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RØDE University - Recording Vocals with the RØDE NT2000play button

RØDE University - Recording Vocals with the RØDE NT2000

RØDE University - Recording Guitars with the RØDE NT2000play button

RØDE University - Recording Guitars with the RØDE NT2000

RODE

collapse expand iconDescription

The RØDE NT2000 is a condenser micophone that offers you total control and superlative audio characteristics. In fact, the RØDE NT2000 is one of the most versatile condenser mics you'll ever encounter. Continuously variable controls on the microphone body let you dial in virtually any polar pattern, totally variable high-pass filtering and pad values. 20Hz–20kHz frequency response. Includes plastic molded travel case and SM2 shockmount.

Requires phantom power.
Open Box RODE NT2000 Variable Pattern Condenser Microphone Level 1
Open Box RODE NT2000 Variable Pattern Condenser Microphone Level 1
Open Box RODE NT2000 Variable Pattern Condenser Microphone Level 1

collapse expand iconFeatures

  • Continuously variable controls on the mic body
  • Dial in virtually any polar pattern
  • Totally variable high-pass filtering
  • Variable pad values
  • Includes plastic molded travel case and SM2 shockmount
  • 20Hz–20kHz frequency response

collapse expand iconSpecs

  • Frequency response: 20Hz–20kHz
  • Output impedence: 200 ohm 
  • Sensitivity: -36dB re 1 volt/Pascal (16mV @ 94dB SPL) +/-2dB
  • Equivalent noise: 7dBA SPL (per IEC651, IEC268-15)
  • Maximum output: +15dBu (@1% THD into 1 kohm)
  • Signal/noise: 84dB (1kHz rel 1 Pa (per IEC651, IEC268-15)
  • Power requirements: Phantom P48 or P24 volts

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collapse expand iconReviews

5

2 Reviews

0%

of respondents would recommend this to a friend

  • It Broke

    5

    submitted12 years ago

    byCarl Underguard

    fromSan Jose CA

    It broke. So why did I give it 5 stars? Because Rode Mics went out of their way to make it right. Before I get into that saga, I will say out right it is a beautiful sounding mic. It has a slight emphasis of the lows and highs and a slight de-emphasis of the mid-range, but I tend to prefer that. I like knowing that I am getting the full spectrum of sound, and then If I choose to run it through the EQ to roll of the lows and highs a little, I can get the exact balance I'm looking for. It's particularly nice knowing that the highs are there should i want them. Now, what truly made my happy with my purchase. I had been using this mic for 3 or 4 years when I realized that I wasn't getting the high frequency clarity that I should be. I did a couple test recordings, compared them to a couple recordings from when I first bought the mic and found that there was a very significant drop in high band frequency response. I went to my paperwork to track down warranty information and was disappointed to find that it only mentioned a one year limited warranty. I decided to contact Rode anyway even though I felt like it was a long shot that they would be willing to help me. I explained my situation, and made it clear that I hadn't mistreated the mic, and in fact that I hardly every even moved it once I got it on my mic stand. A Rode representative got back to me and told me that if I registered the mic on their website I could get access to a ten year warranty that I believe they instituted after I had bought my mic. They wanted the original date of purchase (which I of course could not remember anymore) and the proof of purchase (which I had sense thrown away or lost) to register the mic, but accepted that I could not provide them. There are plenty of electronics companies that would have happily used these as excuses to void the warranty, it you could argue that it wouldn't have been unreasonable, but Rode didn't. They sent me an RA# and address for a service department and had me send it out. Two weeks later I got word that they could not fix my mic and were instead sending me a replacement, brand new and sealed in its box. To me, that is a big deal. Maybe this is the norm in microphones or studio equipment in general, but have dealt with other electronics companies enough to know that this level of customer service is not the norm for everybody. I have since tried to find out if this is a common problem with Rodes, and have found absolutely zero reference to this problem online, so it seems very unlikely that this is a design flaw. The reality is that all electronics will have some non-zero failure rate. It doesn't matter if it's Neumann, MXL, Shure, or Rode, a certain percentage of their units will fail, and I just happened to draw the short straw. What matters is what the manufacturer does about the failures, and Rode's approach was exemplary. I would highly recommend this mic, just make sure you keep your receipt or packing slip, as it will make things easier if something should happen to go wrong.

  • Love This Mic

    5

    submitted15 years ago

    byLarry

    fromLexington, KY

    I purchased this mic about 2 years ago. It is rock solid. you will absolutely love this for a vocal mic, awesome for acoustic gtr too. Dial in a little Omni for vocals, pad about 3 or 4 and get a great beautiful sound. This is a hidden gem.. Far more mic than the price rivals the best in the busines.. I have recorded 2 albums using it on all the vocals.. Will not be sorry.. and the 10 warranty is tops.

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