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Line 6 POD HD500 Guitar Multi-Effects Processor

Item # 106089741 | Customer Ratings: Ratings (Based on 56 reviews)

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      Line 6 POD HD500 Guitar Multi-Effects Processor (106089741)
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A multi-effects pedal with 16 high-def amp models, 100+ M-class effects, and plenty of I/O.

POD HD500 represents a giant leap forward for amp modeling. It is the only multi-effect pedal that boasts 16 brand-new, state-of-the-art Line 6 HD amp models, 100+ modern and vintage-styled M-class effects, and a comprehensive digital and analog I/O.

HD amp modeling: sound and feel like never before
HD amp models defy the accepted standard. They feel, behave, and interact with previously unachievable realism.

Creating these new HD amp models was no small feat. Line 6 mixed 15 years of amp modeling experience with 3 years of new research and development to build an entirely new amp modeling technology from the ground up. During that time, we hunted down 16 incredible amplifiers and—with the help of LA's top tube amp experts—restored each one back to peak condition. The new modeling technology uses 10 times more amplifier information than before, including single-ended class A tube stages, class AB push/pull interactions, power supply behavior, and more. The result is a high-quality warmth, feel, sustain, and articulation for you to fall in love with.

Tube amp fanatics have long enthused that their favorite stacks and combos aren't merely "amps," but instruments themselves, with playability equal to that of the guitar plugged into them. New HD modeling takes the POD HD experience to that same exalted level, capturing the genuine playability that great guitarists demand.

Your amp collection—now in HD
On the POD HD500's menu is a collection of freshly modeled amps, many of which are brand-new to POD, and all of which are essential for performing guitarists who require a wide variety of tones in one streamlined, multi-FX-sized package.

POD HD500 includes 16 HD amp models based on:
•Fender Twin Reverb
•Hiwatt Custom 100 (DR103)
•Supro S6616
•Gibson EH-185
•Fender Bassman
•Fender Blackface Deluxe Reverb
•Divided by 13 JRT 9/15
•Dr. Z Route 66
•Vox AC-15
•Vox AC-30 (Top Boost)
•Marshall J-45 MkII
•Park 75
•Marshall JCM-800 (2204)
•Bogner Uberschall
•Mesa/Boogie Dual Rectifier
•ENGL Fireball 100

100+ M-class FX
Made famous by Line 6 M13 and M9 Stompbox Modelers, M-class FX have found their way into the hearts of many musicians. POD HD500 features a whopping 100+ M-class effects to craft your sound. With this wide tonal palette to play with, you can sound like anyone under the sun, or no one but you. You can also use up to 8 FX at once.

•19 delays (including cool tube and solid-state tape echoes)
•23 modulations (including both blackface-style opto and brownface bias-modulating tremolo, phasers, choruses, and rotary speakers)
•17 distortions (classic stompbox distortion, to vintage fuzz, to thick metal chunk)
•12 compressors and EQs (including stomp comps and studio tube compression)
•26 filters (including wahs and several exclusive custom filters)
•12 reverbs (from surfy springs, to studio plates, to cutting-edge digital room sounds)

The power of this collection is truly mind-boggling. In addition to these classic sounds themselves, POD HD500 functions as a fully featured looping, pitch shifting, and harmonizing machine. Ready to start creating? This rig could keep you going for a lifetime.

Unprecedented flexibility—stunning simplicity
Beyond the mere depth of the amp and FX models, POD HD500 offers flexibility to mix and match amps and pedals in multiple pre-set rigs, attainable at the stomp of a switch.

Scale from an instantly routable signal chain up to the flexibility of a MIDI switching system and beyond, (even compiling several rigs within the POD HD500's memory, storing a full rig per "slot" with total flexibility and direct access).

The engineer's behind POD HD500 made it easy to access its deep programmability. Smart FX make it a snap to quickly dial in your tone, and the free, easy-to-use editor/librarian software supports your deepest, darkest tonal explorations. POD HD500 was designed by guitarists for guitarists.

Comprehensive connectivity for live and studio use
Put simply, POD HD500 connects to just about anything and everything—analog or digital, balanced or unbalanced, for amplification or recording.

A snapshot of the back panel shows 1/4" and XLR outputs (mono/stereo), USB, MIDI in and out/thru, S/PDIF out, FX loop (mono/stereo), guitar, and mic aux ins with mic level, Variax connection, expression pedal input and a L6 LINK jack for seamless integration with Line 6 DT50 tube amplifiers.

