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SPL Frontliner 2800 Channel Strip

Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
$2,699.00
Item #: 
1500000331328   POS #:116526674
Product Description:

The Frontliner is SPL's flagship channel strip. It has everything to record voices and instruments in perfect quality. Positioned even above the already legendary Channel One, the Frontliner combines preamp, de-esser, EQ and compressor, tube saturation, which can be used individually or in combination.Discrete Tube PreampThe Frontliner is a hybrid ...  Click To Read More About This Product

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Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
$2,699.00
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This oversized item has special shipping requirements

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Overview

The Frontliner is SPL's flagship channel strip. It has everything to record voices and instruments in perfect quality. Positioned even above the already legendary Channel One, the Frontliner combines preamp, de-esser, EQ and compressor, tube saturation, which can be used individually or in combination.

Discrete Tube Preamp
The Frontliner is a hybrid preamplifier consisting of a discrete semiconductor stage and a tube stage. The hybrid construction of the preamplifier combines the advantages of semiconductors (high dynamics with low distortion, low noise) with the musical qualities of tube sound (pleasant high/overtone spectrum, beautiful three-dimensionality).

The microphone preamplifier is discretely constructed from single transistors. It features 48 V phantom power, polarity inversion, padding and an LF cut filter. The line input has a precision balancing stage for connecting additional studio equipment. The discrete and low-noise instrument input is easily accessible on the front panel.

De-Esser
The De-Esser removes annoying S sounds without affecting the natural sound. In contrast to conventional compressor techniques, the S-frequencies are detected and phase-cancelled in a very narrow band, whereby the S-sounds are deleted unobtrusively.

The De-Esser works in the Auto-Threshold mode. This ensures constant processing even if the distance to the microphone fluctuates. Operation is reduced to just one knob that sets the desired S-reduction.

Compressor / Limiter
The special feature of the compressor is SPL's Double-VCA-Drive circuitry that achieves outstanding noise and distortion characteristics. By splitting the compressor activity on two VCA’s, compression itself has a lesser tendency to side effects like pumping.

The attack and release controls can be automated depending on the signal. The control activity is permanently and precisely adjusted to musical requirements. However, it is still possible to manually influence the characteristics of the automatic control, so that the boundaries between purely manual and automated control merge seamlessly.

Equalizer and Tube Saturation
The EQ section provides two semi-parametric filters for low and mid band, as well as an Air-Band filter delivering a silky and smooth top end. The EQ is optimized to process vocals, and acoustic and electronic instruments, allowing for both corrective adjustments and sound design.

The sound effects from saturating a tube can be used to fatten an audio signal or make it better cut through the mix. The sound results resemble tape saturation effects and increase the density and perceived energy in a pleasant way.

VU
The large VU meter displays the output level as VU value (energy) and peak value (peak level).
To visualize levels above +5 dB, the sensitivity can be reduced by -10 dB. The VU meter can be switched to display the gain reduction of the compressor.

External Inputs
Each Frontliner module has its own balanced inputs and outputs. Thanks to a sophisticated circuit logic, you can integrate all elements of the Frontliner like single devices into a studio environment. However, you can also group them as you wish or define insertion points at each interface.

If you think of the respective Frontliner modules as analog plugins, the added value becomes clear, which makes the Frontliner a versatile analog processing station in addition to the classic recording channel. DAW-based studios in particular are enriched with a first-class recording front-end and can also access high-end analog processors for the essential signal processing during mixing.

Specifications
Line/Insert Input & Output; XLR (balanced)
  • Maximum input level: 22 dBu
  • Maximum output level: 21.5 dBu
  • Input impedance: 20 dBu
  • Output impedance: 50 Ω
  • Common mode rejection (1 kHz): -80 dBu
  • Frequency range (Tube Gain +6 dB, 600 Ω, -3 dB): 10 Hz – 45 kHz
  • Frequency range (Tube Gain +15 dB, 600 Ω, -3 dB): 10 Hz – 35 kHz
  • THD + N (10 Hz – 22 kHz, 0 dB, Line input): 0,022 %
  • Noise (A-weighted, Line input): -94,7 dBu
  • THD + N (10 Hz – 22 kHz, 0 dB, De-Esser): 0,002 %
  • Noise (A-weighted, De-Esser): -97 dBu
  • THD + N (10 Hz – 22 kHz, 0 dB, Compressor): 0,004 %
  • Noise (A-weighted, Compressor): -97 dBu
  • THD + N (10 Hz – 22 kHz, 0 dB, EQ-Tube): 0,01 %
  • Noise (A-weighted, EQ-Tube): -91 dBu
  • THD + N (10 Hz – 22 kHz, 0 dB, entire channel strip): 0,03 %
  • Noise (A-weighted, entire channel strip): -91 dBu
  • Dynamic range (unweighted): > 112 dB
Microphone input; XLR (balanced)
  • Maximum input level (Mic, 13 dB gain): 9 dBu
  • Input impedance: 10 kΩ
  • Frequency range (Tube Gain +6 dB, -3 dB): 20 Hz – 45 kHz
  • Frequency range (Tube Gain +15 dB, -3 dB): 20 Hz – 35 kHz
  • THD + N (10 Hz – 22 kHz, 30 dB Gain): 0,024 %
  • Noise (A-weighted, 150 Ω, 30 dB Gain): -91.5 dBu
  • E.I.N. (150 Ω): -127 dBu
Instrument input; TS Jack (unbalanced)
  • Maximum input level (Instrument, 6 dB gain): 11.5 dBu
  • Input impedance: 1 MΩ
  • Frequency range (Tube Gain +6 dB, 600 Ω, -3 dB): 10 Hz – 45
  • Frequency range (Tube Gain +15 dB, 600 Ω, -3 dB): 10 Hz – 30
  • THD + N (10 Hz – 22 kHz, unity gain): 0.03 %
  • Noise (A-weighted, 100kΩ, 1:1 Gain): -95.5 dBu
Internal Linear Power Supply with Toroidal Transformer
  • Operating voltage for analog audio: +/- 15 V
  • Operating voltage for relays and LEDs: +12 V
  • Operating voltage for optional ADC192: +5 V V
  • Tubes anode voltage: +250 V
  • Tubes heating voltage: +12.6 V
  • Phantom power: +48 V
Mains Power Supply
  • Mains voltage (selectable): 230 V AC / 50; 115 V AC / 60 Hz
  • Fuse for 230 V: T 315 mA
  • Fuse for 115 V: T 630 mA
  • Power consumption: max. 30 W
Physical
  • Dimensions: 19" W x 3.46" H x 10.28" D
  • Weight: 12.57 lb
Pro Coverage

Guitar Center's Pro Coverage
Pro Coverage gives you added warranty protection for your gear. Stepping in where the manufacturer's "normal wear and tear" coverage ends, our Pro Coverage program offers you upgraded coverage if your product ever fails Click To Read More About This Product.

Pro Coverage includes
  • Accidental damage protection
  • Expedited repair or replacement
  • Free shipping (for returns or repairs)
  • 100% coverage for commercial use
  • Extended price protection
  • No lemon guarantee
  • Free transfer of coverage to a new owner
  • Repair costs covered for up to five years from date of purchase
  • Repair authorization-toll-free by phone or via the web
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