SONiVOX Orchestral Companion Strings feature a comprehensive collection of full orchestral string ensembles, which are fantastic for background string parts or quickly sketching out an orchestral score. But there's also a full array of individual string sections so you can really customize and polish your final creation by building things up s... Click To Read More About This Product
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SONiVOX Orchestral Companion Strings feature a comprehensive collection of full orchestral string ensembles, which are fantastic for background string parts or quickly sketching out an orchestral score. But there's also a full array of individual string sections so you can really customize and polish your final creation by building things up section by section. The key is flexibility—you can compose and create on as detailed a level as you'd like. All sections are fully represented, including 1st violins, 2nd violins, violas, cellos and contra basses. Up and down bow bowing, sustain, staccato, and spiccato notes, plus instrument pizzicato and tremolo articulations provide the depth of content needed for convincing ensemble string parts and tracks.
World-Class Musicians; Top-Tier Instruments
SONiVOX recorded the Orchestral Companion Strings in the legendary Futura Productions studios in Massachusetts. Members of the Boston Pops and/or Boston Ballet Orchestras played all performances, with the same premium instruments they use for their actual concert galas and events. A combination of spot and ambient mic’ing capture every instrumental nuance, while preserving the refined acoustics and intimacy of the performance space itself.
State-of-the-Art Sampling Sessions
Under the expert guidance of SONiVOX musical sound connoisseur Jennifer Hruska, each sample session was faithfully recorded by Emmy award-winning engineers Antonio Oliart and RIAA award-winning engineer John Bono. The players were positioned using orchestrally-correct seating, and measures were even taken to compensate for the sound-absorption of any players absent on that particular day. In order to retain a realistic "organic" feel, we used absolutely minimal post-recording electronic processing.
Each patch and preset is easily playable by virtually every level of performer. All instruments are presented in multi-velocity layers, with natural swells available via the modulation wheel. MIDI key switching provides on-the-fly articulation for select patches. The internal sound engine provides additional modulation (LFO) sources, dynamic envelope control, and studio-grade reverb/effects to allow creative customization of the onboard sounds.
In addition, Orchestral Companion Strings runs as a fully compatible plug-in with any VST (32 or 64 bit), AU (64 bit) , and AAX (32 or 64 bit) for ProTools 10.3 or higher Digital Audio Workstation (DAW) software.
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