Edit and organize and all your sounds via computer with the included editor/librarian software (works on Mac and PC).

Built like a tank
POD HD500's cutting-edge technology is kept safe within a "bulletproof" bent sheet metal housing with heavy-duty metal footswitches and expression pedal. No injection-molded plastic boxes here—POD HD500 is ready to lap up years of road and stage abuse and keep you playing.

Version 1.3 Firmware update now available!
Power-boost your POD® HD multi-effect with an additional six HD amp models and five amp parameters – all for free in firmware update v1.3.

To get v1.3 just connect your POD HD via USB to your computer, run Line 6 Monkey™ Intelligent Updater and follow the instructions.

Firmware update v1.3 includes six HD amp models based on* channels from three classic American combos (the “Vibrato” channel of a Fender® Deluxe Reverb®, the “Vibrato” channel of a Fender® Twin Reverb® and the “Bright” channel of a Fender® Bassman®), two British half stacks (the “Normal” channel of a Park 75 and the “Normal” channel of a Marshall® JTM-45 MkII) and a high-gain Line 6 original.

Five additional, fully adjustable amp parameters don each new HD amp model (and will be added to the HD amp models you already have). Further customize essential aspects of tube amp feel and behavior with Sag, Hum, Bias, Bias Excursion and Master Volume.

Meet the new HD amp models:

Blackface ‘Lux VIB
The “Vibrato” channel rounds out the HD model based on* the classic combo that’s considered by many to be the ultimate studio amp: Fender® Deluxe Reverb®.

Blackface Double VIB
Fender® Twin Reverb® is an all-time classic of biting twang and shimmering clean tones. This model is based on* a Fender® Twin Reverb® “Vibrato” channel, which is a separate preamp circuit with clipping characteristics that are different than the “Normal” channel due to an additional 12AX7 tube stage.

Tweed B-Man BRT
Based on* a Fender® Bassman®, the amp that started it all – instant rock and roll tone. This model is based on the amp’s “Bright” channel, which provides a different voicing from the “Normal” channel by utilizing the second half of the first preamp tube. (The “Normal” channel uses the first half only). High frequencies are increased due to the addition of a bright cap across the volume knob.

Brit J-45 NRM
This model is based on* a Marshall® JTM-45 MkII, which marked the beginning of the distinctively bright and crunchy sound that Marshall amps are known for. The “Normal” channel is adept at big, bold clean tones.

Brit P-75 NRM
Based on* the “Normal” channel of a Park 75, a Jim Marshall-designed amp that enjoys cult status for its powerful Plexi-style tones. The “Normal” channel delivers a slightly darker tone than the “Bright” channel, a model of which already appears in POD HD.

Line 6 Elektrik
A face-melting, soul-weeping Line 6 original with high-gain capacity, interactive presence and mid-range controls. Careful, this might hurt a little…

*All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development. Fender, Bassman, Deluxe Reverb and Twin Reverb are registered trademarks of Fender Musical Instruments Corporation. Hiwatt is a registered trademark of Fernandes Company Ltd. Supro is a registered trademark of Zinky Electronics, LLC. Gibson is a registered trademark of Gibson Guitar Corp. Dr. Z is a registered trademark of Dr. Z Amps, Inc. Vox is a registered trademark of Vox R&D Limited. Marshall is a registered trademark of Marshall Amplification Plc. Bogner is a registered trademark of Bogner Amplification. Mesa/Boogie and Rectifier are registered trademarks of Mesa/Boogie Ltd. Engl is a registered trademark of Ausflug, Beate and Engl, Edmund.

