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Item # 630142 | Customer Ratings: Ratings ( 5 Based on 2 reviews)

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Yamaha MG124CX 12-Input Stereo Mixer with Compression and Effects Blemished - Like New
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      Yamaha MG124CX 12-Input Stereo Mixer with Compression and Effects Blemished - Like New (630142)
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Adds DSP to the 124C feature set.

For applications requiring up to 12 input channels, the Yamaha MG124CX mixer offers stunning MG Series sound plus an extra margin of signal-routing versatility. The MG124CX features a high-performance digital multi-effect processor built-in, giving you everything you need in one compact, powerful package.

In spite of the fact that it has 12 channels, four buses, and a wealth of advanced features, the MG124CX is small and light enough (only 2.9 kilograms) to be tucked under an arm and set up just about anywhere. This remarkable sound mixer provides significant space savings along with huge performance benefits.

Flexible 12-input Configuration
The MG124CX both has a total of 12 input channels - four mono microphone/line inputs and four stereo line inputs. Two of the stereo line inputs can also function as mono microphone inputs, giving you up to six simultaneous mono microphone inputs when needed. Gain trim covers a wide -60dB to -16dB range for microphone input, and -34dB to +10dB for line input.

Comprehensive, Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. Both models feature high- quality Neutrik balanced XLR connectors on all four mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. The four mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.

Six High-Performance Microphone Preamplifiers with Switchable Phantom Power
The microphone preamplifiers in any mixer are critical to its overall performance. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All six microphone preamps feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all microphone channels.

Built-in Channel Compressors
Built-in channel dynamics is usually only found on high-end (and very expensive) consoles. The MG124CX features Yamaha's innovative one-knob compression feature on mono input channels 1 through 4. This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

3-Band Channel EQ and High-pass Filter
Yamaha has decades of experience in building truly useful, musical equalization into successful pro consoles, and the channel equalizers in MG-series mixers carry on without compromise. Channels 1, 2, 3, 4, 5/6, and 7/8 feature full 3-band equalizers with LOW, MID, and HIGH controls, while 9/10 and 11/12 have 2-band EQ for smooth equalization of stereo sources.

Four Buses (Stereo and Group)
In addition to the main stereo bus the MG124CX features a stereo group bus and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

Illuminated Channel ON Switches
All input channels feature illuminated channel ON switches chat can be used to individually add or remove channels from the mix without having to change the positions of the channel faders. The effect channel on the MG124CX also has its own ON switch.

Effect/Aux Sends
The MG124CX has pre/post switchable AUX sends on all channels as well as EFFECT send controls that adjust the level of the signal sent to the mixer's internal multi-effect system.

Stereo, Control Room, Monitor, and Headphone Outputs
Located above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. These versatile mixers offer plenty of connectivity for a wide range of applications.

Bright 12-segment Meters for Visual Level Monitoring
Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read 12-segment LED meters make it easy to control system levels for optimum overall performance.

MG124CX Built-in SPX Effects
The Yamaha MG124CX's includes an astonishing amount of SPX signal processing power. It incorporates a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on/off switching capability and return level control. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on/off switching.

Smooth 60-millimeter Faders
Channel and master level control is accomplished via reliable, high-performance 60-millimeter linear faders that provide smooth, noise-free operation. An important advantage of linear faders is that they provide a direct visual indication of relative level settings

Easy Operation
All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.

Yamaha MG124CX 12-Input Stereo Mixer with Compression and Effects Features:

  • Analog inputs
    XLR: 6
    1/4" TRS: 6
    1/4" TS: 4
    RCA (stereo pair): 3

    Analog outputs
    XLR: 2
    1/4" TRS: 2
    1/4" TS: 2
    RCA (stereo pair): 1

    Onboard effects
    Compressors: 4
    Reverb: Yes
    Delay: Yes
    Chorus/flange: Yes
    Multi FX: Yes

    Equalization
    Rotary bands per channel: 3
    Treble: Yes
    High midrange: No
    Sweep high midrange: Not applicable
    Midrange: Yes
    Low midrange: No
    Sweep Low midrange: Not applicable
    Low: Yes
    Q control: No
    Master graphic EQ: Not applicable

    Inserts/sends/busses
    XLR aux sends: Not applicable
    TRS aux sends: 2
    TS aux sends: Not applicable
    Inserts (channel): 6
    Inserts (master): Not applicable
    Buses: 4

