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G. Henle Verlag Robert Schumann - Violin Sonata No. 2 in D minor, Op. 121 Henle Music Folios Softcover by Robert Schumann

Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
$40.95
Item #: 
1500000125416
Product Description:

Schumann's second violin sonata was written in October/November 1851, in only a few weeks after the first work for this combination of instruments (HN 428). The highly virtuosic sonata, especially in the finale, is characterised by the close thematic dovetailing of the single movements. Wilhelm Joseph von Wasielewski, who later became the composer'...  Click To Read More About This Product

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Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
$40.95
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Overview

Schumann's second violin sonata was written in October/November 1851, in only a few weeks after the first work for this combination of instruments (HN 428). The highly virtuosic sonata, especially in the finale, is characterised by the close thematic dovetailing of the single movements. Wilhelm Joseph von Wasielewski, who later became the composer's biographer, reported that smiling in his kind-hearted manner the composer had said to him: I did not like the first violin sonata; so I then wrote a second one, which is hopefully better. Schumann was apparently referring to the great differences in the expressive content: Whereas the first sonata with three movements seems rather melancholy and dark overall, the second Great Sonata with four movements is bursting with energy and ends in vibrant DŸmajor.

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