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Big Fish BASiS Bass Virtual Instrument Software
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An enormous sample collection of bass sounds captured in one virtual instrument.

Become master of the low end with the BASiS virtual instrument from Big Fish Audio. Featuring a comprehensively sampled collection of electric, upright, fretless, and synth basses, BASiS offers incredible attention to detail in the depth and breadth of bass samples: 24-bit sampling, DI, and amp blending control, multiple velocity layers, seamless humanizing, custom legato and vibrato tools, release layers, harmonics, hammer-ons, pull-offs, slides, slaps, rakes, falls, and more.

BASiS software includes a diverse sample collection of basses—7 gigabytes' worth—in one virtual instrument: classics like the Jazz Bass, P-Bass, Rickenbacker, and Musicman basses are presented alongside personality and genre traits such as a classic Motown bass, a gospel bass, Jaco's Fretless, and Macca's Hofner. One upright bass and three slap basses are also included. In the synth bass category, more than a hundred patches are provided, ranging from thumping vintage synth basses to techno basses, as well as esoteric, fresh creations for spicing up your tracks. Each virtual instrument has been meticulously mastered and programmed for maximum musicality when placed in a mix.

All electric basses have been sampled from both a direct input (DI) and amped perspective. A knob on the interface allows phase-aligned blending of the two, or the selection of one or the other. For the upright bass, the same knob allows mixing of the direct input and a phase-aligned tube mic output capture of the same sessions. Other onscreen controls allow pitch bend range adjustment, pick noise and fret noise controls, release layer controls, adjustable velocity curve, and instant and detailed control over EQ. A comprehensive selection of effects is included, including an octaver, compression, saturation, lo-fi, distortion, limiter, phaser, flanger, chorus, reverb, and delay.

Performance features include an innovative legato tool designed for true finger-smooth playing, and a customizable vibrato engine with control over vibrato types, speeds, and depths. Rather than opting for traditional LFO-based vibrato, BASiS uses a sophisticated character vibrato modeled after real bass players, completely controllable from the keyboard and onscreen interface. Randomized pick noises, release samples, and fret noises add to the realism of each instrument.

BASiS is powered by the popular KONTAKT Player 2 engine, offering total integration into all major sequencers via its AudioUnit, VST, and RTAS plug-ins, as well as standalone operation. It also works perfectly within both KONTAKT 2 and KOTAKT 3.

BASiS includes an impressive number of features and custom engines designed specifically for this library tailored to the unique characteristics of the basses.

Amp/DI Control
Each electric bass includes an Amp/DI balance knob, allowing full blending control between phase-accurate samples of the direct bass signal and an amped recording of the same take. The user can turn the knob to output 100% of one or the other, or blend the two seamlessly, resulting in a vast amount of tonal variety to help the bass fit into any mix. For convenience, the knob can also be controlled via external MIDI continuous controllers. A similar control is available in the upright bass, but it blends the direct signal with a miced signal.

Realism Engines
A number of custom engines are designed to contribute to the realism of the sound. A breakthrough intelligent legato mode allows for real finger legato playing, and the engine automatically responds to the playing style to interpret a realistic legato. Adjustable pick noise, fret noise, and finger releases (the sound of the finger lifting off the string at the end of each note played) help recreate the basses with complete authenticity. A Humanize engine further extends the realism by introducing slight variations in each note played, avoiding the dreaded machine-gun effect. Fret noise is added, not by a random routine, but by an artificial intelligence engine that watches for where the player is moving on the virtual fretboard.

Modes and articulations
An onscreen display gives real-time information on the currently selected articulations, playing mode (polyphonic, monophonic, and legato), and release layers. Varying articulations were recorded for each bass, including long notes, harmonics, mutes, slides, slaps, pulloffs, falls, releases, noises, and more. Both traditional keyswitching and forced keyswitching (hold down the keyswitch trigger to affect the note(s) currently being played but return to the previous mode as soon as the keyswitch trigger is released) have been designed for maximum ease of use, and all are displayed on the onscreen display in real time. The end result is that BASiS is able to interpret any style of incoming MIDI playing and render a completely realistic bass part with a minimum of manual-reading.

Character Vibrato
Full vibrato control, painstakingly modeled after vibrato made by real bass players, is available, including seven different characters of vibrato.

Dynamic Response
An adjustable velocity curve allows for fine-tuning of the dynamic response of the basses.

Effects
A full suite of effects is included in BASiS, including a custom-written Octaver, and full EQ controls. Each of these effects offers a full page of tweakable settings that can be adjusted.

Remote Control
Every parameter in the onscreen BASiS engine (including its subpages) can be controlled remotely via MIDI continuous controllers (CC's), and can be adjusted in real time.

