The performance-enhancing upgrades of Taylor's 200 Series 2013 Fall Limiteds elevate these guitars to spotlight-worthy status. Premium touches include an all-gloss body, Taylor' Expression System acoustic electronics (normally reserved for the 300 Series and higher), and a black hardshell case to better protect the guitar in transit. The cutaway Gr... Click To Read More About This Product
The performance-enhancing upgrades of Taylor's 200 Series 2013 Fall Limiteds elevate these guitars to spotlight-worthy status. Premium touches include an all-gloss body, Taylor' Expression System acoustic electronics (normally reserved for the 300 Series and higher), and a black hardshell case to better protect the guitar in transit. The cutaway Grand Auditorium 214ce-FLTD features Indian rosewood laminate back and sides with a solid Sitka spruce top, and accommodates a diverse range of playing styles.
Body Length: 20" / Body Width: 16" / Body Depth: 4 5/8"
Our most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker' guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA' overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won™t let you down.
Like sapele laminate, rosewood laminate features a plywood construction, in this case with interior and exterior layers of beautiful Indian rosewood veneer separated by a middle filler layer. Though the tonal properties of a wood laminate aren™t as complex as solid wood, the construction method enables Taylor to offer attractive, durable instruments at a more inviting price. A solid spruce top and Taylor craftsmanship ensure a clear, balanced tonal response.
Expression System Electronics
Natural Sound Made Simple
Taylor' ground-breaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar. The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls ” volume, bass and treble.
Years of research brought Taylor to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor' David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor mounted to the soundboard, a Dynamic String Sensor embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.
The ES was designed in-house, alongside Taylor's acoustic guitars, which allowed Taylor to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.
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