Accidental damage, normalNormal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Damage due to unexpected and unintentional spills, drops and impacts
Damage due to normal wear and tear
Damage caused by lightning/power surge
Damage due to dust, internal heat, humidity, heavy usage
No Lemon Policy on merchandise over $200- if it fails for the same reason 3 times, it is replaced on the 4th breakdown
Complete refund in the event of failure or substandard performance on merchandise under $200 (Gift Certificate sent for the full price plus applicable sales tax paid)
Manufacturer's Specs Coverage -- The product does not need to fail to be covered. If the product does not perform as it did the first day you bought it, we will repair or replace it so that it does
Free shipping to and from repair facility
Plans are transferable in the event merchandise is sold
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
The AKG C 414 XL II condenser microphone is the successor to the famous AKG C 414 B-TL II mic. The AKG C 414 XL II mic shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivaled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking.
The XL II mic version differs from the XLS version in one major respect—the capsule. Both the slight presence boost and the impressive spatial reproduction is similar to the legendary AKG C 12 microphones.
The AKG C 414 XL II offers 9 pickup patterns for you to choose the perfect setting for every application. For live-sound applications and permanent installations, all controls can be disabled easily enabling trouble-free use. A Peak-Hold LED displays even shortest overload peaks.
AKG ships the C 414 XL II microphone complete with carrying case, pop filter, windscreen, and a spider-type shock mount.
For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world's most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications, and ease of use to answer requests from ever-demanding recording studios, broadcast stations, and audio engineers.
AKG C 414 XL II Condenser Microphone
Features:
Upgrade of the AKG C 414, a legend since 1971 Nine selectable pickup patterns enables to choose the perfect setting for every application Lock Mode: all controls can be disabled easily for trouble-free use Peak Hold LED even detects shortest overload peaks Incredible Dynamic Range of 152dB Three switchable different bass cut filters and three pre-attenuation levels Leading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moisture Designed, engineered, and built in Vienna, Austria
Excellent for: Lead vocals Lead instruments Choir miking Drum overhead miking Classic music recording
AKG C 414 XL II Condenser Microphone
Specifications:
Polar pattern: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight and 4 intermediate settings Frequency range: 20 to 20,000Hz Sensitivity: 20 mV/Pa (-34dBV) ± 0.5dB Max. SPL: 200/400/800/1600 Pa = 140/146/152/158dB (0/-6/-12/-18dB) for 0.5% THD Equivalent noise level: 6dB-A (0dB preattenuation) (IEC 60268-4) Signal/noise ratio (A-weighted): 88dB Preattenuation pad: 0dB, -6dB, -12dB, -18dB, switchable Bass cut filter slope: 12dB/octave at 40Hz and 80Hz; 6dB/octave at 160Hz Impedance: <=200 ohms Recommended load impedance: >= 2,200 ohms Supply voltage: 48 V phantom power to DIN/IEC Powering: approximately 4 mA Connector: 3-pin XLR to IEC Finish: dark grey/gold Dimensions: 50mm x 38mm x 160mm (2.0" x 1.5" x 6.3") Net weight: 300g (10.6oz.)
AKG Acoustics warrants AKG products against defects in material or workmanship for a period of two years from the date of original purchase, and agrees to repair or, at our option replace any defective unit without charge for either parts or labor. AKG grants a three-year warranty covering selected products (C 12 VR, C 414 B-ULS, C 414 B-TLII, C 414 B-XLS, C 414 B-XLII, C 426 B, C 451 B, C 480 B, C 391 B, C 1000 B, C 2000 S, C 3000 B, C 4000 B, C 4500 B, SolidTube) against defects in material and workmanship.
Warranty is valid for AKG products purchased and delivered within the United States for the original purchaser only. The purchaser's Bill of Sale will serve as proof of sale and warranty validity in the U.S. Shipment of defective items to AKG for repair will be at the customer's own risk and expense. AKG will assume the return shipping cost for all items repaired under warranty.
IMPORTANT: This warranty does not cover damage resulting from accident, misuse or abuse, lack of reasonable care, the affixing of any attachment not provided with the product, loss of parts, or connecting the product to any receptacle other than specified.
This warranty is void unless AKG Acoustics, U.S.'s service center performs the repair. No responsibility is assumed for any special, incidental or consequential damages caused by the consumer. However, the limitation of any right or remedy shall not be effective where law prohibits such.
Get your gear covered!
Now you can get added warranty protection for your new gear. Pro Coverage steps
in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program
offers you UPGRADED COVERAGE if your product ever fails!
Pro Coverage includes:
Accidental damage protection (new gear only)
Expedited Repair
Free Shipping (for returns or repairs)
100% Coverage for Commercial Use
Extended Return Period
Extended Price Protection
No Lemon Guarantee
Free Transfer of Coverage to a new owner
Repair Costs Covered for up to 3 years from date of purchase
Repairs Can Be Authorized Toll-Free by Phone or the via the web
The AKG C414 is famous beyond words, AKGs new version is just as silky smooth as the original with wonderful well defined richness in the lows. Everyone should have a AKG C414 XL II in their home recording studio as a goto mic. Save your money, mow peoples lawns, help people move, get a 2nd job... I don't care how you get one, just get one. They are just that amazing!
I bough this mic about a year ago, and can say with all honesty, it has been a standout performer for anything I have put it use on. For acoustic guitar it's clarity, and definition are amazing. You can hear every detail, and yet it is not harsh in any way. The numerous polar patterns allow you to taler the function to suit your needs with no loss of quality or spaciousness. With a good preamp it has a wonderful airy sound much like a u87 or Manley, and it is simply excellent for vocals. Male or female vocals really pop though this, but it DOES require your performance to be spot on. If you are slightly off it will pick it up! It is useful for just about anything in the studio you can think of, including picking up cymbals from overhead. It is one of the best Microphones I own, and I would put it up against the Neumann TLM103 or the Sterling Audio Ocean Way Signature Series mic, as well as the Neumann KMS104. It blows RODE, Sputnik, or lower level Sterlings out of the water. I own or have used in my studio all these mics, so can speak to it with absolute authority. It is durable, rugged, and has launched the careers of many a fabled performer, and for my money is one of the best values going. DO get a top quality heavy stand for use with this Mic. It does pick up whatever is going on in the environment, and mic stand noise can be maddening. I use the ultimate support boom, which retails for $199, and has a solid base, super thick pole and overhead boom.
Well, first of all Im not the guy to write reviews...first of all...
so with that Im telling you I ve worked with several major producers and artists in major studios they have this mic and the U-87, if u dont have 3 G's for a mic this will defenetly do if you dont have this much for a mic then get the MXL and be unsatisfied...
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