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G. Henle Verlag Mozart - Wunderkind Sonatas, Vol 1, K6-9 Henle Music by Mozart Edited by Wolf-Dieter Seiffert

Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
$29.95
Item #: 
1500000125384
Product Description:

At the time, Mozart's genius - recognized at an early age - could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna, older by five years, were admired as being Wunderkinder (prodigies) on their travels through Western Europe between 1763 and 1766. The piano sonatas with a violin accompaniment K. 6-9 were composed in P...  Click To Read More About This Product

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Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
$29.95
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Overview

At the time, Mozart's genius - recognized at an early age - could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna, older by five years, were admired as being Wunderkinder (prodigies) on their travels through Western Europe between 1763 and 1766. The piano sonatas with a violin accompaniment K. 6-9 were composed in Paris. It is wonderfully fresh and varied music. The piano is joined by a violin that adds color, but not as an equal partner unlike in the later, great violin sonatas (see HN 77-80). This music is not only ideally suitable for piano and violin teaching purposes but will also allow musicians who already know everything to discover some treasures.

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