Line 6 POD HD500 Guitar Multi-Effects Processor Features:

  • HD amp models that feel, behave, and interact with previously unachievable realism for an entirely new playing experience
    16 HD amp models based on the most sought-after guitar tones: California cleans, classic crunch, vibey boutique warmth, modern high-gain, and more
    100+ effects including delays, modulations, distortions, compressors, EQs, filters, and reverbs; Up to 8 simultaneous FX; Tap tempo
    512 user-writable preset locations
    48-second looper with dedicated footswitches for Undo, Play Once, Pre/Post, Rec/Overdub, Play/Stop, Half Speed, and Reverse
    Built-in tuner with signal mute
    1/4" and XLR outputs (mono/stereo); MIDI in, out/thru; S/PDIF out; USB; L6 LINK; FX loop (mono/stereo); 1/4" aux in; XLR mic in with mic level; 1/4" headphone output; Variax VDI connection; External expression pedal input
    Free editor/librarian software
    Bent sheet metal chassis, metal footswitches and expression pedal




Product Reviews
Based on 56 reviews)
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  • Finally

    As reviewed by Phil V on 11/15/2010

    The new POD HD series has finally achieved an authentic amp sound and feel in a floorboard unit. Most commendable is how the built-in effects behave and interact like real pedals in front of an amp, providing the right amount of boost, etc., and how different guitars (strats/les pauls) sound authentic with each model. Prior to purchasing the HD500, i had bought the HD300 and used it live for a week with spectacular results. The 500 took longer to get the hang of, with a more versatile (and thus more complicated) interface, but the payoff is that I can run both my acoustic and electric guitars through it using the AUX input, and have amazing sounding patches for both instruments, sending stereo XLR outputs to the band's PA system. Up till now I would need a whole separate setup for the acoustic guitar (preamp/tuner/compressor) with its own power supply etc. After using a POD xtLive for two years on cover gigs, and real amps and effects for showcase situations, the dramatic improvements in modeling quality in the HD units is extremely rewarding. Favorites are the very meaty-sounding Dr. Z Route 66, the Divided by 13 with its dual blended gain knobs, and the wonderfully jangly/crunchy AC30 models. I'm not a big fan of spending lots of time tweaking tones, and it will most likely take me a few more weeks to dial in more tones for some Zeppelin-y Marshall, Park & Supro sounds. But, I just can't say enough about the overall quality and feel of the sound direct through the PA and monitors. Highly recommended for gigging guitarists!

    44 of 44 people found this review helpful.
    Was this review helpful?
  • I'm selling all the rest of my gear

    As reviewed by Henry on 12/14/2010

    I've been playing guitar for years and I've owned allot of Digital and analog pedals. I was playing a gig and saw another guitar player form one of the other bands using the X3. I was surprised how good it sounded, and that he was just using the pedal to PA. I knew I wanted one, I looked up line6 web site and saw that they were coming out with the HD500 witch is the latest and greatest. I got it and I've been so happy. Learning how to use it is part of the fun. Every time I learn a new feature its like opening a new gift. I just sold some of my amps, and most of my affects. So far I like running the pedal trough studio monitors and mixer. I have yet to use it in a live show, but I'm really exited. My only greef is I wish they would've Included the second expression pedal built in. It would have made it really worth the extra 100dollars then the HD400. All my friends with there $2K Marshall full stacks are jealous. I never have to worry about blowing my tubes. ITs great for live shows, Recording, and practice. (even sounds great if you have a good set of headphones) Sorry my review is long but I can't say enough about the value you get. Sell all your pedals and this pedal will pay for it self.

    8 of 8 people found this review helpful.
    Was this review helpful?
  • Much better than my POD XT Live

    As reviewed by Gene on 12/6/2010

    I have owned and used the Pod XT Live in a live environment as a contemporary worship leader for over 5 years. The XT Live was a vast improvement over the Boss GT-3 I had before that. Now, I have taken the plunge with the new technology from Line 6 and upgraded again after reading a ton of reviews and listening to the sound samples of this unit (POD HD 500). I pretty much had the tones dialed in on my XT Live from Country Chicking Pickin to delay heavy Edge/U2 tones to heavy mid-scooped high gain tones. What I can say is that the HD500 sounds much more detailed, crisp/snappy, and present than my XT Live (think cassette tape vs CD difference). Another facet that jumped out at me was how quickly it responds to my playing. Most will not notice but there is less latency on this unit than on the XT Live (You guys with software instruments working with DAWs know what I mean). I have read some complaints about only 16 amp models but my response is how many do you need to get a great tone. I have seen many great guitarists not have more than a couple of amps on stage. It does not take long to dial in great tone on any of the 16 great models with just minor tweaking. I have noticed that the effects seem to benefit in quality and response from the new processing power also. I am looking forward to my musical journey with this unit. FYI. My main guitar is a 2007 Fender Deluxe American Strat.

    6 of 6 people found this review helpful.
    Was this review helpful?
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