    Connectivity
    USB: No
    FireWire: No
    SMPTE: No
    Coaxial: No
    ADAT No

    Other
    Width: 19.5"
    Depth: 18.5"
    Height: 7"
    Weight: 16.5lb
    Automation: No
    Motorized faders: No
    Bundled software: No


Yamaha MG124CX 12-Input Stereo Mixer with Compression and Effects Specifications:

  • Frequency response: Stereo Out, Group OUT, EFFECT/AUX (AUX1, 2*), SEND, Monitor OUT, Rec Out: -3.0 — 1.0dB
    Total Harmonic Distortion (THD + N) Stereo Out, +14dBu @ 20Hz-20kHz, Input Gain Control at minimum: 0.1%
    Hum & Noise:
    CH Input 1-4 MIC, EIN (Equivalent Input Noise): Rs = 150O, Gain: maximum: -128dBu
    Stereo Out & Group OUT, Stereo Out, Group Master fader at nominal level
    and all channels' ST and 1-2 switches off: -88dBu
    EFFECT/AUX (AUX1, 2*) SEND, Master EFFECT/AUX (AUX1, 2) control at nominal level and all CH EFFECT/AUX (AUX1, 2) controls at minimum.: -81dBu
    Stereo Out & Group OUT, Stereo, Group Master fader and one CH fader
    at nominal level: -64dBu
    Stereo Out Residual Output Noise -98dB
    Crosstalk (1kHz): Adjacent Input CH 1-4: -70dB; Input to Output Stereo L/R, CH 1-4, PAN: panned hard left or right: -70dB
    Phantom Voltage MIC: + 48V
    Input HPF: CH 1-7/8, 80Hz, 12dB/oct
    Input equalization CH 1-7/8 HIGH: 10kHz (shelving), MID: 2.5kHz (peaking), LOW: 100Hz (shelving); CH 9/10-11/12 HIGH: 10kHz (shelving), LOW: 100Hz (shelving)
    PEAK Indicator: Red LED turns on when post EQ signal (either post MIC HA or post EQ signal for CH 5/6, 7/8) reaches -3dB below clipping (+17dBu).
    Internal Digital Effect*: 16 PROGRAM, PARAMETER control, Foot Switch (Digital Effect On/Off)
    LED Level Meter Pre Monitor Level: 2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30dB), PEAK lights if the signal level reaches 3dB below the clipping level.
    Power Supply Adaptor PA-20: AC 35 VCT, 0.94 A, Cable Length = 3.6m
    Power Consumption: 30 W
    Dimensions (WxHxD): 19.5" x 18.5" x 7.3" (346.2mm x 86.1mm x 436.6mm)
    Weight: 16.5lb. (3.2kg)


Yamaha MG124CX 12-Input Stereo Mixer with Compression and Effects Blemished - Like New

5 Years

 

Choose from the folowing Yamaha Warranties:

Get your gear covered!

Now you can get added warranty protection for your new gear. Pro Coverage steps in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program offers you UPGRADED COVERAGE if your product ever fails!

Pro Coverage includes:

  • Accidental damage protection (new gear only)
  • Expedited Repair
  • Free Shipping (for returns or repairs)
  • 100% Coverage for Commercial Use
  • Extended Return Period
  • Extended Price Protection
  • No Lemon Guarantee
  • Free Transfer of Coverage to a new owner
  • Repair Costs Covered for up to 3 years from date of purchase
  • Repairs Can Be Authorized Toll-Free by Phone or the via the web
Product Reviews
(Based on 2 reviews)
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  • Outstanding value in a small format mixing console

    As reviewed by jim in michigan on 2/13/2008

    This mixing console has a number of very nice features for its price class. It's channel EQ, onboard DSP, integrated channel compression, and input versatility make it an outstanding choice for small to medium venues. The intuitive operation of this console is very nice. This console does not make a sonic "statement" in the mix. It is quiet and transparent. Buy it and use it with confidence.

    28 of 28 people found this review helpful.
    Was this review helpful?
  • Great for the money

    As reviewed by Jerad on 2/28/2009

    If you're looking at this mixer then you're probably looking for a deal like I was. It's a great deal. You're not going to get steel construction, dust covers on all the knobs/sliders, other bells and whistles......but you're not paying for them either. What you do get is a decent reverb, 12 inputs, easy to plug/patch and a lightweight and relatively compact unit.

    16 of 16 people found this review helpful.
    Was this review helpful?
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