Open Box Joemeek OneQ2 2U Deluxe Channel Strip

The oneQ2 studio channel from Joemeek builds on the outstanding audio quality of the sixQ2 to bring added versatility to both project and professional studios. Designed around a transformer-based mic input and the classic Joemeek optical compressor, the oneQ2 adds musical four-band EQ, harmonic enhancer, and a versatile de-esser to give you full vintage vibe plus the ability to output 24-bit/96kHz digital audio to your DAW. It's the perfect way for project studios to add some major sonic muscle and for larger studios to offer a broader range of options to customers.

Joemeek Q series studio channels provided ultra-clean, world-class mic pres combined with amazingly musical EQ, built-in high-quality digital converters, a unique ˜IRON' transformer-coupling switch to add some special sonic coloration and the famous Joemeek optical compressor. The Q2 series offers several upgrades from the original spec with a new top-quality Cinemag mic transformer, more headroom, and the ability to route the line input through the mic transformer for the type of euphonic effects that only come from finely tuned audio components.

Ultra-clean microphone preamplifier with Cinemag transformer
"Iron" switch sends line input through mic transformer to add color and vintage vibe
Highly musical 4-band EQ with sweepable low- and high-mids and selectable LF and HF
Full-featured optical compressor from vintage smooth to completely over the top dynamics effects
De-esser with listen function for quick and precise elimination of sibilance
Harmonic enhancer for added definition without the need for gain increase
Balanced and unbalanced I/O to interface with any system
24-bit/96kHz digital converters with AES/EBU, optical and S/PDIF connections, plus Word Clock in.

Input impedances: Mic: 1.2kohm; Line: 20kohm
Pre-amp overall gain: 10dB to 60dB (variable)
Common mode rejection: 70dB
Equivalent input noise: -128.5dBu (unweighted)
Distortion: 0.001% (below Compressor threshold)
Frequency response: 15Hz to 70kHz (-3dB)
Maximum input before clipping: Mic: +21dBu; Line: +45dBu
Headroom before clipping: +21dBu
Compressor threshold: ˆždBu to -20dBu (variable)
Compressor ratio: 1:1 to 10:1 (variable)
Compressor attack time: 1 msec to 100 msec (adaptive)
Compressor release time: 0.1 sec to 3 sec (adaptive)
Nominal output levels: +4dBu/-10dBv
Output impedance: 100ohm
Output Level switch: 12dB attenuation
Noise Floor: -85dBu (typical, with 40dB mic gain)
VU Meter: Analogue movement
Power supply: 115V / 230V ac mains, 50/60Hz
Power consumption: 30W
Mechanical: 19x3.5x8.66" (overall)

Weight: 6.5 lb
High Pass Filter: 12dB per octave cut below 80Hz
EQ Boost & Cut: +/-15dB (zero phase-shift bell response)
LF Frequency : 80Hz/120Hz switchable
LMF Frequency : 200Hz to 2kHz variable
HMF Frequency : 1kHz to 6kHz variable
HF Frequency : 7kHz/14kHz (selectable)
EQ "Q" 0.9 (1.6 octaves
Sampling: 24 Bit
Resolution: 24-bit delta sigma using Wolfson WM8738 ADC
Sampling Rate: 44.1kHz, 48kHz, 88.2kHz or 96kHz selectable
Output Formats: AES3 compliant (balanced), S/PDIF electrical
Noise Floor: typically 92dB A-weighted (referenced to 0dBFS = +18dBu). So for a +4dBu signal, the SNR is 78dB
Distortion: typically 0.01% @ 0dBu (20Hz - 20kHz) at 96kHz sample rate, 0.02% @ 0dBu (20Hz - 20kHz) at 48kHz sample rate and 0.02% @ -1dBFS (20Hz - 20kHz) at all sample rates
External Word Clock input: 75ohm, 1.25V - TTL level, 44.1kHz to 96kHz (auto synchronising)
Crosstalk: typically -67dB (20Hz - 20kHz)

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