Accidental damage, normalNormal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Damage due to unexpected and unintentional spills, drops and impacts
Damage due to normal wear and tear
Damage caused by lightning/power surge
Damage due to dust, internal heat, humidity, heavy usage
No Lemon Policy on merchandise over $200- if it fails for the same reason 3 times, it is replaced on the 4th breakdown
Complete refund in the event of failure or substandard performance on merchandise under $200 (Gift Certificate sent for the full price plus applicable sales tax paid)
Manufacturer's Specs Coverage -- The product does not need to fail to be covered. If the product does not perform as it did the first day you bought it, we will repair or replace it so that it does
Free shipping to and from repair facility
Plans are transferable in the event merchandise is sold
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Combining ten inputs, ten outputs, and eight VS PREAMPS with transparent 24-bit/192 kHz audio quality, the Roland OCTA-CAPTURE sets a new standard for portable USB 2.0 audio interfaces. High-level audio production is made possible with this fusion of premium components, Roland-quality engineering, and proprietary preamp and streaming technology. OCTA-CAPTURE is not only a great interface for multi-channel computer-based production, but also a perfect solution for expanding the I/O capability of the V-STUDIO™ 700 and V-STUDIO™ 100.
Eight Premium Mic Preamps OCTA-CAPTURE boasts eight premium-grade digitally controlled mic preamps (VS PREAMPS), built with the same high-grade components as the preamps in the V-STUDIO 700 and M-400 V-Mixer. Eight XLR inputs are provided for the preamps, plus independent phantom power, low-cut filter, phase invert, and digital compression for each channel.
Auto Input Level Adjustment Simply activate the AUTO-SENS feature with the push of a button, play your connected instruments, and OCTA-CAPTURE automatically sets the ideal recording level for each input. It's great for quick, fail-safe audio capture when recording either a fully mic'd drum kit or an entire band.
Extreme Low-Latency Driver OCTA-CAPTURE offers stability and industry-leading low-latency USB performance via Roland's proprietary VS STREAMING technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers. Thanks to VS STREAMING, you can use multiple devices (two OCTA-CAPTURE units or one OCTA-CAPTURE plus a V-STUDIO 100 or V-STUDIO 700) on the same USB bus without compromising stability, performance, or audio quality.
Four Flexible Monitor Mixes OCTA-CAPTURE offers four independent Direct Mixers for creating software-controlled monitor mixes. Each mix can be routed to any of the analog outputs and can take advantage of the internal 40-bit DSP processing — perfect for sending custom monitor mixes to headphones, speakers, or recording devices.
Roland Octa-Capture 10X10 USB Audio Interface
Features:
Eight premium mic preamps built in (VS PREAMP) AUTO-SENS function intelligently sets optimal input levels for all preamps Extremely stable low-latency VS STREAMING driver Four independent software-controlled Direct Mixers for creating custom monitor mixes Supports all major DAW platforms on Mac or PC, including OSX 10.6 and Windows 7, through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers Rackmount ears included Bundled with Cakewalk Production Plus Pack
Roland Octa-Capture 10X10 USB Audio Interface
Specifications:
Signal Processing: PC interface 24 bits AD/DA Conversion 24 bits Internal 40 bits
Sampling Frequency: AD/DA Conversion 44.1/48/96/192 kHz DIGITAL (IN/OUT) 44.1/48/96 kHz
Nominal Input Level: Input Jack 1—6 (XLR type) -56 to -6 dBu Input Jack 7—8 (XLR type) -50 to +0 dBu Input Jack 1—8 (1/4 inch TRS phone type) -46 to +4 dBu
Input Impedance: Input Jack 1—6 (XLR type) 5 k ohms (balanced) Input Jack 7—8 (XLR type) 10 k ohms (balanced) Input Jack 1—8 (1/4 inch TRS phone type) 17 k ohms (balanced)
Frequency Response: 192.0 kHz 20 Hz to 90 kHz (+0/-8 dB) 20 Hz to 60 kHz (+0/-2 dB) 96.0 kHz 20 Hz to 40 kHz (+0/-2 dB) 48.0 kHz 20 Hz to 22 kHz (+0/-2 dB) 44.1 kHz 20 Hz to 20 kHz (+0/-2 dB)
Residual Noise Level: MAIN OUT -87 dBu typ. (GAIN:min., INPUT 1 — 2 terminated with 600 ohms , IHF-A) * Internal Direct Monitor Mixer setting Stereo Link: ON, Input channel fader: Unity
Dynamic Range: AD block INPUT 1—8: 104 dB typ. (GAIN: min.) DA block OUTPUT 1—8: 113 dB typ.
Display: 128 x 64 dots Graphic LCD (backlit LCD)
Connectors: Input Jacks 1—8 (XLR type / 1/4 inch TRS phone type) XLR type (balanced / phantom power +48 V) 1/4 inch TRS phone type (balanced) Coaxial Input Connector Coaxial Output Connector Headphones Jack (Stereo 1/4 inch phone type) Output Jack 1—8 (1/4 inch TRS phone type (balanced)) MIDI Connectors (In, Out) USB Connector
Others: Power Supply DC 9 V (AC adaptor) Current Draw 1.45 A Accessories Rack Mount Angle x 2 Owner's Manual Cakewalk Production Plus Pack DVD-ROM Driver CD-ROM AC Adaptor USB cable
Size and Weight: Width 284 mm 11-3/16 inches Depth 158 mm 6-1/4 inches Height 50 mm 2 inches Weight 1.3 kg 2 lbs. 15 oz.
I replaced a Edirol/Roland FA-101 (Firewire 10x10) with this box. Great decision! This box is built like a tank (all metal), and fairly easy to use. It's great having a volume knob for the monitor speakers *and* the phones, which was missing on most previous models.
The digital patch bay and 4 mix profiles mean you can route the audio any way you like.
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