Accidental damage, normalNormal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Damage due to unexpected and unintentional spills, drops and impacts
Damage due to normal wear and tear
Damage caused by lightning/power surge
Damage due to dust, internal heat, humidity, heavy usage
No Lemon Policy on merchandise over $200- if it fails for the same reason 3 times, it is replaced on the 4th breakdown
Complete refund in the event of failure or substandard performance on merchandise under $200 (Gift Certificate sent for the full price plus applicable sales tax paid)
Manufacturer's Specs Coverage -- The product does not need to fail to be covered. If the product does not perform as it did the first day you bought it, we will repair or replace it so that it does
Free shipping to and from repair facility
Plans are transferable in the event merchandise is sold
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
The Universal Audio 4-710d is a boutique quality, 4-channel microphone/line preamplifier with unique tube and solid state tone-blending capabilities—perfect for a wide range of microphone and instrument sources. This versatile multichannel preamp offers selectable 1176-style compression circuitry on each channel, plus four additional line inputs feeding 8 channels of pristine analog-to-digital conversion. Building upon UA's classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup.
At the core of the 4-710d are four channels of tone-blending "Twin-Finity" mic preamps with true-bypass 1176-style compression, including specially tuned "fast" and "slow" settings. Each of the four mic preamp channels allows for continuously variable phase-aligned tone, between a 100% tube and 100% solid state signal path. Send and return jacks are available for external processing or signal access.
The eight analog inputs are digitized via ultra high-quality 24-bit A/D converters at selectable sample rates up to 192kHz. Digital output is available via dual ADAT "lightpipe" or AES/EBU DB-25 connectors, facilitating integration with most popular audio interfaces.
Universal Audio 4-710d 4-Channel Mic Preamp
Features:
Preamplifiers 4 TEC Award-winning 710 Twin-Finity microphone/line preamps, each featuring: Dual-path 285-volt Class-A tube and transimpedance solid state preamps Phase-aligned tone-blending of tube and solid state circuits, creamy to crunchy Newly designed 1176-style compression circuit per preamp channel JFET Direct Input with 2.2MO ultra Hi-Z impedance w/auto input override Large backlit VU meters for flexible metering of input drive, gain level, and gain reduction Balanced send/return inserts (half-normalled) 48V phantom power 75Hz low cut filter Polarity switch Monolithic balanced output stage
Analog-to-Digital Conversion 8 channels of high quality 24-bit A/D conversion: Selectable sample rates up to 192kHz Digital output via dual ADAT optical and AES/EBU DB-25 connectors 8-channel soft limiter (switchable for all channels) Ultra-low jitter clock subsystem LED metering array with clip/hold indicators 75O BNC work clock I/O Digital outputs anti-pop protection on power-up
Other Universal voltage internal power supply Heavy-duty metal construction, two-space rack unit One year warranty including parts and labor
Universal Audio 4-710d 4-Channel Mic Preamp
Specifications:
Analog Section, Channels 1-4 Note: all specifications are typical performance unless otherwise noted. Unless otherwise noted, all specifications are 20Hz-20kHz, minimum gain, maximum level, 24-bits, all switches in neutral or off mode, 100% solid state, digital output = 0dBFS.
Microphone Preamplifier to Line Out: Gain Range: 56dB Min Gain: 14dB Max Gain: 70dB Max Input Level (bal): 6.7dBu Max Output Level (bal): 20dBu Input Impedance (bal): 2kO Input Impedance (Hi-Z): 2.2MO Output Impedance (bal): 600 O Equiv. Input Noise (150O, 56dB gain): -127dBu Frequency response (20Hz-20kHz): +0.1/-0.15dB Crosstalk (max gain, 1kHz): < -115dB
Analog-To-Digital Converter Section Note: all specifications are typical performance unless otherwise noted. Unless otherwise noted, all specifications are 20Hz-20kHz, minimum gain, maximum level, 24-bits, all switches in neutral or off mode, 100% solid state, -1dBFS output.
Microphone & Line Inputs (Ch 1-4): THD+N (-1dBFS): -100dB (0.001%) SNR (A-Wt): 110dB Dynamic Range (-60dBFS, A-wt): 110dB Frequency response: +0.1/-0.15dB Stereo Phase: <0.3 deg
Line Input (Ch 5-8): THD+N (-1dBFS): -103dB (0.0007%) SNR (A-Wt): 117dB Dynamic Range (-60dBFS, A-Wt): 117dB Frequency response: ±0.1dB Stereo Phase: < 0.5 deg
One year parts and labor warranty on all U.A. products and Kind of Loud products.
Get your gear covered!
Now you can get added warranty protection for your new gear. Pro Coverage steps
in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program
offers you UPGRADED COVERAGE if your product ever fails!
Pro Coverage includes:
Accidental damage protection (new gear only)
Expedited Repair
Free Shipping (for returns or repairs)
100% Coverage for Commercial Use
Extended Return Period
Extended Price Protection
No Lemon Guarantee
Free Transfer of Coverage to a new owner
Repair Costs Covered for up to 3 years from date of purchase
Repairs Can Be Authorized Toll-Free by Phone or the via the web
I have a modest home/warehouse studio.....using Protools 8 with a digi 003. For years I've been working with the digi003 preamps, Presonus digimaxFS preamps, while occasionally borrowing some great preamps (Grace, Universal Audio, API, etc). When I finally surmised that I could splurge for a good piece for my studio, I did some research and found the UA 4-710D. Frankly, I was attracted by the amount of pres (4) and all the features (A/D conversion, compression, tube/solid, multiple outs, etc). It was no brainer for me givin the bang for the buck. I expected to be impressed, but I did not know how much of an impact having this piece was going to have on the recording I was doing. I was in utter shock when I began to experience the results from using the UA. Everything I put through it sounded full, round, bigger, better, cleaner, and more musical. So far I've recorded acoustic guitar, keys, vocals, synth lines, electric beats, and bass through this amazing piece. I can't wait to record drums with it. Bass sounds INCREDIBLE just going direct through it. For the price, I could not be happier with this piece. I would recommend this piece to anyone, but especially to someone who is looking for their first quality set of preamps and is currently using the mediocre A/D conversion of their audio interface. If that is your current scenario....this thing will blow your socks off.
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