50.8 mm (4 1/4" x 2" ) center to center M6 metric threads. Not for Suspension! Only placement on bracket Low Frequency Vent: Rear ported linear dynamics aperture Baffle Construction: Injection-molded structural ABS Enclosure Construction: 19mm (3/4") MDF Net Weight: 13 kg (28-1/2 lbs.) Dimensions: (9.3"W x 15.25H" x 10.3D")


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Product Reviews

Based on 7 reviews)
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  • Sound, Quality, Value in JBL LSR4328P

    As reviewed by JordanAudio on 10/23/2006

    The JBL LSR4328P monitors provide an excellent sound, quality value for most recording musicians, project studios and control rooms. With its auto Room Mode Correction, intelligent HiQnet and Control Center software, these monitors are easy to set up and use. Just connect the monitors via the supplied ethernet cables, set the DIP switches and, plug in the RMC mic, press a button on the remote or front panels and the monitors do the rest. The monitors can also be controlled with a Windows or Mac computer with the supplied USB cable. A wide variety of inputs (digital AES/EBU, SPDIF, and analogue XLR and TRS) allows for incredible flexibility. This way you can connect multiple sources and switch inputs with the supplied remote, or front panel, when necessary. With a nice tight low end, clear mids and detailed highs, these bi-amped active monitors will suit most monitoring situations very well. Although, for some applications, you'll probably want to add a subwoofer to your setup. The JBL LSR series is great for 5.1 surround monitoring as well. If you're looking for a new pair of monitors for your project studio, or studio control room, you'll be hard pressed to find a better overall ease-of-use, great sound, quality, and value from the JBL LSR4238P and Guitar Center.

    10 of 10 people found this review helpful.

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  • JBL LSR 4328P Studio Moniors

    As reviewed by Humble Jim on 6/10/2010

    These speakers were purchased because of advise from a Guitar Center employee who owns a pair. Also, all the reviews of the speakers were favorable. I was impressed with the self-equalizing technology inherent in the LSR 4238 Monitors. A flat frequency response has always been the "Holy Grail" of audiophiles. Hopefully, the self correcting technology of these speakers is more accurate than my hearing. The speakers are used with my Yamaha Motif XS-8 Synthesizer, and rest upon the floor stands which Guitar Center sells. These devises, combined, have proven to be a powerful and satisfactory combination. They exceed my expectations while meeting all of my musical needs. I can recommend them without reservation.

    6 of 6 people found this review helpful.

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  • Extreme Accuracy

    As reviewed by JPL Records on 5/9/2007

    I started my studio just as I am sure many others have, low budget. I have gradually gained more experience and a larger budget, so I am trying to invest into the best equipment I can. I was looking for an upgrade from my Behringer Truth studio monitors, and was trying to decide between the Mackie HR824s and the JBL LSR4328Ps. The only way to really tell if you like anything is to compare it side by side with a competitor. I did just that. The Mackies were nice, but the JBLs were amazing! As soon as I calibrated the JBLs to my studio?s control room, I knew these were the ones for me. The accuracy was just unbelievable. They translated so well to consumer stereo systems. They are in a sense like microscopes for my ears, I hear every detail. These are by far the best purchase I have made for the studio yet and do not regret spending the extra cash.

    20 of 21 people found this review helpful.

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