FireWire speed and power in a portable, high-definition, Pro Tools production system.

The Mbox 2 Pro brings the speed, power, and reliability of FireWire to Digidesign's portable, high-definition, audio/MIDI music production system. Using the proven design of the Mbox 2, the Mbox 2 Pro's high-speed FireWire-powered connectivity delivers more simultaneous audio I/O and connection options with studio-grade 24-bit/96kHz audio resolution as well as low-latency monitoring. It can be powered by FireWire bus (6-pin connection only) or the included power supply.

The Mbox 2 Pro has four analog inputs—2 combo XLR/TRS jacks, 2 TRS 1/4" jacks—and six 1/4" analog outputs. Two of the inputs are front panel Hi-Z instrument jacks. The XLR inputs have 48V phantom power for use with condenser microphones. It also has S/PDIF digital I/O; an RCA phono preamp input for direct turntable connection; dedicated studio monitor outputs with volume control; 2 stereo headphone outputs with independent volume controls and an alternate source switch; and MIDI I/O. It also offers professional features such as MIDI Time Stamping support, Word Clock I/O, dedicated studio monitor outputs, and the award-winning, easy-to-use Pro Tools LE software. Pro Tools LE offers many of the same features that top studios rely on to compose, record, edit, mix, and master Grammy-winning albums and Academy Award—winning film sound on their Pro Tools systems. It also comes with over many bundled plug-ins and applications, including DigiRack plug-ins, Bomb Factory plug-ins, and the Xpand! sample-playback/synthesis workstation.

Mbox 2 Pro Factory includes the same hardware and software bundle as Mbox 2 Pro but adds five additional Digidesign and Bomb Factory plug-ins (worth over $1,000) and an iLok USB Smart Key.

With our Guaranteed Lowest Price, you can be assured of complete satisfaction and the lowest available price, or your money back!

Digidesign Mbox 2 Pro Features:

Hardware
Professional sound quality
Powered by FireWire* or included power supply
Supports up to 24-bit/96 kHz resolution**
6 simultaneous inputs, 8 simultaneous outputs
4 analog inputs (2 XLR/1/4 TRS combo jacks & 2 ¬ TRS jacks)
6 analog outputs (1/4 jacks)
2 instrument DI inputs on the front panel
2 channels of S/PDIF digital I/O (RCA)
Built-in phono preamp input (RCA) for direct turntable connection
1 MIDI input and output (16 channels in/16 channels out)
MIDI Time Stamping (MTS) support for superior timing and accuracy
BNC Word Clock I/O
Low-latency monitoring
Dedicated studio monitor outputs with volume control
2 stereo headphone outputs with independent volume controls
48V phantom power for condenser microphones
*Requires 6-pin connection for power via FireWire.
New in Pro Tools 8 Software
Award-winning Pro Tools recording, editing, and mixing
48 simultaneous stereo audio tracks (expandable with Toolkit options)
Includes dozens of pro effects processing plug-ins and virtual instruments
Professional MIDI sequencing with dedicated MIDI Editor window
Integrated Score Editor based on award-winning Sibelius notation software
Full Elastic Time and Elastic Pitch to easily adjust timing and pitch on your tracks
Unique Beat Detective LE automatic groove analysis and correction tool
ReWire support for streaming you favorite applications right into Pro Tools
Support for the Digidesign C 24 and Command 8 control surfaces
Huge selection of compatible third-party plug-ins and software options
Works on Windows and Mac computers
Virtual Instruments
Boom drum machine and sequencer
DB-33 tonewheel organ emulator with rotating speaker simulation
Mini Grand acoustic grand piano
Vacuum monophonic vacuum tube synthesizer
Xpand!2 multitimbral synth and sample workstation
Structure Free sample player
FXpansion BFD Lite acoustic drum module
Effects, Sound-Processing, Utility Plug-ins
1-Band EQ III
4-Band EQ III
7-Band EQ III
AIR Chorus
AIR Distortion
AIR Dynamic Delay
AIR Enhancer
AIR Ensemble
AIR Filter Gate
AIR Flanger
AIR Frequency Shifter
AIR FuzzWah
AIR KillEQ
AIR Lo-Fi
AIR MultiChorus
AIR Multi-Delay
AIR Nonlinear Reverb
AIR Phaser
AIR Reverb
AIR Spring Reverb
AIR StereoWidth
AIR Talkbox
AIR Vintage Filter
BF76 Compressor
BF Essential Clip Remover
BF Essential Correlation Meter
BF Essential Meter Bridge
BF Essential Noise Meter
Celemony Melodyne Essential
Chorus
Click
Compressor/Limiter
D-Verb
DC Offset Removal
De-Esser
Delay
DigiReWire
Dither
Duplicate
Eleven Free
Expander/Gate
Extra Long Delay II
Flanger
Gain
Invert
Lo-Fi
Long Delay II
Maxim
Medium Delay II
Multi-Tap Delay
Normalize
Ping-Pong Delay
Pitch
Pitch Shift
POWr Dither
Recti-Fi
Reverse
SansAmp
Sci-Fi
Signal Generator
Short Delay II
Slap Delay II
Time Compression Expansion
Time Shift
TL AutoPan
TL InTune
TL MasterMeter
TL Metro
Trim
Vari-Fi

