The lavish redesign of Taylor's most sophisticated class of rosewood guitars blends the same voicing enhancements first introduced on Taylor’s iconic 800 Series with a finely calibrated aesthetic makeover. The result is a luxurious look that delivers premium-grade tonal complexity. Impeccably rendered appointments strike an elegant balance between ... Click To Read More About This Product
The lavish redesign of Taylor's most sophisticated class of rosewood guitars blends the same voicing enhancements first introduced on Taylor’s iconic 800 Series with a finely calibrated aesthetic makeover. The result is a luxurious look that delivers premium-grade tonal complexity. Impeccably rendered appointments strike an elegant balance between wood and abalone shell trim, with ebony binding and koa purfling framing colorful abalone. The contoured ebony armrest embodies the highest levels of woodworking, enhances the playing comfort, and bolsters the tonal output by reducing the damping effect one’s strumming arm might otherwise have on the top. The three-way harmony of looks, feel and sound makes any 900 Series guitar hard to put back in its case.
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. The Grand Concert pairs well with both 14-fret and 12-fret neck-to-body construction, and offers an articulate voice with top-end chime. It's perfect for fingerstyle players and light strummers, though flatpickers are known to enjoy its tonal character too. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable. Taylor’s compact Grand Concert 12-fret guitars deliver a uniquely inspiring playing experience. The shorter 12-fret neck and 24-7/8 in. scale length create a slinky handfeel that makes fretting and bending strings easier, and the different bridge placement articulates the top in a way that produces a remarkably powerful voice for a small body. Under the hood, Taylor’s Performance bracing is optimized for each particular model, and on this all-mahogany 12-fret, players can expect more warmth, power and responsiveness than ever.
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Solid Indian rosewood back and sides complement the Sitka top with sound that's made it one of the most popular tone woods ever. Rosewood produces the strongest bass response among the tone woods commonly used for guitars, with a slightly scooped midrange. Rosewood's sweeping frequency range - deep lows that assert a throaty growl with sparkling highs - rings out with bell-like, high-fidelity clarity. It yields a full-range acoustic voice with complex overtones and extended sustain.
Expression System 2
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acousticly or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Custom-calibrated wood thicknesses and bracing for each body shape, 3.5 mil finish thickness, protein glue (bracing and bridge), ebony armrest, paua/koa trim (on top, back, sides, fretboard/extension, peghead and armrest), single-ring paua rosette edged with koa and ebony, abalone/pearl "Ascension" fingerboard inlay, ebony binding.
The Taylor Difference
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
Body type: Grand Concert
Cutaway: Single cutaway
Top wood: Solid Sitka Spruce
Back & sides: Solid Indian Rosweood
Bracing pattern: 800 Series Advanced performance grand concert with relief rout
Body finish: Gloss 3.5
Orientation: Right handed
Neck shape: Taylor Standard Profile
Nut width: 1.75 in. (44.45 mm)
Fingerboard: Genuine African Ebony
Neck wood: Tropical Mahogany
Scale length: 24.8 in.
Number of frets: 18
Neck finish: Satin
Configuration: Behind the saddle pickup
Preamp EQ: 2-band
Feedback filter: Phase
Headstock overlay: Genuine African Ebony
Tuning machines: Gotoh Gold Tuners and Buttons
Bridge: Genuine African Ebony
Saddle & nut: Micarta "Wave"/Tusq
Number of strings: 6-string
Special features: Tonewoods
Case: Hardshell case
Country of origin: United States
Reviewed by 1 customer
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Comments about Taylor 900 Series 912ceES 12-Fret Acoustic-Electric Guitar:
I love the 912. It has a lighter sound and touch than did the 916 that I started with. It is exactly what I was hoping to be