With an understated, refined appearance, instant comfort and playability, and a voice that is familiar and captivating, the vintage-inspired S2 Mira is a guitar you won't want to put down.Its all-mahogany body and asymmetrical, beveled top give the S2 Mira much of its explosive tone. And while not a super high output guitar, the S2 Mira can be over... Click To Read More About This Product
With an understated, refined appearance, instant comfort and playability, and a voice that is familiar and captivating, the vintage-inspired S2 Mira is a guitar you won't want to put down.
Its all-mahogany body and asymmetrical, beveled top give the S2 Mira much of its explosive tone. And while not a super high output guitar, the S2 Mira can be overdriven into well-rounded, organic rock tones without sacrificing the punch or clarity found in higher-output guitars (or even active pickups). The bridge pickup is rich with some sparkle and substantial but tight low end, while the neck pickup is a little darker providing great balance and vintage tones.
The S2 Story
The PRS S2 Series offers the fit, finish, feel, and attention to detail of PRS craftsmanship in a straightforward design. Standing for "Stevensville 2," S2 Series instruments are made at the Maryland shop blending new design elements and manufacturing techniques with practiced quality control and workmanship to create reimagined, fresh guitars that reach a more affordable price for players.
The S2 Series is comprised of three models: the S2 Mira, S2 Starla, and S2 Custom 24. These models share several key features, including PRS S2 locking tuners, custom-wound pickups, PRS neck shapes, PRS S2 bridges as well as PRS fretwire, nuts, and double-action truss rods. The new asymmetrical, beveled body shape offers a vintage vibe, and the flatness of the top gives these guitars a big, resonant voice.
Whether the S2 Series means your first PRS or an addition to your arsenal, one thing is certain: each model in the PRS S2 Series is a solid American-made guitar that makes no sacrifice in playability or tone.
Wood is the foundation of a guitar's tone. If you sacrifice the foundation, there is little hope of achieving an exceptional instrument. Believing this, PRS have chosen the same traditional tonewoods that are used on PRS Core guitars, such as maple tops, mahogany backs and bodies, mahogany necks, and rosewood fretboards. While some of the design and construction methods used in the S2 Series (the neck blank's starting dimension across the Series and the S2 Custom's wood grade, for example) allowed PRS to use less expensive and more readily available woods, no compromise has been made to the tone or integrity of S2 instruments.
A guitar should be comfortable and feel familiar from the moment you pick it up, and the neck is paramount to that connection. PRS S2 instruments feature a 25" neck with scarf-joint construction and the Pattern Regular neck shape, which stems back to the PRS "Regular" neck shape found on guitars made in the late 1980s in the Virginia Avenue Annapolis shop.
On the PRS S2 series, the neck begins with a quartersawn mahogany neck blank. That blank is cut, the headstock is scarfed, and the heel is built up using a plain splice. (A scarf joint is made up of two pieces of wood that are cut at complementary angles and glued together. A plain splice is a joining of two pieces of wood in the same line). These construction methods allow us to start with a smaller amount of raw materials, and the increased glue surface area results in a very strong joint. This technique combined with a pre-radiused, pre-fretted fretboard result in a very efficient, cohesive manufacturing process that creates a durable, comfortable, playable neck.
Width of the fretboard at the nut: 1 21/32"
Width at the body: 2 1/4"
Neck depth at the nut: 27/32"
Finish should do three things: most importantly, it should enhance the tone of a guitar. It should also feel good to the player's touch, and it should look good. The finish used on the PRS S2 Series accomplishes these goals by featuring a polyester basecoat and an acrylic topcoat (reminiscent of the finish system used on PRS Core guitars for twenty years (before the introduction of V12)). PRS have updated the process of this finish system to allow S2 guitars to move through the finish hall smoothly and quickly while also requiring a thinner topcoat for optimal tone. This old-but-new finish maintains a hi-gloss, attractive aesthetic, and the translucent and opaque color options offer vintage and modern flavors that allow players to choose the look that fits them best.
Pickups & Electronics
PRS S2 Series proprietary pickups are built to exact specifications, including wire and coating materials, winds, and resistance. Whether harkening back to the original HFS and Vintage Bass pickups or designed to work with the unique tones of a Bigsby tailpiece, S2 pickups were designed to capture the distinct tonal character intended for each instrument in the series.
All of the models in the S2 Series feature a 3-way blade pickup switch with a master volume and a push/pull tone control. Coil-tap functionality adds versatility by allowing players to split the humbucking pickups into singlecoils, providing a vast array of tones. The jack assembly used on the S2 Series is the same jack as the Core line, providing a clean connection point to amplify your sound.
Tuners, Nuts & Bridges
The tone of a guitar is influenced by several factors: wood choice, body style, pickups, scale length, metals and other materials used, etc. Some of the most impactful components are those that directly affect the vibration of the strings: the tuners, the nut, and the bridge. This is because it is the strings' vibration that the pickups sense and that creates the sound wave the ear will ultimately hear.
The bridge is the anchor of the guitar. It is here that the vibration of the string is transferred into the body of the guitar, bringing out the inherent tone of the woods chosen. Each S2 instrument features a different bridge style. The S2 Mira features the same stoptail that is used on Core PRS instruments. PRS use an unplated bridge with brass studs. The S2 Starla features a time-tested Tune-o-matic bridge with a Bigsby B50 tailpiece. The S2 Custom features a PRS tremolo (the same bridge found on the SE line of guitars).
The nut also plays a critical part in the transfer of tone. The nut on S2 instruments is the same nut PRS use on the Core guitars. The nut is strong and long-lasting without "grabbing" the strings, and it is imbued with brass, a highly musical metal.
PRS S2 locking tuners are used across the S2 Series. These proprietary tuners are reminiscent of the "Phase II" tuners and follow many of Paul Smith's "tweaks," including a brass shaft and specially-configured internal construction. The locking mechanism itself is identical to the one used on the Core guitars, which helps the guitar stay in tune.
Whether using parts shared by the Core manufacturing line or newly-sourced proprietary parts, PRS always chose to use musical materials (such as brass) and avoid materials that deaden tone (like nylon washers), maximizing the guitars' overall resonance, musicality, and tone.
The nut, jack assembly, fret wire, electronics knobs, and strings are all shared between Core and S2 instruments. It is long-lasting and is comfortable to play. The electronics' knobs are made in PRS' own proprietary mold, which results in a handsome and ergonomic design. As with all of solidbody guitars, PRS use 10-46 strings. S2 Series guitars come in a nylon gig bag to make heading out for your next show that much easier.
Guitar Center's Pro Coverage
Pro Coverage gives you added warranty protection for your gear. Stepping in where the manufacturer's "normal wear and tear" coverage ends, our Pro Coverage program offers you upgraded coverage if your product ever fails Click To Read More About This Product.
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Comments about PRS S2 Mira Electric Guitar:
I'm not going to get into all the blah blah blah stuff about the guitar. The guitar is awesome in tone, craftsmanship and playability. The simple reason why I returned it was two fold. It physically feels a bit small for me and I keep hitting the volume knob. I play aggressively and at times I have arm sweeps, which unfortunately hits the volume knob. If you're a controlled shredder with small movements then this is the guitar for you. I typically play an SG so all my knobs are tucked away. I would have kept it if I did not have that issue.
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