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Shure PG57-LC Dynamic Microphone

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The Shure PG57-LC is a versatile dynamic microphone for use with amplified or acoustic instruments. Includes microphone clip, 5/8"-3/8" thread adapter, and storage bag.

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The Shure PG57-LC is a versatile dynamic microphone for use with amplified or acoustic instruments. Includes microphone clip, 5/8"-3/8" thread adapter, and storage bag.


Tailored frequency response is smooth and extended‚ÄĚtuned specifically for acoustic instruments
Cardioid polar pattern Resists feedback in high volume settings
Handles extreme volume levels without distortion
Neodymium magnet cartridge
Internal shock mount
Durable metal construction
On/off switch for onstage control
Hardened steel mesh grille
Microphone Type: Dynamic (moving coil)
Polar Pattern: Cardioid (unidirectional)
Frequency Response: 50Hz-15kHz
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of microphone output connector
Output Impedance (at 1kHz): 200 ohms
Sensitivity (at 1kHz): -56 dBV/Pa, (1.6 mV), 1 Pascal=94 dB SPL
Electromagnetic Hum Sensitivity: 26 dB equivalent SPL in a 1 millioersted field (60 Hz)
Switch: Built-in On/Off switch
Connector: Three-pin professional audio connector (male XLR type)
Case: Die cast metal handle, black matte finish; hardened silver colored, tapered steel mesh grille
Environmental Conditions: This microphone operates over a temperature range of -20-125 F (-29-57 C) and at a relative humidity of 0 to 95%
Weight: Net: .71 lb. (324 g)
Pro Coverage
One year warranty on wireless mics, mixers, and circuitry products.
2 year warranty on wired mics.
Warranty terms vary. Check with manufacturer for specific product warranty.

  • Customer Reviews

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ShurePG57-LC Dynamic Microphone

(based on 1 review)

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Reviewed by 1 customer

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(7 of 10 customers found this review helpful)


Perfect Leslie Mic

By Den

from Somewhere, Pa

Comments about Shure PG57-LC Dynamic Microphone:

I didn't see any reviews on this mic, so here's a first. I got one of these to record trumpet way back, I was on a very tight budget and this was all I could afford. The money situation has gotten better, and so has the mic selection. I now have a little over a half dozen SM57's, a few condensers, and other assorted mics. I have three leslies in the studio, and two of them have the old PG57's on them still (the third is a lower rotor only frankenstein leslie, and the SM57's add a bit of needed high end). I've done a bunch of A/B comparisons with the sure SM's and these, and I still keep coming back to these for leslies. They have a warmth on the upper horns that the SM doesn't have, it still screams but there's no harshness whatever. I also still use it on trumpet occasionally if I need more of a miles sound, but I usually use an SM for that as well. Snares and guitar cabs still sound way better with an SM 57 than this, but to my ear this is THE leslie top mic.

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