Shure PG57-LC Dynamic Microphone  

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The Shure PG57-LC is a versatile dynamic microphone for use with amplified or acoustic instruments. Includes microphone clip, 5/8"-3/8" thread adapter, and storage bag.

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The Shure PG57-LC is a versatile dynamic microphone for use with amplified or acoustic instruments. Includes microphone clip, 5/8"-3/8" thread adapter, and storage bag.

  • Tailored frequency response is smooth and extended”tuned specifically for acoustic instruments
  • Cardioid polar pattern Resists feedback in high volume settings
  • Handles extreme volume levels without distortion
  • Neodymium magnet cartridge
  • Internal shock mount
  • Durable metal construction
  • On/off switch for onstage control
  • Hardened steel mesh grille
  • Microphone Type: Dynamic (moving coil)
    Polar Pattern: Cardioid (unidirectional)
    Frequency Response: 50Hz-15kHz
    Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of microphone output connector
    Output Impedance (at 1kHz): 200 ohms
    Sensitivity (at 1kHz): -56 dBV/Pa, (1.6 mV), 1 Pascal=94 dB SPL
    Electromagnetic Hum Sensitivity: 26 dB equivalent SPL in a 1 millioersted field (60 Hz)
    Switch: Built-in On/Off switch
    Connector: Three-pin professional audio connector (male XLR type)
    Case: Die cast metal handle, black matte finish; hardened silver colored, tapered steel mesh grille
    Environmental Conditions: This microphone operates over a temperature range of -20-125 F (-29-57 C) and at a relative humidity of 0 to 95%
    Weight: Net: .71 lb. (324 g)
One year warranty on wireless mics, mixers, and circuitry products.
2 year warranty on wired mics.
Warranty terms vary. Check with manufacturer for specific product warranty.

  • Customer Reviews

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ShurePG57-LC Dynamic Microphone

(based on 1 review)

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Reviewed by 1 customer

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(7 of 10 customers found this review helpful)


Perfect Leslie Mic

By Den

from Somewhere, Pa

Comments about Shure PG57-LC Dynamic Microphone:

I didn't see any reviews on this mic, so here's a first. I got one of these to record trumpet way back, I was on a very tight budget and this was all I could afford. The money situation has gotten better, and so has the mic selection. I now have a little over a half dozen SM57's, a few condensers, and other assorted mics. I have three leslies in the studio, and two of them have the old PG57's on them still (the third is a lower rotor only frankenstein leslie, and the SM57's add a bit of needed high end). I've done a bunch of A/B comparisons with the sure SM's and these, and I still keep coming back to these for leslies. They have a warmth on the upper horns that the SM doesn't have, it still screams but there's no harshness whatever. I also still use it on trumpet occasionally if I need more of a miles sound, but I usually use an SM for that as well. Snares and guitar cabs still sound way better with an SM 57 than this, but to my ear this is THE leslie top mic.

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