The first plug-in of its kind, CLA MixHub captures the smooth console workflow and rich analog sound of legendary mixer Chris Lord-Alge. Mix up to 64 tracks—all from the same plug-in window—using channel strips modeled from CLA’s personal console. Mix musically, within the context of a song, as swiftly and effortlessly as your ideas come.Plug-ins n... Click To Read More About This Product
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The first plug-in of its kind, CLA MixHub captures the smooth console workflow and rich analog sound of legendary mixer Chris Lord-Alge. Mix up to 64 tracks—all from the same plug-in window—using channel strips modeled from CLA’s personal console. Mix musically, within the context of a song, as swiftly and effortlessly as your ideas come.
Plug-ins normally work on only one channel at a time. CLA MixHub is the first plug-in to work in buckets – groupings of up to 8 channels, in up to 8 buckets in total. In other words, you can mix up to 64 channels from one CLA MixHub plug-in window. By mixing tracks side by side in the MixHub’s buckets, you’ll gain a mixing perspective that lets you immediately hear how one track’s processing affects others within a song.
The channel strips are meticulously modeled from the ground up with the latest technology, directly from Grammy-winning mix legend Chris Lord-Alge’s personal console – the console that Chris has used to mix a huge number of hits, from Green Day, Muse and Sugarland to Keith Urban and many more.
Once CLA MixHub is inserted on the channels in your mix, you can assign your tracks to buckets and begin making adjustments on the fly: mixing dynamics, EQ, saturation and more at a free-flowing pace without needing to switch plug-in windows in your DAW. While mixing, you can flip between two plug-in view modes: Bucket View, with control of up to 8 channels at a time, or Channel View, focusing on a single channel’s processing chain. Each channel consists of 5 sections: input, dynamics, EQ, output, and an insert point. Each processing module can be expanded to reveal additional functionality.
The input section handles high- and low-pass filtering and switchable harmonic distortion. The “line” control models the line amp in Chris’s console, adding light saturation. For more extreme drive, kick in the mic pre. This, in effect, is like running a line-level signal through the console’s microphone preamp.
The dynamics section includes two flavors of compression: the console’s built-in compressor, as well as Chris’s favored “Bluey” compressor. Also included: a gate, expander and ducker with a “hold” control and flexible sidechain options for shaping a sound’s envelope – as Chris calls it, it’s a ‘super-gate.’
The EQ section includes 4 bands of parametric EQ, from wide bells to narrow boost and cuts, loaded with the console’s original ballistics and Q characteristics.
The output section includes a VU meter and plasma-style PPM meter, plus a stereo imaging control and an output fader.
In CLA MixHub’s channel view, the insert point can be used for adding an additional Waves plug-in to your MixHub’s chain, making it a one-stop solution for your entire mix.
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