Digidesign Mbox 2 Pro Specifications:

System Requirements
Supported Sample Rates**: 44.1, 48, 88.2, 96 kHz
Maximum Word Length: 24 bit
S/PDIF: RCA jacks
Word Clock: BNC jacks
Host Connection: Two IEEE-1394a (FireWire) jacks.
MIDI: Two 5-pin MIDI DIN connectors
Digidesign-qualified Windows Vista- (32-bit Business or Ultimate), Windows XP- or Mac OS X 10.5-based computer
Minimum 1 GB of RAM
DVD-ROM or equivalent optical drive for software installation
Available FireWire port for Mbox 2 Pro system

Specs
Mic/Line Inputs 1 & 2
Connector: Two balanced XLR / 1/4" combo jacks with independent gain controls
Mic Phantom Power: 48V
Equivalent Input Noise: -129 dBu
Frequency Response: +/- 0.1 dB
Dynamic Range: 105 dB / 107 dB A-weighted
THD + N (Mic/Line): 0.001% (-100 dB)
THD + N (Mic w/40 dB gain): 0.005% (-86 dB)
Input Sensitivity, Pad off: 1 dBu minimum gain, -39 dBu maximum gain
Input Sensitivity, Pad on: 21 dBu minimum gain, -19 dBu maximum gain
Input Impedance: 3.5 kOhm mic, 10 kOhm line

Line Inputs (1-6)
Connector: Channels 1-4: Four impedance balanced 1/4" jacks. Channel 5-6: One unbalanced stereo 1/4" jack
Frequency Response: +/- 0.25 dB
Dynamic Range: 104 dB / 109 dB A-weighted
THD + N: 0.0015% (-96 dB)
Output Sensitivity: 4 dBV
DI Inputs
Connector: Two unbalanced 1/4" jacks (on front) with independent gain controls
Frequency Response: +/- 0.1 dB
Dynamic Range: 105 dB / 107 dB A-weighted
THD + N: 0.008% (-82 dB)
Input Sensitivity, Pad off: 1 dBu minimum gain, -39 dBu maximum gain
Input Sensitivity, Pad on: 21 dBu minimum gain, -19 dBu maximum gain
Input Impedance: 5 MOhm

Monitor Outputs
Connector: Two 1/4" impedance balanced jacks
Frequency Response: +/- 0.25 dB
Dynamic Range: 106 dB / 110 dB A-weighted
Output Sensitivity: 6 dBV at max gain 100 kOhm load

Aux Line Inputs 3/4
Connector: Two balanced 1/4" jacks
Frequency Response: +/- 0.1 dB
Dynamic Range: 104 dB / 106 dB A-weighted
THD + N: 0.001% (-100 dB)
Input Sensitivity: 10 dBu minimum gain, -10 dBu maximum gain
Input Impedance: 16 kOhm

Headphone Outputs
Connector: Two 1/4" stereo jacks: one is channel 1&2, one is channel 1&2 or 3&4 (switchable). Independent volume controls.
Output Sensitivity: 2 Vms @ 600 Ohm load, maximum gain
Frequency Response: +/- 0.25 dB
Dynamic Range: 104 dB / 109 dB A-weighted

Phono Inputs 3/4 *
Connector: RCA pair
Frequency Response: +/- 1 dB
Dynamic Range: 97 dB / 104 dB A-weighted
THD + N: 0.01 % (-80dB)
Input Sensitivity: -20 dBV minimum gain, -40 dBV maximum gain @ 1 kHz
Input Impedance: 47 kOhm resistive, 150pF capacitive

Digital Specifications
Supported Sample Rates**: 44.1, 48, 88.2, 96 kHz
Maximum Word Length: 24 bit
S/PDIF: RCA jacks
Word Clock: BNC jacks
Host Connection: Two IEEE-1394a (FireWire) jacks.
MIDI: Two 5-pin MIDI DIN connectors

Size / Weight / Power
Height: Including lip: 2.26 inches / 5.74 cm.
Width: 10.28 inches / 26.11 cm.
Depth: Including lip, excluding rear connectors: 9.15 inches / 23.24 cm.
Weight: 3.3 lbs / 1.5 kg.
Power Requirements: Powered off 6-pin IEEE-1394a (FireWire) jack or 9 to 24 Volts DC jack (A/C power adaptor included)
Maximum Power Consumption: 6 Watts

All noise and dynamic range measurements with 20 Hz to 20 kHz bandwidth at 48 kHz sample rates, unless otherwise noted.

ADC measured -60 dBFS at 1 kHz with minimum gain setting; DAC with digital playback at -60 dBFS at 1 kHz.

Frequency response measurements relative to level at 1 kHz.

* RIAA equalization and sensitivity measured at 1 kHz.

** External clock supports up to 48 kHz sample rates