Big Fish BASiS Bass Virtual Instrument Software Features:

  • Bass sounds:
    Electric Basses
    Gospel
    Jazz Bass Back Pickup
    Jazz Bass Full Tone
    Jazz Bass Picked
    Macca's Hofner
    Motown
    Musicman
    Precision Bass
    Rickenbacker

    Fretlesses and Upright
    Fretless
    Fretless Hollow Tone
    Fretless Jaco
    Upright Slap Basses
    Jazz Bass Back Pickup Slap
    Jazz Bass Full Tone Slap
    Musicman Slap

    Synth Basses
    Analog
    AnaBass
    Anonymous Punch
    Clarity of Thought
    Classico Robusto
    Close It
    Comedic Boingk
    Earmarks
    Flanged Feed
    Groaning
    In Yo Face
    Landing Site
    McChainSaw
    Old Skool Key
    Packs a Punch
    Red Rover
    Rev Up
    Ruckin
    Subterfuge
    Super Saver
    Tacet B
    Buzzed
    Argumentative
    Buzzy Not Blue
    Buzzy Sawyer
    Doinky Dork
    Don't Use Teeth
    Dormant
    Earthy Major Pad
    Engine Freeze
    Foaming Teeth
    Fright Night
    Frostbite
    Icy Cold
    Quintessence
    Razor Blade
    Sniveling Snickering
    Standard
    Wise Guy
    Distortions
    Analog Warp
    Beyond Debate
    Ham Radio Bass
    Kold Rumbl
    Latent Anger
    Monstra Trucka
    Mosquito Tostada
    Nonstop
    Pit Stop
    Razor
    Road Rage
    Roadie
    Tree Swing
    WarpWarm
    Wiry Haired Dome
    Narrow and Thin
    Bitta Fuzz
    Breathy Stars
    Churchy
    Duck Duck
    Evasive Action
    Faux Piano
    Ghosting
    In the Air
    Job Perks
    Lazy Beach
    Nasal Buzz
    Razor Sharp
    Rich Dirty Square
    Santa Barbara
    Snake in Wait
    Time Travel
    Underwater Cloud
    Undulate
    Warpz2 Mode
    Windy City
    Phat
    Big Bloat
    Classic Power
    Clunk
    Dictator
    Frontrunner
    Ground Round Sound
    Mixed and Muxed
    Muffled Fuzz
    Ominous
    On the DL
    Oval Tines
    Plastic Wrap
    Rabid Anti
    Solid Rock
    Str8ish
    Subtle Shift
    Sunny Happy People
    Sweet Sugar Wide
    Talking Book
    Unnoticed
    Warp Factor 10
    Witness Protection
    Pure Waves
    Pure Rectangle
    Pure Saw and Square
    Pure Saw and Tri
    Pure Saw
    Pure Sine and Saw
    Pure Sine and Square
    Pure Sine and Tri
    Pure Sine
    Pure Square and Saw
    Pure Tri-Rect-Saw
    Retro
    Analog Dreamz
    Brite Buzz
    Chunky Requests
    Eight Bit Wonder
    Ekletrik
    Faux Concerto
    Half a Wurl Away
    Heavy Video Game
    Jocular
    Ju Know
    Levity
    Men in Lack
    Oinky
    Opticlarity
    Retro Life
    Simple McSimpleton
    Smoov Schweet
    Snow Flurry
    Stabattack
    Stay Low
    Sugar Momma
    Sweeping Bat
    Toy Junky
    Video Game Mania
    Warm Enveloping
    Wizzard
    Short
    Double Shot
    Electric Shock
    Hushed Mute
    Rougher Up
    Stabba Jamma
    Substrata
    Talky Wah
    Talky Wah Two
    Toxxik


Big Fish BASiS Bass Virtual Instrument Software Specifications:

  • Compatibility
    AU, Cubase, Digital Performer, DXi2, GarageBand, KONTAKT, Logic, Mac, Nuendo, PC, ProTools, RTAS, VSTi


Product Reviews
(Based on 1 reviews)
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  • I love it!

    As reviewed by BluesGroove on 3/11/2009

    I was going to buy a new bass for recording in my home studio, but then I listened to some samples of this software on the Big Fish Audio website. After a long deliberation I went with the Basis software. I have not regretted it for a second! Not only are the bass samples realistic, they're fantastic!. I open up the AU plug-in in Logic Studio 8 and play the bass line via midi keyboard. I am highly impressed. I have been a musician for 30 years, but have had virtually no experience playing midi instruments. This software is easy to learn and the sounds are great. I highly recommend it.

    5 of 6 people found this review helpful.
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