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Headphones

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Results & Compare List:
  1. Sennheiser PXC 550 II Headphones
    Your Price $183.99
    Excellent Condition
    Summerlin, NV
  2. Sennheiser HD200PRO Studio Headphones
    Your Price $56.99
    Excellent Condition
    Las Vegas, NV
  3. Behringer PowerPlay Pro HA4700 Headphone Amp
    Your Price $124.99
    Excellent Condition
    Manchester NH, NH
  4. dbx TR1616 Headphone Amp
    Your Price $499.99
    Excellent Condition
    Boston, MA
  5. PreSonus HP2 Headphone Amp
    Your Price $89.99
    Excellent Condition
    Memphis, TN
  6. Behringer AMP800 MiniAMP 4-Channel Headphone Amp
    Your Price $44.99
    Excellent Condition
    Towson, MD
  7. Audio-Technica ATHM20X Studio Headphones
    Your Price $39.99
    Great Condition
    Manchester, CT
  8. Sterling Audio SHA4 Headphone Amp
    Your Price $39.99
    Great Condition
    Appleton, WI
  9. Shure P4hw Headphone Amp
    Your Price $119.99
    Great Condition
    Tyler, TX
  10. TASCAM TH-200X Studio Headphones
    Your Price $39.99
    Great Condition
    Asheville, NC
  11. TASCAM TH05 Headphones
    Your Price $29.99
    Great Condition
    Davenport, IA
  12. Sterling Audio SHA4 Headphone Amp
    Your Price $39.99
    Great Condition
    Tulsa, OK
  13. AKG K52 Studio Headphones
    Your Price $34.99
    Great Condition
    Cedar Rapids, IA
  14. Sterling Audio SHA4 Headphone Amp
    Your Price $38.99
    Great Condition
    San Jose, CA
  15. Sterling Audio SHA4 Headphone Amp
    Your Price $39.99
    Great Condition
    Portland, ME
  16. Behringer HA4400 Headphone Amp
    Your Price $69.99
    Great Condition
    Salt Lake City, UT
  17. On-Stage HA4000 4-Channel Headphone Amp
    Your Price $24.99
    Great Condition
    Monroeville, PA
  18. Sterling Audio SHA4 Headphone Amp
    Your Price $39.99
    Great Condition
    Plano, TX
  19. AKG K361 DJ Headphones
    Your Price $59.99
    Great Condition
    Williston, VT
  20. Sterling Audio SHA4 Headphone Amp
    Your Price $38.99
    Great Condition
    N. Olmsted, OH
  21. Sony Mdr-7506 Studio Headphones
    Your Price $75.99
    Great Condition
    Greensboro, NC
  22. Samson C-Que8 4 Channel Headphone Amplifier Headphone Amp
    Your Price $49.99
    Great Condition
    Hobart, IN
  23. American Audio HP 700 DJ Headphones
    Your Price $49.99
    Great Condition
    Wilmington, DE
  24. Rockville RHPA4 Headphone Amp
    Your Price $29.99
    Great Condition
    Fountain Valley, CA
  25. Audio-Technica ATH-S200BT Headphones
    Your Price $69.99
    Great Condition
    Bloomington, MN
  26. Beats By Dre Pro Studio Headphones
    Your Price $119.99
    Great Condition
    Atlantic City, NJ
  27. Behringer Powerplay PRO 8 HA4700 Headphone Amp
    Your Price $39.99
    Good Condition
    Mesquite, TX
  28. AKG K240 Monitor Headphones Studio Headphones
    Your Price $39.99
    Good Condition
    Manchester, CT
  29. Samson Q5 HEADPHONE AMPLIFIER Headphone Amp
    Your Price $24.99
    Good Condition
    Oxford Valley, PA
  30. PreSonus HP60 Headphone Amp
    Your Price $144.99
    Good Condition
    Flint, MI
Showing 451-480 of 495 
Page: Previous 1  … 14 15 16 17 Next
About Headphones:

Headphones, once considered simply an accessory, have become a necessary part of virtually every musician's toolbox. From tracking to practice sessions to live monitoring – even to mixing – you need at least one great-sounding pair of 'cans' to offer a new perspective on the music you make. But choosing a pair can be tricky, depending on the intended application and what your level of physical comfort with different styles is. Let's look at different types, one by one.

In-ear phones, sometimes called "earbuds" or "earphones" are the smallest, lightest and least conspicuous choice. They're definitely the best choice for onstage wireless monitoring and some of the available fit options make for superb isolation. The seal with your ear can make for exaggerated frequency response, so in-ears wouldn't normally be the first choice for mixing or any sort of reference-quality listening. Some people have issues with comfort for long sessions, and some just don't like sticking something in their ear.

On-ear, or "supra-aural," phones rest, as should be obvious, on your ear. They don't offer quite the isolation of either of the other two types of phones, so they're a great choice when you need to be more aware of what's going on around you. Since they don't form a sealed chamber, they tend to have a more open sound with a frequency response that is very stable, so they're an excellent choice for reference monitoring and headphone mixing. They can, though, leak that sound to the rest of the world. This makes them not the best choice for tracking in a room with open mics. Because they rest on your ears, long session can get uncomfortable, which is why supra-aural phones with easily replaceable ear pads in a variety of foam density and covering type have become common.

Over-ear, or "circumaural," phones fit around your ear, creating a sealed chamber. Most really high-end phones tend to be of this type, as over-ear phones can fit larger drivers for better, more even frequency response, with a much tighter and more controlled low frequency response. Circumaural phones such as the Sennheiser HD280Pro, tend to be the most immersive listening experience and make excellent reference monitors. Due to the fact that they're the largest headphones, they'll be a little heavier, but modern materials have decreased that weight and made long sessions with over-ear cans much more comfortable.

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